60 pages 2-hour read

Clown in a Cornfield

Fiction | Novel | YA | Published in 2020

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Character Analysis

Content Warning: This section of the guide includes discussion of addiction, death, suicidal ideation, and illness.

Quinn Maybrook

Quinn Maybrook is the protagonist of the novel. She is characterized as a teenager who grew up in Philadelphia, making her an outsider to the small-town social dynamics of Kettle Springs. Quinn’s status as an outsider to the town makes her a surrogate for the reader, allowing long-time residents like Cole and Janet to explain things about Kettle Springs without making the exposition feel forced or out of place.


Quinn has an avoidant personality, which is symptomatic of the trauma she experiences following the death of her mother, Samantha. It is implied that Quinn feels some shame over the association with her mother, who experienced drug addiction, since she accepts the move to Kettle Springs on the premise that it will allow her to “keep her head down, avoid the drama… [and] start over” (22). This extends to the idea of forming emotional attachments to people in Kettle Springs, which she sees as a stopgap before she returns to Philadelphia for college. Although she quickly finds a social circle at her high school, she never shares her backstory with them or how her experiences make her feel. Similarly, Quinn starts to feel anxious when the underclassmen start paying attention to her while she dances with Cole at the party.


Quinn’s character arc forces her to overcome her fear of uncomfortable situations. In Chapter 10, Quinn is locked into an uncomfortable conversation about gun ownership, which drives the tension between her new friends, Cole and Rust. She expresses her moral opposition to killing with embarrassment, prompting Rust to leave the party early. When she reunites with him after the Frendo ambush has begun, she has no choice but to take up arms against the killers and defend herself and her peers’ lives.


Quinn has a character-defining moment when she instinctively kills the first Frendo killer and discovers that the killer is Mr. Vern, her Science teacher. In Chapter 18, she thinks back to the start of Samantha’s prolonged experience of drug addiction and her resulting death. Samantha’s death has an indelible effect on Quinn’s life. By contrast, Mr. Vern’s life ends in a moment, giving her very little time to process her feelings. The tension between these two experiences of death forces Quinn to abandon the coping mechanisms that allow her to escape discomfort. For the rest of the novel, Quinn pushes away her anxieties to focus on what she can do in the present moment in order to survive.


The end of the novel shows how Quinn has grown out of her avoidant personality. She returns to the Main Street Eatery, where the longtime adult customers previously made her feel unwelcome. She also resolves to remain in Kettle Springs, believing that to do otherwise would merely vindicate the Frendo killers’ ideology. In other words, Quinn chooses to believe that she can belong in Kettle Springs, accepting it as her new home.

Sheriff George Dunne

Sheriff George Dunne is the central antagonist of the novel. Dunne is respected by the town’s adult population. During his first appearance in Chapter 4, the Eatery falls into a hush upon the sheriff’s arrival. Quinn observes that this reaction “didn’t seem like fear exactly, but the same kind of star power Cole had exhibited at school” (71). His popularity allows him to usurp social authority from the town mayor, Harlan Jaffers. The usurpation is symbolically represented when Harlan becomes the first victim of the Frendo killings.


Dunne is motivated by his ideological belief that the youth of Kettle Springs are morally corrupt. He compares them to a “blighted crop” of corn that needs to be culled in order to revive Kettle Springs. Dunne’s motivations fit into the pattern of stereotypical slasher villains, who moralize the actions of teenagers as justification for their deaths. To actualize his theory, Dunne manipulates the town’s adult population into accepting his ideology. He organizes the Kettle Springs Improvement Society to weaponize his peers’ resentment of the teenagers and open them to the idea of inciting violence. This strategy enables Dunne to recruit the industrialist Arthur Hill into his scheme, weaponizing his resentment against Cole for the death of his daughter, Victoria, and the destruction of the Baypen factory to support the Frendo killings. Ironically, Dunne’s ultimate plan is to frame Cole, Quinn, and Rust for the killings. His willingness to pin the massacre on them speaks to his awareness of the moral value of his actions.


Apart from his psychological characterization, Dunne is also defined by his imposing physical form. It is possible that he is the Frendo killer who attacks Tucker in his home, since this killer is described as being larger than Tucker himself. His ability to overcome Tucker in physical combat makes him impossible for the other teens to overcome. He is, nevertheless, killed by Quinn, having been weakened by his accumulated wounds over the night of the massacre.

Cole Hill

Cole Hill is a secondary protagonist and a potential romantic interest for Quinn. He is a popular, handsome teenager who plays football at his school. Cesare strays away from the stereotype that this paints Cole into by giving him qualities that are characteristic of antiheroes.


The first time he appears in the prologue, he is a carefree and reckless teenager, breaking into a reservoir to throw a party that he livestreams on his YouTube channel. The accidental death of his sister catalyzes a stark shift in his behavior. When he reappears in Chapter 2, he is presented as a dark, brooding figure accused of arson. Cole feels remorse for his past actions, but he is also struggling to reconcile them against the town’s assertion that things used to be better in the past and that he should be repressed for his attempts to have fun. It is implied that Cole burned down his family’s corn syrup factory as a suicide attempt, though he asserts that he resented the factory for being a stale reminder of the town’s idealized past. When discussing the barn party in Chapter 3, Cole asserts that the party is an act of defiance against the town’s older generations.


Cole’s character flaw is his savior complex, which he developed after Victoria’s death. Whenever he finds himself in the position to save others’ lives, he acts without thinking about how he might be putting himself and others at risk. Because Matt and Ronnie are the ones who point out this character flaw, they are able to take advantage of it as minor antagonists.


Cole is vindicated when he realizes that the Frendo killings were planned to spite him. His father Arthur’s involvement in the killings, as well as Dunne’s exposition of his master plan, assures Cole that there is no real fault in his behavior and that the older generation is avoiding the responsibility for the current state of Kettle Springs. Once he survives the night of the massacre, he uses his inherited wealth to redevelop the town, proving that he can actually contribute to the well-being of its residents.

Ruston Vance

Ruston “Rust” Vance is an ally to Quinn and Cole. He is characterized as a loner who exists outside the milieu that Cole and his friends inhabit. He is coded as having conservative political beliefs, thanks to his position on gun ownership and hunting. His comfort around the topic of killing animals distances him from Quinn, even though they initially hit it off during their first meeting in Chapter 2. This complicates the possibility of Rust functioning as a potential romantic interest for Quinn, creating a love triangle between them and Cole.


Cesare uses the tension between Rust and Quinn to keep Rust’s moral affinities ambiguous until the climax of the novel. Rust and Cole were previously close as children, but when Cole started to play football at school, he and Rust started to grow apart. Given the late novel revelation that Rust has romantic feelings for Cole, it could be suggested that Rust retreated into his isolationist hobbies in order to repress the pain of their strained relationship. The first time Rust and Cole interact in the novel, they relitigate their past, teasing each other about the separate paths their lives have taken. At first, Rust and Cole appear to be rivals with one another. When Rust leaves his conversation with Quinn and Cole, he reminds Quinn to “stay safe,” a greeting that takes on an ominous mood in the context of the imminent attack.


Rust conveniently evades engagement with the Frendo killers, suggesting the possibility that he could be working with them. He claims that he was able to retrieve his guns from his truck, even after the killer broke into his truck and failed to see the weapons inside. Later, it is ambiguous whether he survived the explosion at the silo. The novel leaves Rust’s fate open until he returns during the climax to save Quinn and Cole from Dunne and Janet’s stepdad. Given his close brushes with death and the antagonism of the town elders, he feared would judge him, Rust figures that there is no longer any point in hiding his true feelings. He kisses Cole after saving him, and the two soon enter into a relationship.

Arthur Hill

Arthur Hill is the novel’s secondary antagonist, who survives at the end of the novel and drives the possibility of a sequel in line with slasher horror narrative tropes. Arthur is an industrialist who owns the defunct Baypen corn syrup factory that his father started during the Great Depression.


Arthur is driven by his resentment for his son, Cole. During their only interaction in the novel, it is suggested that Arthur’s wife died of cancer sometime before the start of the novel. This caused Cole to act out, engaging in reckless behavior that ended with Victoria’s death. Arthur blames Cole for his failure to look after his sister. When Cole causes the fire that destroys the Baypen factory, Arthur is moved to take revenge on his son. This catalyzes his support for the Kettle Springs Improvement Society, making him one of Dunne’s key collaborators in organizing the barnyard massacre.


When Dunne’s plan fails, Arthur escapes and goes into hiding, using his vast wealth to evade discovery and arrest. He is last seen in the epilogue retreating to Cuba with a Frendo costume. He kills the pilot of his chartered jet, suggesting that he is ready to take up the mantle of the Frendo killer in order to fulfill his desire for revenge.

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