47 pages 1-hour read

Can't We Talk About Something More Pleasant?: A Memoir

Nonfiction | Graphic Memoir | Adult | Published in 2014

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Chapters 10-14Chapter Summaries & Analyses

Chapter 10 Summary: “The Old Apartment”

The illustration on Page 109 depicts the Grim Reaper sitting on the couch in Chast’s parents’ apartment. Chast expresses frustration that her parents never dealt with their accumulated possessions: When they moved to the facility, they only packed a few bags, leaving Chast to handle the task of cleaning out their apartment. Nevertheless, Chast was impressed by their ability to finally agree to leave their home of 48 years. Moving into the facility required a lot of paperwork and phone calls on Chast’s part. In addition, her parents left a pile of unopened mail, which she had to sort through. To make the new place feel homier, she brought items from their apartment. She reflects, “It all felt very strange. Almost like helping your kid set up their first apartment” (110).


Sorting through her parents’ possessions at the apartment, Chast felt heartbroken. She found nothing valuable, just dusty old junk. Nevertheless, she acknowledged that it was “our junk, and the thought of never seeing any of it again was troubling” (111). To preserve the memories, she photographed various items. Pages 112-21 feature these photographs, from old glasses and art supplies to a drawer full of jar lids. Photos of her childhood bedroom show piles of magazines and other clutter. Chast decided to keep only a few meaningful items: photo albums, some jewelry, a painting, a few books, and three cardboard cartons containing all the letters her parents wrote to each other when they were young. She left everything else for the superintendent to dispose of. This process led Chast to reflect on her possessions. She started to look at her belongings “postmortemistically,” recognizing that someday her children would have to sort through them.

Chapter 11 Summary: “The Place”

At the facility, George wondered what the place was called. Chast explained that it was “assisted living.” She put on a cheerful front, showing them the crafts center, gym, and bar. Chast started referring to the facility as “the Place.” She reflected that it was pleasant, unlike the shabby one in Brooklyn. The decor was cheerful, with pink, peach, soft green, and neutral tones, and the carpets and walls were adorned with stripes and flowers. There was a chessboard, a pool table, and a jigsaw puzzle station. Chast’s parents had no idea that all the rooms were unfurnished, and Chast had to buy all the furniture. The monthly fee at the Place was $7,400, plus another $600 for a personal support plan, none of which insurance covered.


Eventually, George and Elizabeth settled into a routine. Elizabeth started using a walker and could walk to the dining hall by herself, socializing with other residents. Dinner at the Place was “like the high school cafeteria, but with old people” (132). Cliques of long-time residents often excluded others. George and Elizabeth received criticism from other residents for talking too much and for Elizabeth’s insistence on being right about everything. They felt out of practice with socializing, having been “each other’s only mirror for too long” (133).

Chapter 12 Summary: “The Next Step”

The first few months were relatively uneventful, except for George and Elizabeth complaining about the facility’s rules and feeling like inmates. Then, one night in early June, four months after they arrived at the Place, Chast received a call after midnight. It was someone from the Place informing her that George had fallen and was being taken to the hospital with a broken hip. Although his hip was fixed, George was never the same afterward. He refused to do physical therapy, saying he was “95 years old and TIRED” (142). Chast took Elizabeth to visit him at the hospital every day and resented taking care of her.


George was eventually released from the hospital, but his needs exceeded the level of care provided by the Place. He was moved to a nearby nursing home until he recovered. The nursing home was sad: “There was no attempt to disguise what it was. No sofas, no sconces” (143). George refused physical therapy and barely ate. He was depressed and missed Elizabeth. Eventually, the nurses and doctors at the nursing home decided it was better for him to be with Elizabeth, and they recommended hiring extra help so he could return to the Place. Chast started to have financial concerns: Her parents’ health insurance plan did not carry over to Connecticut, which shocked Chast. On Page 148, an illustration depicts characters from old childhood books that Chast envisions as representing the two versions of her: “Gallant” and “Goofus.” Gallant forgave her parents, treasured the time she spent with them, and didn’t worry about money; Goofus, on the other hand, resented her parents for past grievances, wished she didn’t have to care for them, and dreaded the idea of their moving in with her.

Chapter 13 Summary: “Kleenex Abounding”

Chast came to understand that death is often a prolonged and arduous process. It’s typically “painful, humiliating, long-lasting, complicated, and hideously expensive” (149). Despite receiving the extra care, her father continued to deteriorate. He didn’t leave the bed, and Elizabeth never left his side. Chast asked the staff at the Place about what would happen when the money ran out. They reassured her, saying they would work it out. At the end of July, George told Elizabeth that he was tired of his bedsores and would prefer to die. His defeatist attitude upset her. Later, he was admitted into hospice care, which Elizabeth disapproved of, insisting on positive thinking. Elizabeth was uncomfortable with the concept of palliative care, viewing it as giving up. However, George’s condition worsened, and morphine became the only thing that alleviated his pain. The medication made him drowsy. One day, he noticed something on the floor and asked Chast what it was. She replied that it was a Kleenex, to which he responded, “Kleenex abounding.”


At the end of September, George developed pneumonia, and the doctors discovered a mass in his chest. Uncertain of its nature, they suggested surgery. Chast and her mother decided against it, knowing George wouldn’t recover. George is given a Do Not Resuscitate (DNR) bracelet. Around that time, Chast had a peculiar experience with a Ouija board. In a black-and-white panel titled “Weird But True” on Page 159, Chast recounts how one night, her children were playing with a Ouija board and invited her to ask a question. She asked if her father would die soon. The board’s answer was, “Heaven beckons.” On October 16, 2007, Chast received a call from a nurse informing her that George was having trouble swallowing. She rushed to the Place and brought him his favorite ice cream. Noticing that he seemed very tired, she got in in bed next to him. He asked about Nina, Chast’s daughter, and she told him that she was playing her banjo. He smiled and fell asleep. Elizabeth remained in denial about her husband’s impending death. That afternoon, Chast received a call that he was passing. She drove back to the Place, but he had already died. Chast took her mother back to her house. On Page 160 is a black-and-white photograph of Chast and her father, with his name and dates of birth and death written underneath.

Chapter 14 Summary: “Postmortem”

At home, Chast and her mother quietly ate pizza. It felt surreal to Chast that her father just died and life kept going. She reassured her mother that “someday, in some unforeseeable future” they would “all be reunited” (162). Elizabeth didn’t believe it. The next morning, Chast woke up early to drive her daughter to school and noticed a terrible smell emanating from the living room, where her mother was sleeping, and realized that her mother lost control of her bowels overnight, and the floors, rugs, and sofa were covered in excrement. Chast helped her mother clean up and later drove her back to the Place. They never spoke of the incident. Reflecting on the end of life, Chast wishes something were pleasurable to look forward to, like “all-you-can-eat ice cream parlors for the extremely aged” or even “opium, or heroin” (164).

Chapters 10-14 Analysis

Chapters 10-14 thematically delve further into the pragmatic aspects of Caring for Aging Parents. Once her parents finally agreed to move into a facility, Chast navigated the mountain of paperwork, the financial concerns, and the emotionally taxing task of cleaning out their Brooklyn apartment. This process, which Chast describes as heartbreaking, symbolizes the end of an era: By discarding her parents’ possessions, Chast was letting go of their past. On Pages 112-21 are several photographs of objects Chast found in her parents’ apartment. These photos enhance the memoir’s authenticity, providing a tangible connection to the author’s parents’ lives. By doing all these tasks for them, Chast felt as though she was parenting her parents: “It all felt very strange. Almost like helping your kid set up their first apartment” (110). This shift was challenging for Chast, who struggled with the idea that her parents were now frail and dependent on her. Seeing her father in the nursing home was especially difficult: “He looked so small and so frail. How could this be? He was my DAD!” (144). In caring for her aging parents, Chast felt internally conflicted, which she illustrates on Page 148 through the characters of “Gallant,” who embraced time with her parents and did not worry about finances, and “Goofus,” who resented her obligations. This duality shows the nuanced reality of caring for aging parents.


The author portrays death as a long, painful process. After his fall, George’s health slowly declined. He was bedridden and battling bedsores, and he eventually developed pneumonia. George and Elizabeth had contrasting attitudes toward death. George felt defeated, expressing a desire to “pack it in” (151). Elizabeth, on the other hand, clung to positive thinking and denied the reality of her husband‘s impending death. Even when George was given a Do Not Resuscitate (DNR) bracelet, Elizabeth remained in denial: “I DO NOT LIKE TO TALK ABOUT DEATH, AND I WILL NOT TALK ABOUT DEATH!!!” (159). This underscores the theme of Emotional Avoidance as a Coping Mechanism. Like many people, Elizabeth struggled with the finality of death and refused to confront the reality of it, using denial and avoidance as a defense mechanism. After George’s death, Chast and Elizabeth avoided discussing their emotions. When Elizabeth had an accident at Chast’s house, they cleaned up and never spoke of it again. In their family dynamic, emotions and thoughts usually remained unexpressed. Despite the lack of open communication, however, they honored their commitment to care for one another.


Additionally, this section thematically addresses and explores The Complexities of American Healthcare and Elder Care through Chast’s grappling with the financial burden of her parents’ care, which highlights the exorbitant costs of care facilities. The Place, where her parents moved, charged a monthly fee of $7,400, plus an additional $600 for a personal support plan. Chapter 12 reveals how Chast started to have financial concerns because her parents’ health insurance plan did not extend to Connecticut. Page 146 features an illustration of Chast anxiously calculating how many more years they can afford the Place. After his fall, George needed additional care, and Chast asked a nurse at the Place what would happen if the money ran out. This paints a stark picture of the challenges that many face within the American healthcare and elder care systems.


Moreover, the author notes the stark contrast between the Place and the nursing home where George was transferred after his fall. The Place, with its “nice pinks, safe peaches, inoffensive blues, soft greens, and harmless neutrals” (129), aimed to create a serene environment, to evoke a sense of peace and comfort. In addition, the Place offered activities to improve residents’ quality of life in their final years, including a craft room and a jigsaw puzzle station. The author also describes the social dynamics in the facility. The dining room was “like the high school cafeteria, but with old people” (132). In contrast, the memoir depicts the nursing home as bleak and clinical: “There was no attempt to disguise what it was. No sofas, no sconces, no Oriental-style carpets” (143). An illustration on Page 144 shows George in a grey room, emphasizing the melancholy atmosphere. This contrast underscores the differences in quality of care and living conditions between various elder care facilities.

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