Children of Fallen Gods

Carissa Broadbent

64 pages 2-hour read

Carissa Broadbent

Children of Fallen Gods

Fiction | Novel | Adult | Published in 2021

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Part 2, Chapters 61-75Chapter Summaries & Analyses

Content Warning: This section of the guide features discussion of graphic violence, sexual content, physical abuse, emotional abuse, child abuse, substance use, addiction, cursing, suicide, suicidal ideation and self-harm, mental illness, and illness or death.

Part 2: “Ash”

Part 2, Chapter 61 Summary: “Tisaanah”

Nearly two weeks after Reshaye’s departure, Tisaanah attempts to use her magic and finds it completely gone. Max discovers her in the garden and suggests she draw magic from him. She presses her cut palm to his and manages to conjure a weak butterfly before Max yanks his hand away in pain. The cut has turned black and purple. Horrified that she hurt him, Tisaanah declares they will not repeat the experiment. She looks at the dark veins spreading on his arms with mounting dread.

Part 2, Chapter 62 Summary: “Aefe”

Gravely wounded by a cursed arrow, Aefe flies with Ishqa away from the battle. They land in a forest clearing where Ishqa removes the arrow. Wracked with grief over their fallen companions, Aefe apologizes for Ashraia’s death before losing consciousness. She dreams of Siobhan and of Caduan warning her something terrible was coming. Waking, Ishqa reveals Aefe’s father betrayed the Wyshraj, killing most of their army and attacking the House of Wayward Winds. Disgusted, Aefe vows to depose her father and offers Ishqa a future alliance. They have four days to reach the human leaders’ meeting. Aefe declares they will strike directly, ending both this war and the one with her father.

Part 2, Chapter 63 Summary: “Tisaanah”

A chest inscribed with Tisaanah’s name appears on their doorstep, filled with hundreds of severed hands branded with the Zorokov sigil. Inside the cottage, a tall faceless creature speaks in a reverberating voice, warning that the Zorokovs do not appreciate being lied to. Tisaanah attacks with a weapon while Max transforms into fire. The creature vanishes and reappears through Tisaanah’s mirror, tackling her and draining her life force. Unable to fight with magic, Tisaanah smashes Stratagram ink to shatter all the glass in the house. The creature vanishes. Birds arrive through broken windows carrying a warning and a Stratagram for escape. As more creatures approach the burning cottage, Max activates the Stratagram and they disappear.

Part 2, Chapter 64 Summary: “Aefe”

Aefe drinks Ishqa’s blood to transform into a bird for faster travel. Landing for the night in a golden field, she wishes Caduan could see it, and weeps. Aefe and Ishqa discuss their afterlives and acknowledge they may die tomorrow, exchanging vows of honor. The next morning they fly to a crescent-shaped island with a single circular stone building. The Wyshraj reinforcements have not arrived. Undeterred, Aefe prepares to fight with just the two of them. Ishqa insists on entering through the front door, claiming there are dissenters inside to speak with. He takes her hand and pushes the door open before she can protest.

Part 2, Chapter 65 Summary: “Max”

Max and Tisaanah arrive via Stratagram on a distant beach. They find a circular stone building with columns carved in Old Besrithian, an ancient dead language. Inside, a tall man with long golden hair and golden eyes turns to face them, remarking that they received his gift. Before Max can demand his identity, Tisaanah gasps that she knows him. The man introduces himself as Ishqa Sai’Ess and says he is there to right a wrong from long ago.

Part 2, Chapter 66 Summary: “Aefe”

Aefe and Ishqa enter to find two dozen humans inside. A scarred, silver-haired man magically tears Aefe’s weapons away while another human paralyzes her mind. She collapses. Ishqa tells the scarred man he has fulfilled his request and expects the same in return. Aefe realizes with horror that Ishqa has betrayed her. A white-haired woman identifies Aefe as an Essnera. As Ishqa prepares to leave, the scarred man tells him Aefe will become the most powerful thing the world has ever seen. Aefe breaks free momentarily and screams Ishqa’s name. He looks back with a stony face as she is dragged away, and her vision goes white.

Part 2, Chapter 67 Summary: “Tisaanah”

Tisaanah recognizes Ishqa from memories shared with Reshaye—golden hair and devastating betrayal. She says aloud that he knew Reshaye. Ishqa asks if that is what she calls herself and Tisaanah asks if the name means something. Ishqa reveals that Reshaye means “no one.”

Part 2, Chapter 68 Summary: “Aefe Reshaye”

Over an undefined period, Aefe endures constant torture and experimentation, her body carved away while she is magically linked to dying humans. Her hatred for Ishqa initially anchors her, but her memories fade one by one: of home, Caduan, Siobhan, her sister Orscheid, and finally the feeling of love itself. When her physical body is gone and she exists only as raw energy in white rooms, she loses her name. When her captors ask who she is, she answers that she is no one.

Part 2, Chapter 69 Summary: “Tisaanah”

Ishqa explains that centuries ago he betrayed another Fey named Aefe to humans in exchange for a political alliance, leading to Reshaye’s creation. He says a powerful new Fey king has united the scattered Fey but has grown obsessed with destroying humanity, and is actively hunting Max and Tisaanah to weaponize Reshaye. Tisaanah realizes the presence from her dreams was this king. Max says Reshaye is gone but Ishqa doubts it can be truly destroyed. Ishqa deduces the king has allied with the Threllians. He offers to bring Reshaye back to use against the king but Max and Tisaanah refuse. Ishqa reveals his true motivation: His son is among the missing Fey, and he wants to stop the king’s path of vengeance. He gives them a Stratagram and a feather to summon him, then transports them away.

Part 2, Chapter 70 Summary: “Max”

At the Towers, Nura meets them covered in blood after shadow creatures killed eight Syrizen at the destroyed cottage. Recognizing she knows what the creatures are, Max presses for information. She leads them to a secret subterranean study, then prepares a spell in a golden bowl that will let them see her memories. Max is shocked by this uncharacteristically vulnerable act.

Part 2, Chapter 71 Summary: “Nura”

Through Nura’s memories, Max and Tisaanah witness her history. She meets Max aged 10, they enlist together aged 12, and become an unstoppable fighting duo during the Ryvenai War, beginning a physical relationship Nura keeps secret. At Sarlazai, she forcibly opens Max’s mind and releases Reshaye to end the battle, causing her own burns and the deaths of the Farlione family. Consumed by guilt, she testifies on his behalf, ensuring he is declared a hero. Years later, attempting to Wield Reshaye herself, she receives a terrifying vision of a Fey invasion culminating in her death at the hands of a crowned Fey king. Convinced the vision is real, she secretly begins preparing Ara for war, allies with Zeryth to destabilize the monarchy, and manipulates events to bring Max and Tisaanah together. She shares her memories so they will understand the threat.

Part 2, Chapter 72 Summary: “Max”

Nura reveals a laboratory with six imprisoned Fey behind a glass wall. Max recognizes one as Ishqa’s son. Nura is using them to create magical weapons to stop the invasion, attempting to create more beings like Reshaye. Tisaanah finds bills of sale and realizes Nura has been purchasing Threllian slaves, intending to use them as experimental subjects, just as Tisaanah herself was once used. Nura pleads that these sacrifices are necessary to save millions and free Tisaanah’s people. Tisaanah storms out. Max tells Nura she is wrong.

Part 2, Chapter 73 Summary: “Tisaanah

Returning to the destroyed cottage, Tisaanah and Max find the scorched crate of severed hands. Tisaanah collapses sobbing, despairing that her efforts have led only to more suffering. Max comforts her. At the refugee district, she delivers the news of the murders. The refugees react with grief and anger, and Filias blames her for false hope. Breaking down, Tisaanah admits her powerlessness and failures, kneeling in the road in penitence. Riasha kneels beside her and begins singing a Drifting Song, a traditional funeral hymn. Max, Serel, and the other refugees join them in a moment of collective grief.

Part 2, Chapter 74 Summary: “Max”

Walking back, Max and Tisaanah fantasize about disappearing to a remote place with a garden by a lake. She makes the fantasy feel real, asking if he would leave right now. He is about to agree when Moth and young soldiers interrupt, reporting all leave is canceled. Moth confronts Max, demanding to know if he is abandoning them to fight alone. Shaken, Max promises he is not. The couple feel this encounter shatters their fantasy and replaces it with duty. Tisaanah tells Max she has a new, risky plan that he will want to reject.

Part 2, Chapter 75 Summary: “Max”

At Nura’s confirmation ceremony as Arch Commandant, the third councilor Iya unexpectedly withholds approval and calls forth Max as a candidate. Nura objects, but Tisaanah reveals her blood pact included a clause giving Max a clean slate. Iya declares a fourth trial—a duel—must be held and Nura insists it happen immediately. The duel is set for sundown in the Scar. Afterward, Sammerin is horrified but agrees Nura cannot rule. He warns Max she knows all his weaknesses and will fight to kill, and advises against using the strange magic inherited from Reshaye. Max prepares for the fight, resolved not to lose.

Part 2, Chapters 61-75 Analysis

The narrative structure, which has maintained two distinct storylines for much of the novel, converges in these chapters. This structural convergence unites the characters and reveals the cyclical nature of trauma and exploitation, in order to emphasize the novel’s themes. The alternating perspectives of Aefe and Tisaanah culminate in the revelation that they are two halves of a single, fractured history. The chapter titled “Aefe Reshaye” serves as the narrative and thematic lynchpin, explicitly linking the two identities through a graphic depiction of systematic dehumanization. Aefe’s identity is methodically removed, her memories and sense of self eroded by torture until she comes to identify herself by a name that means “no one” (452). This reversed chronology transforms Reshaye from a mysterious entity into a character with a defined history of suffering, reframing Tisaanah’s story as the continuation of Aefe’s. The reader’s new comprehension mirrors Tisaanah’s own, as fragmented memories from Reshaye coalesce into a past that makes the history of suffering both personal and immediate.


This revelation deepens the exploration of The Transactional Nature of Freedom and Power though this section. Ishqa’s betrayal of Aefe, trading her freedom for a political alliance, is the foundational act that creates Reshaye, an entity literally born from the transaction and objectification of an individual, Aefe. This historical crime is mirrored in the present by Nura’s actions, as in her secret laboratory, she imprisons Fey and purchases Threllian “slaves,” dehumanizing them as resources for creating new weapons. Her justification to Max and Tisaanah that she would use “only volunteers” is immediately dismantled by Tisaanah, who recognizes the coercive nature of such a choice for the powerless. The arrival of a crate of severed hands from the Zorokovs provides a visual image of this theme: The hands, branded and dismembered, represent people reduced to a commodity, their lives and deaths used as a political message in a war between powerful factions. Tisaanah’s loss of magic, following Reshaye’s departure, underscores that her power was always conditional, stemming from a being created by a transaction. Her subsequent attempt to draw magic from Max—a new transaction—fails when she sees the harm it causes him, reinforcing her rejection of power gained at others’ expense.


The theme of Moral Leadership as a Burden Forged From Trauma is fully realized through the parallel arcs of Nura and Max. Nura’s history, revealed through a Valtain memory spell, shows that her pragmatic and severe worldview is a direct result of trauma: the Ryvenai War, her guilt over Sarlazai, and a prophetic vision of Ara’s destruction. This vision becomes the singular justification for her subsequent actions, a burden she carries in isolation. A figure of flawed megalomaniacal certainty, she pursues power as the only tool she believes can prevent a repeat of past—and future—catastrophe. In direct contrast, Max’s trauma from the same events has caused him to abdicate responsibility, as he actively rejects leadership until a confrontation with his young soldiers, particularly Moth, forces him to confront the consequences of his absence. Moth’s demand to know if Max will “leave us to fight alone” (507) shatters his escapist fantasy and compels him to accept the mantle of leadership. Max’s decision to challenge Nura is framed as an act to prevent the trauma-driven leadership Nura embodies.


Nura’s backstory also serves as an extended case study in The Moral Compromises of a “Righteous” War. Her belief that sacrifices are justified to save millions is the core of her ideology, an ethos forged at Sarlazai when she forced open Max’s mind to end the battle. This past act creates a blueprint for her future decisions, from destabilizing the monarchy to experimenting on living beings. Tisaanah’s journey offers a counter-narrative and her outright rejection of Nura’s methods culminates in a moment of vulnerability as she kneels in penitence before the refugees. In this scene, she sheds the persona of a savior and instead chooses to participate in an act of collective grief, embracing shared humanity over the isolating burden of command. This choice marks a turn in her character, as she repudiates the idea that a perceived righteous end can justify such means. Max solidifies this thematic rejection when he tells Nura, “This isn’t how it happens” (493), drawing a clear moral line between her methods and his own. This separation of the characters on moral grounds sets up the climax of Max and Nura’s duel—exemplifying the battle between good and evil—in the final part.

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