46 pages • 1-hour read
Adaobi Tricia Nwaubani, Viviana MazzaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Ya Ta and Sarah go deep into the forest in search of food for the night’s meal while Al-Bakura watches nearby. They come across a baobab tree and swell with excitement at the thought of tasting their old familiar favorite fruit again. As they approach, they smell something rotten and find that the baobab tree is now a gravesite for dozens of dead. Each day, Sarah and Ya Ta grow more tired of their current existence, and Sarah starts saying she would rather die, but Ya Ta urges her to keep fighting. One night, Aisha is carted away to be raped as she screams and pleads. The other girls can do nothing to help, as they listen to the sound of her being beaten. When Aisha comes back the next morning, she repeatedly says, “This is not Islam” (155). Ya Ta considers this and everything else she has witnessed, comparing it to what she learns from the Quran. She finds a blatant hypocrisy and disconnect between Islam’s teachings of peace and charity with the actions of Boko Haram. She also notices that they claim to be against Western education but use Western technology. They are nothing like Aisha’s loving husband. When Sarah fakes being on her period to avoid going to prayer, her lie is discovered, and she is lashed.
As each day goes by, Ya Ta begins to experience hunger and starvation. She is given little to eat and feels as though the type of hunger she feels now is so powerful that it overrules any other motivation. When new girls arrive looking stunned, some of which even appear to have just come from a wedding, all Ya Ta can think about is how it will mean less food for her. Ya Ta wonders if she will start to forget her previous education or the meaning of democracy and whether her mother and Jacob are still alive. When it rains, Ya Ta relishes the chance to finally feel clean, but simultaneously worries about Sarah, who withdraws further and further into apathy. There no longer seems to be much to say between them. One night, a snake enters the sleeping area, causing a panic amongst the girls. Ya Ta notices that no men sneak in to steal women at night while the leader is around. When she and the other girls graduate from their schooling, Ya Ta wonders what is coming next.
The girls are called out of their sleeping area and paired with Boko Haram army men who are going to be their new husbands. Ya Ta is horrified and considering how she can escape. She is paired with a man in a mask and wonders what he is hiding. She and Sarah decide to risk the landmines and run into the forest, but Aisha begs them to stay with her and tries to tell them that being married won’t be so bad. That night, she gives birth to her son, dying immediately afterward. Ya Ta and Sarah are the ones who must lift her body into the back of a truck to be taken away. For the next two days, Ya Ta cannot bring herself to cry. When she is married, it is nothing like the Hausa wedding she imagined, and none of her family is there to wish her well. As she and Sarah set off deeper into the forest to live a new life, Ya Ta is grateful to at least have her best friend by her side.
In the weeks leading up to the forced marriage, Ya Ta has some of her most disturbing and harrowing experiences. The first of these is when she and Sarah come to the baobab tree, excited to find a piece of home and with mouths watering at the thought of its fruit. It is an emotional moment that lasts only a page because as they approach, they see that the baobab tree has been turned into a gravesite. Within the grave are Magdalene and many other people, and the smell is beyond anything they have ever known. The reality that they could easily be taken to the same place someday sets in, and although the sight is not directly described, it is an intensely horrifying moment. In another scene, Aisha is raped and later dies during childbirth; a girl who was living a peaceful and modest life spends her last hours in torture. One of Aisha’s last repeated phrases, “This is not Islam” (156), is a straightforward statement from the authors that Boko Haram does not represent Islam. Many characters voice this view, and the authors want to make it clear to readers who may not be familiar with Islam that Boko Haram are examples of Oppression, Terrorism, and Religious Extremism, rather than religious faith. Ya Ta also notices Boko Haram’s hypocrisy in decrying Western education while using Western technology. This is also a signal to readers that Boko Haram is only interested in oppression and violence, rather than promoting a coherent ideology.
Juxtaposition is often used to highlight the extremity of Ya Ta’s experiences. Ya Ta compares her old life to her new life, thinking about how Papa’s nighttime tales were always full of wonder and provided a learning experience while the leader of Boko Haram tells stories of violence and death. Ya Ta also used to think she knew what hunger was when she waited for her mother to return from the market and cook supper, but now she knows the true meaning of starvation. An entire chapter is dedicated to Ya Ta’s descriptions of how it feels to be this hungry: “It is the kind of hunger that follows you right into your sleep. It teases you in your nightmares and taunts your appetite with impossible meals” (166). Ya Ta also notes how she no longer feels empathy toward the new girls who arrive and only cares about whether there will be enough food for all of them.
The rift that develops between Ya Ta and Sarah exemplifies The Effects of Abuse and Subjugation on Women and Girls. While Ya Ta maintains hope by remembering her previous life, Sarah grows indifferent, no longer caring if she lives or dies. Ya Ta finds she no longer reach Sarah emotionally and stops trying. When the girls are told they will be married to Boko Haram men, Ya Ta’s fighting spirit reawakens, and she tries to decide if it is worth escaping into the forest. When thinking of marrying a militant, Ya Ta notes, “The thought is too lumpy for me to swallow” (179). Ya Ta ends up deciding not to escape, and her wedding feels like a funeral for the life that she was dreaming of before.



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