54 pages • 1-hour read
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Content Warning: This section of the guide includes references to child abandonment and sexual content.
The dream house that Dominic buys for Ally at the end of the novel is symbolic of happiness and the future. The house is located down the street from Ally’s dad’s house—the same house in New Jersey where she grew up. Ever since Ally was a child, she’s admired the dream house and the seemingly idyllic life its residents lived. In the narrative present, whenever she sees “the big house all aglow on the corner behind its brick pillars and greenery” she feels “the familiar tug of longing” (329). When Ally was a child, she fantasized about living there because her mother abandoned her and her dad when she was 11 and their home life was difficult. By way of contrast, life in the big dream house was defined by kids “play[ing] outside and climb[ing] trees,” lemonade sales “on the sidewalk,” “Christmas light display[s],” “grandkids and Sunday brunches and holiday celebrations” (329). The house thus represents the fantasy of the perfect family life that Ally has always wanted.
In buying Ally the house at the novel’s end, Dominic is helping her fulfill her dreams, pursue happiness, and build a future. Because Ally and Dominic’s life in Ally’s dad’s old house is becoming cramped, the new house offers room for their growing family: It has “five bedrooms. Three bathrooms. An office off the back with room, and “the third floor is one big room” that Ally might one day turn “into a studio” (542). The author uses the house acquisition to imply that their happily-ever-after continues beyond the novel’s end.
The emails that Dominic and Ally exchange are symbolic of Communication and Vulnerability in Relationships.
At the start of their working relationship, the two decide that they can’t continue interacting in person because they’re too attracted to each other and their proximity is creating distracting sexual arousal. They therefore start sending messages back and forth “[o]n personal time from personal email accounts” (162). The emails transition their heated dynamic out of the public sphere and into a private domain. In the emails, Dominic and Ally banter and tease, and also open up about their likes and dislikes, fears, memories, and feelings. The emails thus foster a new level of connection.
Email returns as a form of transformative communication when Dominic and Ally break up. Dominic develops a habit of emailing Ally every day, if not multiple times a day. His messages have a heartfelt, confessional tenor as Dominic apologizes, tries to make amends for hurting her, and articulates difficult episodes from his past. Ally is hesitant to reunite with Dominic, but she reads the emails “all over again from the couch” every night (514). Her attachment to the letters shows how Dominic’s new patterns of communication and his willingness to be vulnerable are softening her toward him and creating opportunities for reconciliation.
For Ally, dance is a form of self-expression. Ally’s multiple jobs are mostly unrewarding and unfulfilling. Her job as a dance instructor is different. It doesn’t pay as much as bartending, service, or administrative gigs, but it offers her a release and gives her a way to connect with others. What she loves most about dancing is empowering other women, who undergo the “transformation from employee to person. From parent to dancer. From titles and responsibilities to a body that [is] ready to be used” (133).
Dance also empowers Ally privately—she often goes to the studio to dance alone when she’s feeling overwhelmed. When Ally is dancing, she is more free and unhindered by the world. Dance makes her feel like she is “honoring [her] body, [her] life” (191). Whereas Ally works hard and forsakes her needs for others, dance is her private form of enjoyment. The repeated allusions to dance throughout the novel underscore Ally’s self-possession and her simultaneous longing to be free.



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