Can't Get Enough

How does the novel’s opening structure, which juxtaposes the domestic crisis in the Prologue with the glamorous Miami party, function to define the novel’s central tension between familial duty and personal ambition?

Examine the narrative function of the romantic subplot between Skipper and Bolt. How does their purely physical and comically antagonistic dynamic serve as a structural foil to the developing relationship between Hendrix and Maverick.

How does the “turning of the tables” motif evolve from a simple observation of parent-child role reversal into a complex symbol of grief, responsibility, and the cyclical nature of care?