59 pages 1-hour read

Cher: The Memoir: Part One

Nonfiction | Autobiography / Memoir | Adult | Published in 2024

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Chapters 11-15Chapter Summaries & Analyses

Chapter 11 Summary: “Baby Don’t Go”

Content Warning: This section of the guide includes discussion of substance use, emotional abuse, and pregnancy loss.


Sonny had met publicists Charlie Greene and Brian Stone while working at Gold Star, Phil Spector’s record label. Both Charlie and Brian were charming and confident New Yorkers with a history of bold—if unsuccessful—ventures. Charlie and Brian’s excitement at working in the music industry reignited Sonny and Cher’s excitement to become a successful duo, and they signed onto Charlie and Brian’s press agency.


British rock band The Rolling Stones came to tour America and worked with Gold Star on recording some of their songs. Cher was a bit shy about meeting the young singers, who were in their teens but already famous. She was also wary of being too friendly since Sonny had become more possessive of her. The Stones loved hanging out with Cher and Sonny. They suggested that the pair travel to Britain and release music there because they felt that their style and singing would be more accepted there.


Encouraged, Sonny wrote the song “Baby, Don’t Go” specifically for Cher. Cher was nervous to record as a lead singer and begged Sonny to accompany her on the choruses, which he did. The two were thrilled with the result and played it for Mo Ostin, the senior executive at Reprise Records. Mo loved the song and offered the two a deal. Cher reflects that this deal was the beginning of their duo, Sonny and Cher. The song did well on the regional charts, and the two followed it up with an album of the same name. Cher and Sonny were so encouraged by this small success that Sonny decided to leave his job at Gold Star as the two pursued careers as full-time singers.


As they performed more gigs, Sonny and Cher experimented with fashion and outlandish outfits but eventually settled on wearing their everyday clothes. Sonny continued to be the driving force behind their marketing and deals and often stayed up late at night writing songs for them. One night, he dragged Cher out of bed so that she could hear the first lines of “I Got You, Babe.” At first, she was unimpressed, but when he added some modulation, she liked the tune better. The song was released in 1965, and with its initial success, Cher and Sonny were able to live more comfortably, renting a nice house with their friends Bridget and Colleen.


Feeling more hopeful about their chances of making it big, Sonny and Cher acted on the advice of producer Jack Good, who agreed with Mick Jagger that the two should go to Britain. It was not an easy decision, as they had to sell their cars and belongings to finance the trip. They decided to give themselves two weeks in London, and if they were unsuccessful, they would return home with nothing. Sonny and Cher were turned away from the Hilton hotel because of their quirky style, but this incident attracted media attention and helped them gain publicity.


Within days of arriving in London, the duo was featured on British TV shows like Top of the Pops. Opportunities abounded, and the two traveled around Britain, performing at all kinds of gigs. They were even recognized by the public, and Cher was delighted to sign autographs and greet crowds. A huge fashionista, Cher also loved the style scene in London, which was much more adventurous than in LA. Their work paid off, and the two were astonished when “I Got You, Babe” became the number one song in Britain and America. The two returned to California to take advantage of their newfound fame.

Chapter 12 Summary: “I Got You Babe”

Back in LA, Sonny and Cher returned to the studio to finish recording their album, which was now highly anticipated. The two were signed by the William Morris agency but ignored their advice about toning down their style. Cher was particularly thrilled to perform on The Ed Sullivan Show since that show was how she had discovered Elvis. The taping was largely successful, though Cher regrets not singing more of their hit songs.


The two now had money to spend, and they purchased a home in Encino, California. Cher was largely left out of financial decisions, as Sonny controlled their finances. While Cher was happy to have a home, her impoverished childhood made her feel that her financial success could be over at any time, and she bought doubles of everything for fear of running out. Sonny was also controlling about how they spent their time, and he pushed them to continue working rather than enjoy themselves. As time passed, Cher felt that Sonny asked her to give up increasingly more of her passions and freedom, while he didn’t sacrifice anything for her. These constraints grew so gradually that she did not notice them until she had already lost much of her autonomy. 


Cher found their new pace of life “relentless” but was also happy that they were finally living their dreams as singers. Cher had new opportunities, such as designing a fashion line and being an “agony aunt”—an advice columnist—for Teen Beat magazine. She and Sonny were astonished when, at the request of Jackie Kennedy, they were invited to sing at a prestigious party. Cher recalls how kind Mrs. Kennedy was to her. Cher was photographed by Vogue and loved the experience. She was assured that she would never make the cover of the magazine because she had both dark hair and dark eyes, but six years later, she graced the cover.


Fame brought new pressures, too. Cher preferred to stay out of the spotlight and let Sonny do more of the interviews, but she could not avoid being grilled herself. One interview went particularly poorly, as the journalist misconstrued Cher’s responses and published the couple’s full address for fans to use. Some fans became completely wild at their concerts, grabbing at their legs and trying to climb onstage with them.


Over the next few years, the culture changed, and Cher wondered how to change with it. The counterculture movement popularized recreational drug use, free love, and resistance to the Vietnam War, and Sonny and Cher’s wholesome, married-couple brand began to seem out of fashion. This triggered a sharp decline in their record sales, which put pressure on both of them. Cher believes that Sonny abused prescription drugs to cope with his workload, giving him mood swings. Cher recalls that it was difficult to influence Sonny’s strong opinions but that he seemed to be more open to her comments when she jotted down notes in his notebooks. While she knows that she meant a lot to him, she often felt that he undervalued her.

Chapter 13 Summary: “Good Times”

As Sonny and Cher fell out of fashion, Sonny decided that they should star in a film to give their popularity a boost. Sonny co-wrote the script for and got funding from Paramount to direct a comedy movie called Good Times. Cher was surprised that Sonny found the support he needed from Hollywood, and she wondered how the movie would turn out. She recalls filming at the Africa USA Wildlife Park in Vallejo, California, and interacting with lions, elephants, and chimps, realizing that the film would be funny after all.


Cher feels that this period of her life was full of surreal experiences and new opportunities. She and Sonny met Salvador Dali by chance in New York, though they did not become fast friends with the eccentric artist. She and Sonny appeared on The Carol Burnett Show, and Cher met Bob Mackie, a stylist who would go on to be her friend and colleague for decades. Good Times received positive reviews but did not make much money at the box office, and Sonny and Cher’s agency declined to help them advertise it more.


Now 21, Cher lost a third pregnancy and learned that she would continue to find it difficult to conceive. This alarmed her, as she wanted children. To make matters worse, she caught Sonny cheating on her with his new secretary. Cher was devastated, but Sonny convinced her that it was her fault that he had cheated since he felt neglected. In hindsight, Cher regrets being so forgiving and submissive. Despite buying a beautiful new home together, things remained tense between the two as Sonny became prone to unpredictable outbursts that frightened Cher. She began to feel caged in her home, with her every decision dictated by Sonny. She begged him to let her take tennis lessons, and he agreed but then burned her tennis clothes and racquet when he heard that she had socialized with men at her tennis lesson. His jealousy and paranoia extended to their next film set, too, where he scheduled her scenes to be shot separately from those of the male co-star she had befriended.


Cher became pregnant again and was ordered to stay on bedrest. One day, she discovered Valium and painkillers in Sonny’s bathroom. She felt that the medications explained his erratic moods but was shocked since he had always been publicly anti-drugs. She decided not to confront him about it. Cher’s pregnancy continued, and she and Sonny finally made their marriage official. Cher recalls her difficult labor and early days with her new baby girl, Chastity, or “Chas.” Cher was terrified of being a bad mother, and health complications added to her stress. Her relationship with her mother became particularly tense, as Georgia hated Sonny for cheating on Cher and was critical of their parenting.

Chapter 14 Summary: “The Harder They Come”

The German nanny whom Sonny hired was intrusive and controlling and made Cher feel incompetent as a mother. When Chas was only three weeks old, Cher traveled to Arizona for a photoshoot with Vogue. Thankfully, Sonny stayed behind in LA, which allowed Cher to enjoy the experience. She came back to LA feeling great, but it didn’t last long: Sonny broke the news that they were badly in debt to the IRS with no way to pay it off. Their only option was to tour again. Cher was terrified at the prospect of losing what they had and living in poverty again, especially now that she had a child. She was also shocked since Sonny had always seemed so competent with money. She couldn’t believe that he had overspent so much and allowed their situation to get so bad.


The two performed in London and New York and promoted their new album and film, Chastity, but their fortunes did not improve. Cher’s sales were so low that her record label dropped her, ruining their plans for a lucrative tour. They found smaller gigs at casinos, motels, and hotels, and it saddened Cher to play at these “dives.” These audiences were not the appreciative fans they were used to; some were downright uninterested. Cher and Sonny lived on the road with Chas, leaving her in the care of Gee or their new nanny, Heidi, while they worked. When a stranger noticed how unhappy she was and prophetically told her that she wouldn’t be with her husband forever, Cher decided to tell Sonny how much she hated their new life. Unfortunately, this did not resolve anything, as he lost his temper, accused her of being “ungrateful,” and threatened to divorce her (244).

Chapter 15 Summary: “Ladies and Gentlemen, Sonny and Cher”

As they continued their tour of small venues, Cher and Sonny noticed that audiences loved their banter, and they redeveloped their show to include more comedy. The tour began to sell out, and their new agent secured them a TV show called The Sonny and Cher Comedy Hour based on their touring act. The two were nervous but excited about this new opportunity, and Cher hoped that they could finally pay their back taxes and feel secure again. The two had to learn to be more improvisational, and they both grew as performers. Their working relationship was always easy; Cher felt that the show was the “perfect playground” for them to experiment together. While the show was a lot of work, Cher began to feel happier in her marriage and career again.


As their Comedy Hour show gained an audience, their budget grew, and they attracted guest stars like Muhammad Ali, the Jackson 5, and Elton John. Cher loved the work but was tired and had little time for anything else in her life. Nevertheless, when Sonny insisted that they record another album and go back on the road to “make the most of this second chance,” she agreed (260). Cher’s next album, simply called Cher, was a success, earning the singer her first Grammy nomination. While she didn’t like being overworked and constantly busy, she acknowledges that Sonny’s work ethic and industry savvy helped her achieve that success.

Chapters 11-15 Analysis

In these chapters, Cher reflects on entering the music industry at a dynamic time in American culture, adding to her consideration of The Ever-Changing Landscape of Popular Culture. By sharing her memory of meeting and befriending The Rolling Stones during their first US tour, Cher positions herself as one of the up-and-coming artists who would change the entertainment landscape during the tumultuous 1960s. Cher suggests that mainstream American audiences were initially put off by her eccentric fashion and musical style. Mick Jagger’s advice suggested that Britain was less culturally conservative at the time: “When he heard that we weren’t getting anywhere in the States, he suggested we try Britain: ‘Trust me, man, they won’t be afraid of you there’” (166). By traveling to England at a time when British musicians were “invading” the US, Cher showed a willingness to buck trends and position herself at the epicenter of cultural change. 


Cher’s discussion of her time with Sonny in Britain proves that Mick was right: British audiences were more open to Sonny and Cher’s performances than American audiences were. She explains, “The difference in London was that not one person called us freaks and everyone seemed to accept us as merely quirky” (182). This openness allowed Sonny and Cher to secure touring gigs and radio and TV appearances, which soon earned them their own devoted fandom. She remembers, “The most chaotic appearances were at record stores, because the kids who had lined up for hours went wild when we arrived and there was never enough security to keep them back. We’d never had fans like that before” (182). These scenes recall the early scene in which a young Cher attended an Elvis concert with her mother. The mirroring of these experiences suggests that Cher had now made the transition from consumer of pop culture to producer.


While both countries were simultaneously becoming more liberal and experimental in terms of music, fashion, and more, Cher remembers how their time in the UK created a mystique around her and Sonny that made them more appealing to American audiences. After touring Britain, Cher felt that she and Sonny benefited from the “British Invasion” happening at the time. She explains that American audiences associated them with other popular British acts, like The Beatles. This helped them enormously, as “[e]verything British was suddenly the hippest thing going on in America, so it was funny that [they] were American and had to go to Britain to get famous first” (187). Their newfound fame was measurable not only in crowd sizes but also in the popularity of their singles: After a few weeks in Britain, Sonny and Cher had five songs in the top 20 in both the US and Britain, a feat only accomplished by Elvis and The Beatles before them. Cher’s reflection on the relationship between British and American pop culture in the 1960s shows the rapid rate of cultural change in both countries.


Sonny and Cher’s appearance on The Ed Sullivan Show was another full-circle moment, as it was through this show that the young Cher first discovered Elvis. Now, rather than watching the show, she was performing on it: Having begun her relationship with music as a fan, she was now an idol to other young fans. As one of America’s most popular and mainstream talk and variety shows, with over 70 million regular viewers, this performance signaled Sonny and Cher’s acceptance in mainstream American entertainment. Cher explains the significance of this invitation, writing, “It was proof not only that we’d ‘arrived,’ but that we were popular enough that the show’s all-important viewing figures would soar” (190). This moment cemented Sonny and Cher’s success in breaking through to a mass audience.


While she experienced great success with her musical career, Cher privately faced several difficult challenges that forced her to show Resilience in the Face of Adversity. Many of these stemmed from her personal relationship with Sonny, whose erratic moods and controlling behavior made Cher feel stressed and constrained. His unrelenting pressure on her to continue performing, and his limitations on her personal life, left Cher feeling unhappy. She shares, 


I felt anxious and afraid. It was like the Bermuda Triangle of my life. It was awful. I didn’t say anything for a few days, but finally I went to Sonny and told him, ‘Son, I’m unhappy. I don’t know why, but I’m so sad.’ He took a beat, then exploded. He yelled, ‘You’re so ungrateful. Do you want me to divorce you?’ (244). 


Sonny’s temper and vicious criticism of Cher left her thinking, “I’m never going to tell you how I feel again” (244). By sharing how Sonny rejected her feelings, Cher emphasizes what a painful struggle it was for her to work through her own feelings and learn to assert herself to the man who controlled her life and career.

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