Can't Get Enough

Kennedy Ryan

63 pages 2-hour read

Kennedy Ryan

Can't Get Enough

Fiction | Novel | Adult | Published in 2025

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Chapters 16-24Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of sexual content, illness, and death.

Chapter 16 Summary: “Hendrix”

Hendrix is at the Vipers versus Waves basketball game with Skipper and Chapel. When Chapel’s face is projected onto the arena’s Jumbotron, her image goes viral, and her vitiligo becomes a point of national interest. Shortly after, Maverick texts Hendrix and invites the group to his luxury box.


Inside the suite, Skipper has a tense reunion with Bolt. Maverick introduces Pop, and as the group mingles, Skipper and Bolt argue before leaving together. Chapel pulls Hendrix aside to warn her that Zere won’t take her involvement with Maverick well, and then departs.


Maverick and Hendrix talk about their careers, and he proposes a business trip to Colorado for her team to meet a successful cannabis grower that he has funded. Skipper and Bolt return looking disheveled, and Skipper has a visible hickey on her neck. Deciding it is time to go, Hendrix leads her group out. As they leave, Maverick tells Hendrix to contact him directly about the trip. Outside the arena, Skipper expresses regret over her encounter with Bolt and questions Hendrix about her connection with Maverick.

Chapter 17 Summary: “Maverick”

A few days after the basketball game, Maverick is in his office on a FaceTime call with his daughter Tamia, who is visiting her mother LaTanya in Ghana. Tamia mentions that she has spoken with Zere since the breakup and reveals she never believed Zere was right for him. She then stuns Maverick by announcing her plan to defer her admission to Stanford for a year to pursue a real estate investment in Ghana.


Maverick immediately objects, but LaTanya joins the call to support their daughter, explaining the soundness of the investment. After hearing them out, Maverick reluctantly agrees to let Bolt review the proposal. Following the call, Maverick reflects on his daughter’s confidence. The interaction inspires him to consider his feelings for Hendrix, and he concludes that pursuing a relationship with her is a risk he is willing to take.

Chapter 18 Summary: “Hendrix”

Hendrix travels to her childhood home in North Carolina to visit Betty and Geneva. During the visit, Betty has an abrupt mood swing and begins cursing at Geneva, who calmly explains that these unpredictable personality changes are a symptom of the disease.


Later, Hendrix has a video call with her Aspire Fund partners, Nelly Brewer and Kashawn Phillips. They agree the business trip to Colorado is a good opportunity, and Hendrix texts Maverick to confirm. That evening, Hendrix finds her mother in distress, searching for her late husband. Forgetting the doctor’s advice, Hendrix tells Betty the truth: Her husband is dead. The reminder causes Betty to relive the trauma of his death with fresh grief. Geneva returns and soothes Betty by redirecting her attention, then comforts a deeply guilt-ridden Hendrix.

Chapter 19 Summary: “Maverick”

In Malibu, Maverick grows concerned when he does not hear back from Hendrix. He calls her and correctly guesses she is upset about an incident with her mother. Hendrix recounts the distressing episode, and, drawing from his own family’s experience, Maverick shares practical advice, explaining the concept of “therapeutic fibbing” as a way to provide comfort rather than factual corrections.


Their shared vulnerability deepens their connection, and Maverick invites her to California to learn how to surf. Hendrix, trying to keep things professional between them, says she may not be able to take the trip to Colorado, but Maverick insists that there will be no trip unless she personally attends. Hearing his sincerity, Hendrix agrees to go.

Chapter 20 Summary: “Hendrix”

Hendrix, Nelly, and Kashawn board a private plane for Colorado and are surprised to find that Maverick is joining them. He takes the seat next to Hendrix, and they have an intimate conversation. Hendrix opens up about her decision not to have children, and Maverick reveals that his disagreement with Zere over having kids together was a contributing factor in their breakup.


When their conversation turns to Hendrix’s mother, she becomes emotional. Maverick gently comforts her, wiping a tear from her cheek and creating a moment of intense connection. To break the tension, Hendrix suggests they watch the television show Top Boy, which Maverick recommended earlier, together. Maverick agrees, and they settle in to watch for the remainder of the flight.

Chapter 21 Summary: “Maverick”

In Colorado, Maverick, Hendrix, Nelly, and Kashawn tour the Indigenous-owned cannabis farm, CBD Pharms, with the company’s president, Dan. Throughout the tour, Maverick finds himself constantly watching Hendrix, reflecting on his deepening feelings for her while acknowledging that her business with Zere remains a potential obstacle. As they walk through the facility, he impulsively links his arm with hers.


Hendrix suggests they watch more Top Boy on the flight back, but Maverick reveals he is staying behind in Colorado. Visibly disappointed, Hendrix pulls her arm away. As they part, Maverick tells Hendrix he will call her later in the week because he wants to, leaving her surprised by his directness.

Chapter 22 Summary: “Hendrix”

Hendrix attends a game night at Soledad’s home with Yasmen and Soledad’s families. She smiles at a text from Maverick, which is noticed by Soledad and Yasmen. They interrogate her, and Hendrix admits she and Maverick have been talking regularly. Soledad and Yasmen express concern that she is breaking the “girl code” by getting involved with Zere’s recent ex-boyfriend.


Surrounded by her friends and their partners, Hendrix feels a pang of loneliness and leaves the party early. In her car, she texts Maverick back, agreeing to watch their show with him later that night.

Chapter 23 Summary: “Hendrix”

On a quiet Saturday night, Hendrix scrolls through social media and sees a post of Zere on a date with a new man, real estate mogul Charles Filmore. Hendrix wonders if Zere having moved on changes her own budding relationship with Maverick.


Just then, Maverick calls. He reveals that he is in Atlanta for a fundraiser and wants to see her. Hendrix hesitates, offering practical objections, but Maverick persists, telling her that he just wants to see her. Won over by his earnestness, Hendrix agrees to go out with him.

Chapter 24 Summary: “Maverick”

Maverick arrives at Hendrix’s apartment, and she dresses quickly and decides to surprise him with their destination, telling him only that it is an “Atlanta institution.” To his surprise, she takes him to a Waffle House.


Inside the chaotic restaurant, they discuss Zere’s upcoming birthday party. Maverick correctly guesses that Hendrix’s attendance hinges on whether he will be there, so he lies and claims he is not going. Hendrix orders two meals without explaining; when they arrive, she takes one out to his driver. Maverick observes the driver’s appreciative look at Hendrix and is overcome with a sudden possessiveness, referring to her in his thoughts as “my girl.”

Chapters 16-24 Analysis

These chapters deepen Hendrix’s character by juxtaposing her professional prowess with her increasing personal vulnerability, bringing the theme of Reconciling Personal Ambition With Love and Familial Duty into sharp focus. The narrative uses contrasting settings to test the boundaries between her personal and professional lives. At the playoff game, Hendrix is the consummate talent manager, leveraging the high-profile setting for her client’s career. This space, a symbol of her ambition, is disrupted by Maverick’s invitation to his luxury box, a move that forces her into a more intimate sphere where the personal bleeds into the professional. The subsequent visit to her family home strips away her professional armor entirely, revealing a daughter overwhelmed by her mother’s cognitive decline. Here, her professional skills are rendered useless, replaced by the raw emotions of familial crisis. Ryan places Hendrix in these polarized environments—the calculated world of professional sports and the unpredictable landscape of her mother’s illness—to expose the seams in her carefully constructed life, suggesting her journey requires integrating these disparate parts of her identity into a coherent whole.


Maverick’s character is defined by his strategic approach to risk, a philosophy that extends from his business empire to his pursuit of Hendrix. His actions frame their relationship’s development as a calculated investment. This worldview is articulated in his internal monologue, in which he frames his life as a “calculus of risk and reward” (165), and he concludes that the potential reward of a relationship with Hendrix “outweighs the pitfalls we’d inevitably have to negotiate” (177). He orchestrates their interactions—the trip to Colorado, the supportive phone calls, the impromptu date in Atlanta—with the precision of a business plan. By framing Maverick’s romantic pursuit in the language of a strategic venture, the narrative aligns his personal desires with his professional identity, portraying him as a man who actively shapes his destiny. This characterization challenges romantic tropes of fated love, instead presenting a modern, entrepreneurial approach to relationship-building.


The narrative continues to explore The Emotional Complexity of Parent-Child Role Reversal through the depiction of Betty’s Alzheimer’s episodes in these chapters. The scene where Betty relives the trauma of her husband’s death becomes an examination of memory, grief, and the ethics of care. Hendrix’s instinct to correct her mother with the factual truth only plunges Betty deeper into sorrow, leaving Hendrix feeling inept in her new role. Aunt Geneva’s method of redirection, using shared memories to soothe her sister, illustrates a more compassionate mode of care that speaks to her experience handling Betty’s disease. This approach is later validated by Maverick, who shares his own family’s experience and the concept of “therapeutic fibbing,” concluding that for his grandfather, “[a] kernel of peace was better than the whole truth” (164). This dialogue explicitly engages with The Role of Memory and Familiarity in Preserving Identity, suggesting that the most loving act of care is not to enforce a harsh reality but to meet the afflicted person in the emotional space they inhabit.


Ryan adopts several narrative strategies, like her use of structural parallelism and symbolic settings, to amplify thematic tensions. The subplot involving Skipper and Bolt, whose connection is immediate, visceral, and overtly sexual, functions as a foil to Hendrix and Maverick’s more cerebral and hesitant courtship. Their dynamic, which, Maverick cynically observes, is purely physical, highlights by contrast the emotional and professional complexities constraining the protagonists. This parallelism underscores the high stakes of the central relationship, which is built on conversation and shared vulnerability. The settings are equally deliberate: The private jet, a symbol of Maverick’s wealth, is subverted into a space of unexpected intimacy, where the characters connect over their family histories and a shared love for a TV show. Conversely, the Waffle House, an unpretentious and chaotic institution, becomes the backdrop for their most authentic date. This setting allows Hendrix to reveal her ability to navigate different social strata and Maverick to prove he is not defined by his billionaire status, demonstrating that their connection transcends superficial markers of class and power.


The dialogue in these chapters functions as a platform for direct social commentary, particularly concerning female agency and non-traditional life paths. Hendrix’s conversation with Maverick on the plane, in which she articulates her decision to be child-free, is a pivotal moment of character development and thematic declaration. She rejects the societal assumption that motherhood is the default path for women, reframing her nurturing capabilities through other roles: “We find ways to pour love into the world, to shape the world for good without bearing a child. It’s not about our wombs. It’s about our hearts and how we share them” (171). This speech moves beyond the surface of a career-focused woman to explain the rich philosophy behind her choices. Maverick’s immediate validation of her perspective establishes him as a partner who respects her autonomy, a crucial foundation for their potential relationship. This conversation directly addresses the novel’s central tensions, suggesting that a successful modern partnership requires respect for individual goals and a rejection of prescriptive gender roles.

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