57 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of mental illness, death by suicide, and death.
Richie and Scorcher interview Fiona. They ask how Pat and Jenny met, and Fiona tells them about a close-knit group of friends from childhood, which included Conor. She says that she dated Conor briefly when she was 16, but he seemed to be in love with Jenny. Fiona had broken up with him but didn’t confront him about his feelings for Jenny. Fiona admits that she also told Pat and was worried he would confront Conor, but she never found out what happened between them. She also mentions that she thinks Jenny knew how Conor felt about her.
Fiona explains the group dynamics over the years, with differing attitudes toward money being a factor in them drifting apart. She notes that Pat and Conor stayed close, but it seemed like they argued a few months ago. She speculates that it was about Conor’s attitude toward their home purchase, as he speaks his mind regardless of consequences.
She then reflects on a particular summer before Pat and Jenny went to college, when they tried to save an ice cream shop that was about to go out of business by being frequent customers. From her description, Scorcher and Richie recognize the small badge saying, “I go to JoJo’s” (91) in Jennie’s drawer as being from the shop.
They finally tell Fiona that Conor is under arrest for the crimes, and she is furious that they didn’t tell her earlier. She doesn’t believe it that he is guilty and insinuates that they coerced him into a confession.
Scorcher and Richie talk about the motive they’ve identified: Conor was in love with Jenny. Richie isn’t convinced it is enough to be certain. He argues that Pat could have found out Conor was leaving Jenny presents, like the Jojo’s badge, and gotten angry.
They call Kieran, the computer tech, to see if he’s found anything else online. He sends a link to Pat’s postings about the animal on a home and garden website. His requests for advice indicate he was getting increasingly upset about it. He mentioned that Jenny hadn’t heard the animal, and Richie is concerned about what the posts suggest about Pat’s mental health, but Scorcher is less interested.
Scorcher goes home and is startled but relieved to find Dina there. They talk about their memories of Broken Harbour. Dina says she hated it, except for the fact that their mother was happy there. Scorcher says, “[Y]ou make it sound like you were already having problems” (341). She replies that her mental health issues preceded their mother’s death. He argues, suggesting that there would be no reason, but she responds that there doesn’t have to be; it is just the way she is.
Dina tells Scorcher she’s worried about him and the case’s effect on his mental well-being. He tries to get her to agree to go back to Geri’s, but she argues that she needs his support instead. He says he can’t give it to her, and she suggests that if he dumps her at Geri’s she might jump in the river. He finally loses his temper with her, and she leaves. She tells him to find her by the next night or he’ll “be sorry.”
Scorcher tries to calm himself and slips into memory. When his mother died by suicide, she had almost “taken Dina with her” (348). He remembers waking to find two bunks empty and a note from his mother that Dina was too young to be without her mother. He remembers searching for them on the beach with Geri and his father and finally finding Dina. Later, their mother’s dress was found in a fishing boat’s net. Scorcher went to identify it because their father couldn’t get out of bed. He recalls that Dina never said anything about what happened that night.
Scorcher surprises himself by not going to look for Dina. Instead, he goes into work and finds Richie calling pest control companies to substantiate Pat’s claims that he had called an exterminator. They also find signs of Pat on another website, this time a hunting forum. Another poster on that site suggested a serious trap and sent him a link. Richie and Scorcher talk about what it means that Pat selected a foothold trap, the least humane option. While waiting for it to arrive, Pat described the animal getting into the walls, and he said that he made the holes in the walls to try and see it.
Pat then posted that the trap arrived but didn’t catch anything. Another poster asked why he hadn’t used poison yet, and he said he needed his wife to see the animal so that she wouldn’t doubt his mental health. He eventually tried live bait—a mouse trap on a glue board—which completely disappeared without triggering the trap.
Richie and Scorcher decide they need to talk to Jenny. When they ask her about the break-ins, she downplays them because only minor things were missing or different. She didn’t tell Pat because she didn’t want to bother him. They ask about Pat’s state of mind, but she is evasive and finally asks the detectives to leave.
After they leave, they speculate on what she might be hiding. They wonder if the break-ins weren’t a big deal because she knew it was Conor. They wonder if she and Conor were having an affair. Richie asks if they should speak to Conor about it, but Scorcher says they need to talk to the Gogans again.
Scorcher is abrasive with Sinéad Gogan, insulting her intelligence and telling her that she has to tell them what she knows. She eventually says that sometimes the frequencies of the baby monitors got crossed, and she could hear things inside the Spains’ house. Most notably, she remembers a time when Jenny was talking to the children, telling them to be happy when Pat returned from a walk. It reminds Scorcher of the way an abused person talks. Sinéad also says she heard whistling in the house once, when the Spains weren’t home.
Richie and Scorcher interview Conor again. They ask about his relationship with Pat and Jenny; he describes his close friendship with Pat and how special Jenny was. The detectives ask what happened to their friendship, and Conor confirms it was a disagreement over them buying the house. He went to see the house with them right after they’d paid their deposit and asked if they were sure about it. Pat and Jenny both grew angry and yelled at him. Conor says he hadn’t seen the Spains since, but he had started to miss them when the economic downturn started and his freelance work dried up. He came to Brianstown to see how they were doing and watched them from a nearby house. He felt peaceful watching them, so he came back.
Conor describes starting to spend more time in the hide, finding the back door key, and entering the house when they were out. He describes how Pat changed after he lost his job but defends his friend, saying that he was still fine. He says that Pat still left the house but did like to be home to watch for the animal he thought was in the walls. Scorcher and Richie realize Conor shouldn’t have known about that by just watching. He says he listened at their kitchen window one night: They were talking about a trap not working, but it wasn’t an argument.
Scorcher and Richie suspend the interview and talk. Scorcher is pleased that Conor appears to have a motive, but Richie is still skeptical. Scorcher speculates that Conor could have been gaslighting Pat that there was an animal in the attic. Richie points out that isn’t the simplest solution, but Scorcher persists, suggesting that maybe Jenny was in on it as well.
When they go back in, Scorcher confronts Conor with the JoJo’s badge and asks how it got into the Spains’ house. He says he left it on the kitchen counter in the hope that Jenny would find it and know she wasn’t alone. They question Conor about the timing, and he finally admits that it was because Pat was getting worse, and Jenny seemed so lonely. He tells them that he left it on Sunday, the day before the murders.
Scorcher starts badgering Conor, accusing him of having an affair with Jenny and almost assaulting him. Richie steps in and continues questioning Conor. He suggests that Conor saw Pat attack Jenny from his hide and went to step in. Conor seems about to tell the truth, but then he shuts up again.
Memory plays an important role in this section of the novel, further developing the theme of The Question of Agency Versus Randomness as Scorcher continues to believe that the key to the crimes lies in the victims’ personal lives. During an interview, Fiona describes Pat, Jenny, and Conor, as well as the closeness of their group of friends. Her memories allow Scorcher and Richie to search for the motive for the crime. Fiona describes how Conor used to look at Jenny—“all his body, all the angles of him always pointed Jenny’s way” (301)—and Scorcher feels certain that thwarted love was Conor’s motive for the murders. With this revelation, Scorcher feels vindicated in his worldview: “In a strange way, it was comforting, knowing that I had been right, way back at the beginning: this hadn’t blown in off the wide sea like some killer gale and crashed into the Spains at random. It had grown out of their own lives” (301).
During this part of the murder investigation, the lines between Scorcher’s professional and personal lives begin to blur. During the interview with Fiona, he thinks about his sisters when Fiona describes Jenny as being “good at life” and having “the knack” (310). Rather than maintaining distance and control, he has a flash of seeing “Geri in her savory-smelling kitchen, examining Colm’s homework and laughing at Phil’s joke [… ] and Dina, wild-haired and claw-fingered, fighting me for no reason she could ever have named” (310). In this characterization, Scorcher defines Jenny as being similar to Geri and a foil to Dina, but this simplistic assessment will be challenged in the final chapters of the novel as the truth of the crime is revealed.
Scorcher’s confrontation with Dina is a key moment that derails the investigation and causes internal conflict for him. She is angry with him for trying to “organise her” and for suggesting that she wasn’t mentally ill until after their mother died. She corrects him, and he argues, “[O]f course it was because of Mum. What else would it be? You were never abused, I’d swear to that on my life, you were never beaten or starved or […] if it wasn’t Mum, then why?” (342). Dina replies: “There isn’t any why […] I’m not crazy because anything. I just am” (342). This scene is important for two main reasons. First, it is the catalyst for her storming out of the apartment and him not going after her, a lack of action that he admits is a first, changing the status quo of their relationship. That choice affects their relationship dynamic while contributing, on a practical level, to the resolution of the novel’s mystery as Dina goes to Richie’s apartment and takes the evidence bag with Jenny’s fingernail. This moment also represents a crucial point in the novel’s exploration of the question of agency versus randomness in murder. Scorcher is desperate to maintain control and impose order on life, including his murder investigations and his sister’s mental health, to the point where he refuses to believe their mother’s death wasn’t the catalyst for Dina’s mental illness. In realizing that Dina’s problems weren’t caused by their mother’s death, he is forced to admit that life has less structure and meaning than he believed.
Both Pat and Jenny Spain are also characterized in more detail throughout this section. The narrative highlights their similarities through their reactions to the intrusions into their lives. Pat, on the Internet boards, expresses his commitment to catching the animal, while Jenny insists that she wasn’t scared despite the break-ins. Scorcher observes that they “had been a good match: fighters” (369-70). Much of the characterization occurs through Conor’s memories of his friends, but those memories are filtered through their long friendship and his unrequited love for Jenny, connecting to the theme of Using Appearance to Shape Reality. French emphasizes the power of memory over Conor when Scorcher observes, “[H]e was falling away into the memory; I could feel the sadness rising off him, like cold off ice” (402). French elaborates on Conor’s affection for his friends, and the futility of his love for them. His reactions to memories suggest that Conor is haunted by his inaction and the difference he might have made in his friends’ lives if he had intervened differently or sooner.



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