42 pages 1-hour read

Caucasia

Fiction | Novel | Adult | Published in 1998

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Symbols & Motifs

Negrobilia

Before Birdie leaves with her mother, Deck gives her a box of odds and ends he calls Negrobilia. It contains:


a Black Nativity program from the Nkrumah School, a fisted pick […], a black Barbie doll head, an informational tourist pamphlet on Brazil, the silver Egyptian necklace inscribed with hieroglyphics […], and a James Brown eight-track cassette with a faded sticker in the corner that said ‘Nubian Notion’ (127).


Birdie can see that he threw the objects together haphazardly, but the box that represents cultural blackness comes to gain significance the further she strays from her black self. 


The box even comes to be a religious object: “I practiced my own form of praying. I would sit, fingering the objects in my box of negrobilia, usually humming a little tune […], while I tried to imagine what Cole was doing at that very moment” (140). The box is a touchstone for Birdie’s relationship with Cole, and she uses it as though it creates a psychic connection. As Birdie moves deeper into her white life, the box starts to lose its meaning: “I blasted the Cars and sifted through my shoe box of negrobilia, staring at the same old dusty objects, fingering the same old plastic pick, the same old Egyptian necklace that was tarnished and in need of polishing” (272). Though the box is still important to Birdie—she takes it when she runs away—the Afrocentric identity it represents feels dated, emphasized by the repetition of the word “old.” It is notable that Birdie is listening to The Cars while she sifts through the box, another reminder that her black identity is starting to fade. 

India

India is a symbol of utopia and an imagined alternative to Birdie’s black-and-white world. At the beginning of the novel, Dot leaves for India to study eastern spirituality with no plans to return. Her departure foreshadows Deck’s flight to Brazil, which he believes will be a racism-free paradise, and contrasts Sandy and Birdie’s departure into rural white America, which is a kind of paradise for Sandy. One day at the beach, Birdie tells a group of children that she is from India in response to their question, “Where are you from?” (184). “India” is coded as exotic and “other” in New Hampshire. Nicholas even calls Birdie “Pocahontas,” another kind of Indian. A Pakistani man on the plane to San Francisco speaks to Birdie in his language and is disappointed with her reveals her ethnicity. In this case, “Indian” represents the self and Birdie must disappoint her seatmate who sees her mixed-race blackness as “other.” 

Elemeno

Elemeno is Cole and Birdie’s secret language. When they are young, they spend hours in the attic, building cities and telling stories. Elemeno symbolizes Birdie and Cole’s relationship. The first time they disagree is when Birdie tells Cole in Elemeno that she wants to leave Nkrumah because the girls bully her. Cole replies, “No, Birdie. I kind of like it. It’s fun. I want to stay” (47). The disagreement signals that they are growing apart. The more comfortable Cole becomes in her new school, the less she plays games in Elemeno with Birdie, seeing them as “childish” (74). Over time, Birdie starts to forget Elemeno. When she is in New Hampshire with her mother, the words begin “to sound like gibberish” (151). When she reunites with Cole, however, the forgotten knowledge returns: “She began to speak to me then in broken Elemeno. At first I didn’t understand it, but then it began to come back to me” (405). The language symbolizes the sisters’ bond, which, even though it weakened, could not break.

Blurred Motion Through a Car Window

At the beginning of her journey, Birdie says: “Beyond my window, the city appeared colorless and hushed, like footage from a black-and-white silent movie. I was silent too, as if so many questions had left me mute” (124). The image of the silent black-and-white city is a metaphor for Birdie’s inner turmoil, which she can glimpse but not understand. As they drive further, Birdie looks out the window on “the blurring world with a dull, groggy interest” (127). Being in motion makes Birdie feel disconnected from everything going on around her. She cannot experience the world that is passing by; she can only spectate it from her limited viewpoint.


The last image Birdie sees in the novel is a mixed-race girl in a school bus. When the bus pulls away, the girl’s face disappears, and the bus becomes “just a blur of yellow and black in motion” (413). This is the only case in which Birdie is standing still while someone else is speeding past. The final image resonates with the theme that, now that Birdie feels grounded and is no longer running, she can live her life rather than just watching it pass by.

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