Can't Get Enough

Kennedy Ryan

63 pages 2-hour read

Kennedy Ryan

Can't Get Enough

Fiction | Novel | Adult | Published in 2025

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Symbols & Motifs

Content Warning: This section of the guide includes discussion of illness.

Sweet Tooth Bakery

The Sweet Tooth Bakery is a symbol of Betty’s lost identity and the stable, happy past that her mind retreats to amid the confusion of Alzheimer’s. Though the bakery has been closed for over a decade, it remains a tangible anchor to a time when Betty was independent, competent, and a respected small business owner. Her wandering to the vacant storefront, where she is found by police in the novel’s opening, is not merely a sign of disorientation; it is a pilgrimage to the source of her purpose.


This act reveals The Role of Memory and Familiarity in Preserving Identity, a central theme in the novel. For Betty, the bakery represents a reality where she is still in control, a stark contrast to her current state of vulnerability. Hendrix’s heart breaks when she realizes her mother’s intention: “She can’t bring herself to admit it, but I know my mother came here tonight to open up her bakery, the one that’s been closed for more than a decade” (9). This insight forces Hendrix to confront the severity of her mother’s illness. The bakery symbolizes the self that Alzheimer’s is stealing, making Betty’s attachment to the empty plaza a powerful representation of her struggle to hold on to her identity.

The Turning of the Tables

The recurring phrase “the tables turn” functions as a key motif that articulates the novel’s theme of The Emotional Complexity of Parent-Child Role Reversal. This motif provides the narrative framework for Hendrix’s disorienting journey from being cared for by her mother to becoming her caregiver. The phrase first appears when Hendrix sees her mother in the back of a police car, a place Hendrix herself once occupied as a teenager. She reflects, “It’s Mama in the back of the cop car now, but I still feel small and completely unprepared for what’s ahead. It’s funny how the tables turn” (7). The use of the word “funny” is ironic, highlighting the deep sadness and tragedy of this life-cycle transition.


The motif recurs as Hendrix grapples with the escalating responsibilities of her mother’s care, underscoring the psychological shift required of an adult child making decisions for the parent who once guided them. The turning of the tables is not a singular event but a continuous process of adjustment and loss throughout the novel, marking Hendrix’s acceptance of a new, painful reality. It encapsulates the narrative’s exploration of the sorrow and helplessness inherent in watching a parent’s decline, cementing the role reversal as a defining, albeit tragic, part of life.

“His Eye Is on the Sparrow”

The hymn “His Eye Is on the Sparrow” is a recurring motif that serves as a powerful bridge to Betty’s past, demonstrating how memory and music can preserve identity. This particular hymn, a favorite of Betty’s own mother, is a deep-seated emotional and spiritual touchstone. For Hendrix, singing it becomes a vital, if painful, caregiving tool to soothe her mother’s agitation. In a pivotal scene, Hendrix sings to Betty over the phone, and the effect is immediate and profound. The narrative notes that “this song, these worn lyrics, always manage to reach through time and space and darkness to light Mama’s way back” (39). This analysis reveals the hymn’s function as more than just a song; it is a key that unlocks a part of Betty’s mind that remains lucid and accessible. The motif powerfully illustrates the theme of memory’s role in preserving identity by showing that while conscious, linear memory may fail, the parts of the brain that store music and profound emotional connections can remain intact. The act of singing becomes a conduit for love and reassurance, a way for Hendrix to reach her mother.

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