Catalog of Unabashed Gratitude

Ross Gay

20 pages 40-minute read

Ross Gay

Catalog of Unabashed Gratitude

Fiction | Poem | Adult | Published in 2015

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Further Reading & Resources

Related Poems

To the Fig Tree on 9th and Christian” by Ross Gay (2013)


Originally published in American Poetry Review, this is the first poem in Catalog of Unabashed Gratitude. Set in Philadelphia, the poem centers on Gay’s meditation on a fig tree in the city and what it means to the people who eat its fruit. Fig trees are alluded to in “Catalog of Unabashed Gratitude,” creating a holistic sense to the collection’s start and finish. This poem also shows Gay’s signature short line style and quick pace: the poem is one long sentence. Also apparent are the love of nature, people, Gay’s awareness of his cultural ancestors, and his interest in building community. The poem ends with a line suggesting that those clustered around the fig tree will become joined, “strangers maybe / never again.”


Burial” by Ross Gay (2013)


Published in Solstice: A Magazine of Diverse Voices in 2013, “Burial” is also collected in Catalog of Unabashed Gratitude. This poem discusses Gay’s relationship with his father, his death in the hospital, and his imagined resurrection in a plum tree Gay tends as he “peer[s] out from the sweet meat / with his hands pressed against the purple skin / like cathedral glass” (Lines 56-58). Gay uses short lines and lyrical language and incorporates scientific terminology, biblical allusion, and slang. The father figure appears in “Catalog of Unabashed Gratitude,” both in a reference to his death (Line 62) and in dream-like resurrection form (Lines 250-255).


Wedding Poem” by Ross Gay (2013)


This is an epithalamium, or wedding poem, that appears before the titular poem in Catalog of Unabashed Gratitude. Here, Gay meditates on a goldfinch’s love of eating a sunflower. Here the “good racket” (Line 31) made by the goldfinch makes the poet “barely purse my lips / with what I realize now / was being simply glad” (Lines 37-40). The bird image is carried over into the beginning of the next poem in the poet’s “dream in which a robin” (Line 3) speaks to him. Besides the similarity of personified songbirds, “Wedding Poem’s” use of language to express joy is echoed in “thank you for what in us rackets glad / what gladrackets us” (Lines 231-232) in the next poem.

Further Literary Resources

Ross Gay Interview” by David Naimon (2021)


The literary journal Tin House has a podcast called “Between the Covers,” which is hosted by David Naimon. In February 2021, Naimon interviewed Ross Gay about Be Holding, and this is the transcript. While a majority of the interview is about the creation of Be Holding, Gay also discusses Catalog of Unabashed Gratitude and some misconceptions about his reputation as a “delightful” poet, or as Naimon notes “The Poet of Joy.” Using “Catalog of Unabashed Gratitude” as a reference, he points out that the “poem […] ends with the child of my dream saying, ‘‘The end is near and it’s sooner than we think.” He mentions that joy is a complicated emotion that most often goes hand and hand with loss.


Ross Gay: Interview—Be Holding, Gratitude, Delights” by Nadia Colburn (2021)


Poet and essayist Nadia Colburn interviews “writers, activists, visionaries, change makers, who help us come into a more aligned story, people who both tell the truth and light the way forward with compassion, courage, and appreciation.” In this interview with Gay, she discusses his childhood in suburban Philadelphia, his relationship with sports, gardening, and how the title for Catalog of Unabashed Gratitude came to be. He explains how he thought of the title of the book first then wrote the poem with the book’s title in mind. In his focus in the book—and the poem—Gay says he “was fully cognizant of the ways that kind of enthusiasm and just wild beloving of what ought to be beloved is not always taken care of.”


Ross Gay Interviewed” by Nicole Sealy (2016)


In this interview for the National Book Foundation, Sealy asks Gay about several processes regarding Catalog of Unabashed Gratitude. Besides noting his influences, Gay also talks about using the form of the ode and elegy in the book: “I think of the ode and the elegy to be always deeply entwined, whether explicitly or not. Because, you know, odes and elegies are ultimately love poems.” He and Sealy also discuss gardening, revision, and what joy and gratitude mean for him. In regard to “Catalog of Unabashed Gratitude,” he notes that he “toyed with the idea of making it a book-length poem of gratitude, but it didn’t quite get there. Then I thought (and maybe I’ll do this) I might just keep stretching it out […] You know, the life-long Catalog of Unabashed Gratitude.”

Listen to Poem

“Catalog of Unabashed Gratitude” read by Ross Gay with Bon Iver (2021)


This is a video of Gay’s reading of “Catalog of Unabashed Gratitude” featuring music by Bon Iver in the background, which was released by the label Jagjaguwar in 2021 and classified as spoken word poetry. The video version includes the words of the poem as graphic art along with images that align to those from the poem. Gay’s shifting musical cadence toward humor or seriousness becomes apparent in his reading.

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