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Content Warning: This section of the guide contains discussion of graphic violence, physical abuse, and emotional abuse.
Five months after Charly’s injury, Clark is late for a lesson on how to dress her. Her needs immediately overwhelm him when her occupational therapist, Valerie, points out that her incontinence brief is wet. When Clark hesitates, Valerie changes it herself. He struggles to dress Charly, expressing frustration. Later, at physical therapy, her physical therapist, Natalie, explains that walking is excellent exercise, but insurance will only cover a wheelchair. Clark objects to buying a walker, stating that Charly will use the wheelchair full-time at home, as he’ll be too busy to help her practice walking. Overwhelmed, Charly silently agrees.
In her hospital room, Charly has a bowel movement just before Clark and her therapist arrive for a care lesson. Her shame deepens when Clark makes a negative comment about her unshaven legs. When the odor becomes apparent, the therapist uses it as a teaching opportunity. Clark reluctantly helps clean and dress Charly but avoids eye contact with her. He gives her a quick, perfunctory kiss on the forehead before departing.
The novel returns to the “before” timeline. Two months before the shooting, Charly finds a suspicious text on Clark’s phone, reading, “Is she gone yet?” (278). After consulting Bridget, Charly hires a private investigator, Mark Spinelli, who soon confirms that Clark is having an affair with a model named Haley Matthews. In Spinelli’s office, Charly views his surveillance photos of Clark and Haley kissing. Devastated and enraged, she resolves to throw Clark out of their apartment.
Two weeks later, Charly waits for Clark at home, drinking wine. She discovers the gun he purchased in an unlocked drawer and holds it. When Clark arrives, she confronts him about Haley. Seeing her holding the gun, he becomes frightened, but she returns it to the drawer. Clark confesses, blaming loneliness, but insists that the affair is over, and proposes that they start trying for a baby to save their marriage. Though suspicious, Charly allows him to stay in the guest room while she considers forgiving him.
The novel returns to the “after” timeline. Five months after the shooting, Charly overhears Clark (on the phone in her rehab room) telling someone, “I love you.” When she confronts him, he admits that he’s in love with Haley. He proposes a mutually beneficial arrangement: He’ll be her caregiver in exchange for her disability payments, which he needs to resolve his financial problems, while he continues his relationship with Haley. He tells Charly she should be grateful, as her condition makes her undesirable. Feeling powerless, she agrees.
Clark informs Charly that she’ll sleep in the spare bedroom of her apartment, while he and Haley, posing as Charly’s live-in nurse, take the master bedroom. In the rehab facility’s gym, Charly confides in Angela. Outraged, Angela polls other male patients on whether they find Charly attractive. An elderly patient agrees that Charly is pretty, while Jamie blushes and quietly calls her “beautiful,” giving her a small flicker of hope.
During a group session, a patient named Helga, a former jeweler, examines Charly’s engagement ring and declares that it’s cubic zirconium rather than a diamond. Later, Charly’s professional knowledge resurfaces when she diagnoses a lesion on another patient’s scalp as probable skin cancer. Amy, her speech therapist, witnesses the diagnosis and marvels at how this skill is perfectly preserved despite Charly’s other deficits. That night, her nightmare, in which Kyle Barry shoots her, recurs.
Two weeks later, Charly notices that Jamie has been distant since Clark began visiting more frequently. During the Walking Group session, Clark arrives early and tries to pull Charly from the session, dismissing her practice as “pointless.” Overhearing this, Jamie shoves Clark to the floor and then claims he did so inadvertently after losing his balance. Enraged, Clark threatens Jamie, and the two argue until the therapist, Natalie, orders Clark to leave and scolds Jamie. Fearing Clark’s retribution, Charly is filled with dread, wondering if this will be the last time she ever gets to walk.
Still angry, Clark is rough with Charly during a bathing lesson and forbids her from speaking to Jamie again. He then demands that she transfer power of attorney from her mother to him. Feeling that she has no choice, Charly agrees. Later, Jamie finds Charly and apologizes, confessing that he thinks she’s beautiful and deserves better. Before leaving, he gently turns her food tray so that left-side neglect won’t prevent her from seeing her water glass.
An eye doctor fits Charly with prism glasses to help correct her left visual neglect. During her next therapy session, she wears them and, for the first time, successfully wheels herself down a hallway without crashing. Her therapist is thrilled, pointing out that Charly is unconsciously using her left hand to help push the chair. Later, Charly realizes that she can see and tell time on her left wristwatch without consciously trying.
Charly excitedly tells Clark about her new glasses and asks for nicer frames, but he refuses because of the cost. During their next care session, he buttons her shirt incorrectly, and when she asks him to fix it, he calls her a “diva.” Frustrated, Charly attempts to rebutton the shirt herself. To her therapist Valerie’s astonishment, Charly unconsciously uses her left hand to steady the fabric and completes the task.
Waking from a nap, Charly hears her phone ringing and uses her prism glasses to locate it, instinctively using her left hand to answer. The caller is Regina Barry, the ex-wife of the man imprisoned for shooting Charly. Regina reveals that Clark was once a neighbor of hers and her ex-husband’s, that the two men became close friends, and that Clark was dating a model named Haley at the time. Charly instantly realizes that her first meeting with Clark was a setup. Regina adds that she tried to tell the police, but they ignored her. As Charly ends the call, she feels a severe headache starting, and just then, Clark enters her room.
These chapters systematically deconstruct Charly and Clark’s marital relationship, exposing it as a site for predatory abuse. Clark’s interactions with Charly thematically highlight The Dangers of Misplaced Trust, as he weaponizes her physical, emotional, and cognitive limitations to assert control. His disgust is overt and strategic; he recoils from her incontinence, referring to her briefs as a “diaper,” and expresses significant impatience with the basic tasks of her care. This is a calculated campaign to dismantle her self-worth. He talks about her as if she’s an object to be managed, unilaterally deciding that she’ll spend all her time at home in a wheelchair and that her walking therapy is thus pointless. These psychological tactics culminate in a monologue in which he declares her physically repulsive and frames his continued presence as a magnanimous act. The novel contextualizes this behavior through flashbacks that reveal Clark’s long-standing manipulation, particularly his promise to start a family to secure her forgiveness for his infidelity. The text portrays intimate partner violence not merely as physical aggression but as a process of psychological annihilation.
The narrative structure intertwines Charly’s neurological condition with Clark’s psychological manipulation, extending the metaphorical use of the left-side neglect motif to thematically emphasize The Fragility of Perception and Reality. Charly’s hemispatial neglect, a literal blindness to half of her world, mirrors her manufactured ignorance of Clark’s treachery. Her recovery thus becomes a dual process. Early in this section, she can’t see the food on the left side of her tray, a tangible manifestation of her incomplete perception. However, the introduction of the prism glasses marks a critical turning point. The glasses bend light, allowing her to see what was previously invisible, which precipitates the return of function in her left hand. This restoration of physical sight foreshadows the insight that Regina Barry’s phone call provides for Charly in the novel’s climactic scene. The information that Regina provides is a metaphorical prism, bending the light of the past to reveal the previously unseen truth: the connection between Kyle Barry and Clark. This external verification shatters the false reality that Clark constructed, proving that genuine understanding requires piecing together fragmented information.
Amid this degradation, these chapters continue to chart the complex process of Charly’s healing from the TBI, highlighting the theme of Reconstructing Identity After Trauma. Clark aims his campaign of abuse at erasing Charly’s former self, reducing the competent physician to a “helpless” patient. He constantly reinforces this new, broken identity, defining her by her helmet, her wheelchair, and her physical needs. Charly internalizes this, feeling ashamed of her body and loss of autonomy. Nevertheless, a pivotal moment of self-realization occurs not through memory but through professional instinct. When Charly diagnoses another patient’s squamous cell carcinoma, she momentarily transcends her patient status and reclaims her core identity as Dr. McKenna. In addition to this validation of her internalized skills, Charly receives validation that counteracts Clark’s cruel assessment of her appearance when Jamie sincerely declares that she’s “beautiful,” bolstering her self-worth. Identity, the novel suggests, is a dynamic and relational construct. Though cruelty can dismantle it, its essential components persist, and authentic human connection provides the catalyst for its reconstruction.
A cluster of symbols makes the abstract nature of Clark’s fraud tangible. The novel initially presents the gun—which appears in this section when Charly confronts Clark about his affair—as a tool of protection. Its presence during their confrontation, however, imbues it with deeper significance, foreshadowing Clark’s violence. The later revelation that Clark and Kyle are collaborators recasts the gun as an instrument of shared conspiracy rather than as a shield. The danger is contained within the home, not introduced by an intruder. Echoing the gun’s symbolism is the discovery that Charly’s engagement ring is a fake, containing cubic zirconium rather than a diamond (as a fellow patient who is a former jeweler reveals after inspecting it), stripping away another layer of Clark’s performance. The relatively worthless ring emblemizes their entire relationship: a cheap imitation presented as something precious and real. Clark’s ability to pass off a fake diamond is a microcosm of his talent for grander deceptions. These objects (the gun and the ring) work in tandem to ground the themes of betrayal and fraudulent love in the material world.



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