57 pages 1-hour read

Broken Harbour

Fiction | Novel | Adult | Published in 2012

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Chapters 17-19Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of child death, mental illness, death by suicide, death, and sexual content.

Chapter 17 Summary

On his way to work, Scorcher is intercepted by Quigley, a colleague who dislikes him. Quigley describes Dina coming into the building and making a racket asking for Scorcher. Quigley informed her that he could place her under arrest for holding stolen police property. He then shows Scorcher an evidence bag that contains a woman’s fingernail—“it had been ripped off at the quick. Caught in a crack was a wisp of rose-pink wool” (433). Scorcher recognizes the handwriting as Richie’s and remembers the young detective’s strange expression at Conor’s apartment.


Scorcher and Richie go to an interview room to talk. Richie explains that Dina showed up at his apartment the night before, after she left Scorcher’s flat. Scorcher asks why he didn’t call, and Richie says he tried, but Dina begged him not to and made him leave his phone with her, even when he went to the bathroom. Dina was worried about Scorcher, saying that the case would tear him apart. Scorcher asks Richie if they had sex, and he hesitates, which Scorcher takes as a “yes.” Richie tells him the evidence bag had been on his bedside table, and when he woke up, it was gone.


Scorcher asks why Richie didn’t show it to him, and Richie explains that he wasn’t sure arresting Jenny would be the right thing to do, even if she was responsible for the murders. He thinks that if she doesn’t go to jail she will likely die by suicide, and he believes that it would be merciful to let her. Richie says that Dina told him about their mother, and he can see why Scorcher wouldn’t like that idea, and so he didn’t tell him. Scorcher realizes Richie will never make it as a murder detective with that attitude. He tells Richie that Dina gave the evidence to Quigley, and he’ll be reverted to uniform after this case.

Chapter 18 Summary

Scorcher goes to interview Jenny alone. He tells her that he hasn’t cautioned her, so nothing she says will be admissible in court. Jenny describes her family’s isolation from other people and how she became obsessed with keeping the house perfectly clean. She describes Pat’s strange behavior and the moment when she confronted him about what he was keeping from her. They were both relieved when he told her about the animal. She wasn’t certain it existed, but she thought Pat would improve once his secret was out in the open. Instead, he got worse. She describes knowing there was nothing there but trying to hold it together so no one would find out Pat was hallucinating.


Jenny describes beginning to feel worse herself, experiencing dizzy spells and forgetting long sections of time. She started dreading the regular phone call with Fiona because there were too many lies to keep straight. Scorcher nudges her to tell him about the day of the murders.


She says it was a bad day, with Emma in a bad mood, and Jack talking about the animal incessantly. Scorcher asks about the morning and finding the pin. Jenny says she realized the pin meant one of two things: Either she was worse than she thought, doing something unexpected without remembering it, or someone was stalking her. She says that night, Pat didn’t eat with them because he was too busy watching the monitors. She’d bathed the kids and put them to bed, then gone to bed herself.


In the middle of the night, Emma started crying. She was terrified of the animal and said it was in her closet. Jenny told Emma that it wasn’t real, but Emma said she’d been seeing it and had drawn a picture of it in school that day. When Emma went back to sleep, Jenny went downstairs to confront Pat. He was in front of a kitchen cabinet with a knife and candlestick ready, using himself as bait to catch the animal. Jenny describes sitting beside Pat for a long time, looking at Emma’s drawing to remind herself she had to do something about it.


She recalls that everything started to look strange and beautiful, and she went upstairs to the children’s room. She kissed them and told them to wait for her. Scorcher thinks he maybe should have made her say explicitly that she strangled them, but he doesn’t.


She explains that she then went downstairs and stabbed Pat, telling him that they have to hurry and “find the kids” (495). He struggled and tried to restrain her without hurting her, asking what she did. Then he collapsed. Jenny sat down beside him and tried to stab herself, becoming frustrated when it didn’t work.


Scorcher asked when Conor arrived. She denies it at first, but then she describes Conor coming in and trying to help her, offering to get an ambulance. Jenny remembers screaming at him and handing him the knife, begging him to kill her. He checks on Pat, who is dead, then tries to go upstairs but Jenny tells him not to, because the children are dead, too. She begs him to help her go be with them, and he agrees. Conor holding her and telling her to close her eyes was the last thing she remembered. Scorcher thinks about how Conor had then wiped the computer and discarded the weapons so that Pat wouldn’t be blamed.


Scorcher tells Jenny that she will need to be in court, or at least give an official statement, if she wants to prevent Conor from being convicted of all the murders. She says he’ll be fine, and she wonders what he was doing there. She finally realizes that both the pin and the break-ins had been Conor’s doing and says, “Poor Conor.”

Chapter 19 Summary

Scorcher leaves Jenny’s hospital room and finds Fiona in the hallway. He asks how long she’d known her sister was the murderer. Fiona hesitates but eventually explains that she knew it couldn’t have been Conor, but he would protect Jenny by confessing. Scorcher tells Fiona that Jenny plans to kill herself, and the only way to protect her is by getting her charged with the murders. Fiona agrees to help. Scorcher instructs Fiona to tell him she needs some things for Jenny from her house, and they drive there together.


Scorcher gets a charm bracelet out of Jenny’s jewelry box and plants hairs from Emma’s hairbrush in it. While he knows it won’t be enough for a conviction, it’s enough for reasonable suspicion to arrest and charge her. He thinks about how waiting for trial could take at least a year, during which time she would see various psychologists and possibly decide either to plead guilty or not die by suicide if she were found not guilty. He has Fiona touch the bracelet, and they plan to say that she found it tucked against the bottom of the stairs when she followed the policemen into the house after the murders.


Scorcher remembers his family’s last night in Broken Harbour. His father and sisters were at dinner, and he was preparing to go meet his friends in the sand dunes. His mother was sitting outside watching the sky, but she asked him to stay with her. He exploded at her, saying “I’m so fucking sick of taking care of you! You’re the one who’s supposed to be taking care of me!” (522). She tells him she’s sorry and that she won’t do it to him again. Scorcher thinks about how he has learned to live with being at fault for her death.


He goes to give the “new evidence” to O’Kelly and explain the situation. The super believes him that the bracelet has just come to light. He also says that Richie will be reverted to uniform, and he’ll undergo an internal affairs investigation. Scorcher tells the superintendent he’ll be resigning after the case is wrapped up.


Scorcher goes out looking for Dina but gives up when he can’t find her. He goes home, and she eventually comes to his flat and gets into bed beside him. He thinks about the question he never asked: whether Dina got away from their mother as she walked into the water, or if she was let go.

Chapters 17-19 Analysis

This section of the novel includes several key transitions in Scorcher’s character as he moves further along his character arc and the theme of The Question of Agency Versus Randomness. He realizes his critical error in not realizing that Richie was hiding something from him, and the fact that Dina’s involvement—following Richie to his apartment and taking the evidence against Jenny—is what derails the case emphasizes the true elusiveness of control. Though Scorcher believes he has healed and has succeeded in learning how to exercise control, he fails to do so in the case, as his past and complex relationship with his own family undermines his investigation. Overall, Scorcher is forced to confront the fact that he is not over his trauma and cannot do his job in the way he believed he could.


A climactic moment of conflict happens between Scorcher and Richie when Scorcher confronts the young detective about his reasons for hiding the evidence. Richie’s empathy, as Scorcher predicted, proved his undoing as a detective: He was conflicted about whether convicting Jenny would be the right thing to do because it would prevent her from dying by suicide, which he thinks might be the kindest end for her. Scorcher’s background, including having a mother who died by suicide, his black-and-white attitude about justice, and his commitment to following the rules all cause him to disagree with Richie. Their conversation also highlights the lost potential of their partnership. Richie admits he thought “maybe we were gonna be partners for a good while, like” (453). Uncharacteristically, Scorcher agrees that they “worked well together” and “would have made good partners” (455). The conversation emphasizes what they could have had as partners if things had gone differently.


The realization that Jenny is the murderer brings back Scorcher’s past trauma related to his mother’s death by suicide. He reveals that her suicide note suggested that she planned to take Dina with her, likening her actions to Jenny’s. French again highlights the complexity of family dynamics throughout this section. During the interview, Jenny tells Scorcher that she wondered whether she was being paranoid about Pat, and he thinks, “Fiona’s doubts hadn’t helped. I wondered whether Fiona had sensed, deep down, that she was nudging Jenny further off balance, or whether it had been innocent honesty; whether anything within families is ever innocent” (468). With this comment, Scorcher reveals the narrative’s position on family as complex, with members’ motives sometimes hidden even from themselves.


French develops the theme of Using Appearance to Shape Reality in this section as well. Jenny identifies needing to keep up appearances as one of the reasons she and Pat remained isolated when their economic circumstances devolved. She notes, “As long as people thought we were doing great, we had a chance of getting back up and doing great again. If people think you’re some kind of lunatic losers, they start treating you like lunatic losers, and then you’re screwed” (477). Scorcher immediately thinks about how he told Richie, “If that’s how everyone treats you […] then that’s how you feel” (477). The moment is significant because despite how painful it feels for him to identify with Jenny after having realized she murdered her husband and children, he sees the parallels between their belief systems and understands that for him, like her, that belief is part of the reason why he is lonely and isolated.


Scorcher also identifies with Jenny with regard to the need to keep secrets from the outside world for self-preservation. When she reflects on how good it felt for people, like those at Emma’s school, to think things were normal, Scorcher remembers a similar event from his life: “For a stab of a second I saw me and Dina, maybe fourteen and five, me jerking her back at the school gates: Shut up, you shut up, you don’t ever talk about Mum outside the house or I’ll break your arm” (478). Scorcher is distraught throughout the interview scene as he is faced with the parallels between Jenny’s perspective and his own, forcing him to face some uncomfortable truths about why he has adopted this perspective and the flaws in such a worldview.

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