57 pages • 1-hour read
Tana FrenchA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of mental illness, child death, and death.
Scorcher returns home to find Dina ripping pages out of his books, angry at having been locked in the apartment. They talk, and he convinces her to stay with Geri, who is now available, for a few days.
Having decided they need better bait for the killer, Scorcher and Richie arrange to have a floater who looks somewhat like Fiona stay in the Spains’ house. Their hope is that the murderer won’t be able to help watching her. They begin their stakeout in the abandoned house the suspect used as a lair.
While they wait, they talk about the case and their belief systems: Scorcher maintains that most people reap what they’ve sowed, while Richie suggests that’s a privileged viewpoint. Scorcher talks about how badly he wants to catch Pat Spain’s killer, in part because Pat could easily have become the top suspect. Richie has brought the same model of binoculars the suspect had, to check what level of detail he could see. He notices that the alarm panel is visible just to the left of the front door, and the killer could easily have learned the code.
One of the floaters calls to say they’ve just seen a man walking in an abandoned part of the estate. Scorcher and Richie wait, expecting that he’ll come back to his den to find out why Fiona is in the house. The man appears on the street and uses the scaffolding to climb into the lair. Scorcher and Richie immediately take him into custody. He remains silent, and Scorcher observes that he seems distant and removed.
They take him to the station and wait outside the interview room. He is thin, in his late twenties, and appears to be middle class. Scorcher suggests that he’d been patient in stalking the Spains and something must have happened to push him to the murder. Scorcher also observes that the man seems to feel very connected to the family.
Richie goes into the interview room first. The suspect introduces himself as Conor Brennan, and they make small talk. Scorcher, watching through the one-way mirror, is impressed with Richie’s ability to put a suspect at ease. Scorcher enters and begins the interrogation, pretending that Conor is only there to talk about the breaking and entering. He implies that if Connor can provide information on the murder, they’ll let him go.
Scorcher asks that the Spains were like, and Conor makes a speech about their happy marriage and life. He describes Emma and Jack as “sweet kids” and speaks about them gently. Scorcher asks Conor about his use of past tense and whether something changed, and Conor answers that Pat lost his job. They discuss the recession and its impact on Conor’s freelance work as a web designer.
When they ask Conor where he was on the night of the murder, he stops talking. They leave to regroup and discuss Conor. Richie says he looks familiar, while Scorcher comments that Connor seems to believe he loves the Spains, and that will be the key to his downfall. When they go back in, Scorcher fakes a call from the hospital, suggesting that it’s good news. Conor is desperate to know who is alive. They tell him it’s Jenny.
Scorcher tells Conor that he understands that he loved the Spains. He says that if Conor doesn’t tell them what happened, Scorcher will make Jenny tell them. Conor finally confesses to the murders but doesn’t say why. He agrees to sign a statement and gives a few more details about previous break-ins and the murder weapon, which he says he threw into the ocean. However, he isn’t as forthcoming with information as Scorcher would have expected at this stage.
After they leave the room, Richie asks Scorcher if he’s sure they’ve got the right guy. He finds Conor’s confession strange and insists that something was going on inside the house before the murder. Richie insists that they should keep investigating Pat Spain. Scorcher reluctantly agrees that they can conduct a parallel investigation into Pat Spain.
The computer tech calls and tells Scorcher that he found a record of Pat participating in a wildlife forum board, asking for advice on a small animal he thought had entered his home. Based on the replies, it doesn’t seem likely that an animal made the holes in the walls. Richie is intrigued and suggests that Pat may have been mentally unstable.
Next, they go to Conor’s apartment and find a number of objects taken from the Spains’ house. Richie suddenly remembers why Conor looked familiar: He is in a photo they found in Emma’s room, and he is Emma’s godfather. Since Fiona was her godmother and also pictured, they ask her to come in for an interview. She agrees to come to the Dublin Castle HQ in a few hours.
In the meantime, they decide to go back to Brianstown to speak to the neighbors again. Larry calls with results from the search of Conor’s car. He reports that they found keys, including one to the Spains’ back door, as well as blood, hair, fibers, and dirt.
As they’re about to leave Conor’s flat, Scorcher notices that Richie is acting strange, but he tells Scorcher that it’s nothing. Retrospectively, Scorcher realizes that this was a turning point and a key misstep in the case because he knew Richie was lying to him.
Richie and Scorcher drive to Brianstown. They meet a wildlife expert, who tells them he suspects something from the mustelid family, like a stoat or mink, was in the attic and killed the robin from the backyard. Richie is skeptical and is still acting strangely.
They go back to the neighbors’ house and talk to the son, Jaden, who seemed to be hiding something during the first interview. He eventually tells them he sneaked into number 11, the house next to the Spains’ house, earlier in the summer, and he met a man there. Jaden had been trying his back door key on other houses and found that it opened about half of them. The man, who Jaden later identifies as Conor, asked if he could make a copy of the key so that he could find somewhere to sleep. Jaden let him.
On the way back to Dublin Castle, Scorcher gets a message from Geri saying that Dina left. Geri is hoping Dina came back to him in Dublin. Scorcher tells her to keep trying Dina’s cell phone and promises to look for her after he finishes Fiona’s interview.
One of the key elements of this section of the novel is its exploration of the unique relationship between detective and murder suspect. It opens with the stakeout, during which Scorcher and Richie catch Conor. Scorcher goes home to get clothes and thinks that he “got dressed like a kid on a first date, all thumbs and heartbeat, dressing just for him […] I imagined him, somewhere, dressing for me and thinking about Broken Harbour” (182). Through Scorcher’s perspective, the narrative represents a unique intimacy between the investigators and the suspect before they even identified him. Scorcher furthers this development when he comments, “if you’re the one who puts the cuffs on your guy, it gets the relationship off on the right foot: shows him who’s his daddy now” (187). Scorcher uses a colloquialism that has a sexual and familial connotation to suggest the unique intimacy of this dynamic, but he also nods to the theme of Using Appearance to Shape Reality through his understanding of how important first impressions are when approaching a murder suspect.
Animal imagery returns in these chapters with descriptions of the “lair” and references to its inhabitant. During the stakeout, Scorcher thinks about how he knows when Conor is about to appear, “as surely as if I could smell him, a sharp hot musk steaming off the rooftops and rubble, curling closer” (196). As well as highlighting the connection between investigator and criminal, Scorcher characterizes the murder suspect as animal, developing the theme of The Essential Animal Nature of Humans by suggesting that the line between human and animal can be collapsed in certain circumstances. This theme becomes more explicit during the interrogation; in a moment when Scorcher and Richie leave the room to discuss, Richie expresses confusion that Conor exhibited self-control by waiting so long to commit the crimes but then a lack of self-control by returning so soon to the scene. Scorcher corrects the younger officer: “We’ve all wanted to kill someone, at some point in our lives […] What makes these guys different from us is that they don’t stop themselves from actually doing it. Scratch the surface and they’re animals: screaming, shit-flinging, throat-ripping animals” (204). The direct reference highlights Scorcher’s strong view on murderers and his black and white worldview, which will be challenged as the investigation unfolds further.
Unique descriptions of the dynamic between the investigators and their suspect continue throughout the interrogation, which takes place over the course of a long chapter. Scorcher tells Conor he understands how much he loved the Spains, saying that he knows Conor wouldn’t have expected him to understand that. The connection between investigator and suspect also creates narrative tension. The drive to find out what happens is relevant to the structure of the novel. When Conor is caught, it is only the midpoint of the novel. French maintains tension through the gradual drive to find out not who killed the Spains, but why. Further, she creates doubt about whether they have the right person in custody, establishing Conor as a red herring, or false lead, a common convention of the mystery and thriller genres.
The narrative also delves further into Scorcher’s connection to Broken Harbour in this section, using it to inform both his backstory and the ominous tone of the setting in the present. The place connotes lost potential for Scorcher because of his mother’s death by suicide: the implicit question is what would have happened if she had lived, and how would it have affected his and his sisters’ lives. The estate after the recession is also characterized by lost potential. Scorcher thinks:
All the people who should have lived here. […] Over time, the ghosts of things that happened start to turn distant; once they’ve cut you a couple of million times, their edges blunt on your scar tissue, they wear thin. The ones that slice like razors forever are the ghosts of things that never got the chance to happen (187).
The passage highlights the numerous positive possibilities Broken Harbour could have held, adopting a wistful tone that encompasses the lost possibilities of Scorcher’s life and those of the Spains. The use of metaphor and simile is also significant; memories are characterized as sharp enough to cut. Memory is significant to Scorcher’s character trajectory as the ghosts from his past and his mother’s death in Broken Harbour influence his actions. He experiences memories as painful and damaging throughout the novel.



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