39 pages 1-hour read

Claire of the Sea Light

Fiction | Novel | Adult | Published in 2013

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Symbols & Motifs

The Lighthouse

Perched high above the town of Ville Rose, the defunct lighthouse serves as an important symbol and a recurring motif which provides a different meaning to a number of characters.


One of the most important of these is Gaëlle, whose grandfather helped to build the lighthouse. To her, it is a metaphor for her broken family, one she has tried for years to restore. After losing her husband and daughter (thus ending her ancestral lineage), her family will crumble into uselessness just like the lighthouse. In her darkest moments, she wonders whether she should fund the lighthouse’s repair, but is quick to dismiss this thought, wondering “how do you even choose what to mend when so much has already been destroyed?” (98). Like the lighthouse, Gaëlle’s life has been destroyed beyond repair.


For the fishermen of the town, the lighthouse has another meaning. The lighthouse no longer guides people to the shore, however, as the lights of the town are more than powerful enough to provide a point of reference for distant sailors. Rather, the lighthouse is only used in times of emergency (or when kids wish to mess around). When a sailor goes missing, perhaps because they have capsized at sea, people ascend the lighthouse and cast torch beams out into the water. This is often a thankless, fruitless act. The person is dead and gone; few people ever return once they are dropped in the sea. So rather than representing the ability to bring people home, these moments represent the way in which the town pulls together, everyone acting to help those most in need. Even if the task is doomed to fail, they simply have to try. The occasional need for the light house symbolizes the kind of mutual dependence and reliance of the community. 

The Radio Station

Just like the lighthouse, the radio station is a beacon in the community. Though its broadcasts only reach as far as the edges of town and a few surrounding villages, the radio station is a way an individual can broadcast their voice well beyond the realm of human possibility. As such, it becomes a vehicle of social bonding, a tool for social justice, and a means of escape for disaffected youths.


This means of escape is especially true for Bernard and Max Junior. Both are involved in the radio at a young age. Already firm friends (with Max Junior having possibly fallen in love with Bernard), they bond even further over their love for the radio. For Bernard, it is a means of realizing his dreams of being a writer. For Max, it is a means of differentiating himself from his father. Both young men see the radio as a means of escaping their dull and boring homelives, of becoming something that their parents are not. In that sense, the radio becomes a symbol of escapism, offering a rare opportunity in a tiny town in a poor country.


The way Louise uses the radio is, however, far more essential. To her, the radio is a symbol of community. She uses her show to interview those people whose stories might never be told. Many, many people tune in and, Louise believes, this brings the community closer together. It gets people talking and considering viewpoints they might never have considered. To her, this kind of social bonding is an essential public service. She also uses her show as a means of providing social justice. Whether she is interviewing gang-members or rape victims, she is able to bring untold stories into the mainstream and force people to have difficult conversations. By telling these vital stories and allowing the disenfranchised to come on the air and speak as loudly and as powerfully as those far richer than they are, Louise demonstrates the way in which the radio symbolizes the equality of every inhabitant of the town. 

Fabric

Though times are changing in Ville Rose, fabric remains an important motif. As Gaëlle admits, more and more people are beginning to buy pre-made clothes, diminishing the need for uncut fabrics. This point is a clear metaphor for the slow modernization of the town. However, the shop she owns becomes an important symbol in the story for a variety of reasons.


For Gaëlle, the store (and the fabric within) will always symbolize her late husband. When he was alive, she associated his presence with the smell of the fabrics and the touch of the cloth in her hand. These sensory, tactical moments mean that all of the time she spends in her fabric shop become a constant reminder of what she has lost. At first, these memories are too painful, and she must rely on others to run the store on her behalf. Eventually, however, she returns and finds managing the store to be therapeutic. Indeed, the skill she demonstrates in running the store without her husband becomes a metaphor for her ability to function as a strong, independent woman. She is not destroyed by the memory of her departed husband, but eulogizes him by continuing his work in the exact same manner. To Gaëlle, the fabric store becomes a symbol for the memory of her husband, as well as a symbol of how well she is coping with his loss.


But Gaëlle also associates the store with other people. In particular, she associates it with Claire, the husband of Nozias and mother of the little girl who she hopes to adopt by the end of the book. Before she died, Claire would make frequent visits to the store. While perhaps not close friends, they would bring one another gifts. Claire, though poor, gave what she could, including presents for Gaëlle when she was pregnant with Rose. These gifts were returned in kind; Gaëlle often sent fabrics, to make dresses or to swaddle a baby. When Claire dies, Gaëlle remembers her visits to the store. She shares these memories with Claire’s young daughter, offering her a means of escaping from the sadness brought about by the death of a loved one and gifting her memories as though they were fabrics. In this sense, the fabrics symbolizes the social bonds forged between Gaëlle, Claire, and Claire’s daughter. 

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