Conform: A Novel

Ariel Sullivan

65 pages 2-hour read

Ariel Sullivan

Conform: A Novel

Fiction | Novel | Adult | Published in 2025

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Chapters 1-8Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of gender discrimination.

Chapter 1 Summary

Emeline, a 27-year-old Minor “Defect,” works alone in the Ancient Art section of the underground Archives, destroying artworks, the remnants of the pre-war world. She wonders why the Illum, the ruling class, allows people like her to see what preceded their society. As she views a hologram of the Mona Lisa slated for deletion, she reflects on her recent approval for a Procreation Agreement with an Elite member—a status that haunts yet thrills her, offering a potential escape from solitary and marginalized existence.


A man unexpectedly appears in Emeline’s doorway. Hal, a Major “Defect” wearing blue, engages her in conversation about art, prompting her to think. She is surprised he does not scorn her heterochromia. Despite her conditioning to fear those in blue, Emeline finds herself inviting him to return. After he leaves, she completes her work and meets her friend Lo outside. Emeline does not mention her meeting with Hal.


Emeline receives a message through her MIND, a monitoring chip device everyone carries, summoning her to a preparation appointment and initial meeting with her proposed Mate that evening. When she boards the Pod, an automated announcement orders all other “Defects” to exit, marking her as approved. The Pod ascends as Emeline confronts her reflection, seeing her heterochromia—one blue eye and one brown—the “defect” that has defined her existence. She remembers her birth father calling her a disgrace before the Pod breaks through the clouds into the Elite’s world.

Chapter 2 Summary

Emeline arrives in the clouds, where an attendant addresses her by name rather than identification number, explaining the Elite consider numbers inhuman. He escorts her to the Starlings, two women named Rose and Violet, who will prepare her for the meeting with her mate.


The Starlings subject Emeline to a degrading transformation process: harsh scrubbing, waxing all body hair, and applying makeup. Rose recoils at Emeline’s eyes, noting that visual “defects” have been eliminated by the Illum’s Procreation Program. As they work, Emeline recalls the lessons of compliance in the Academy and her forbidden friend, Alice, who spoke of escaping the Illum’s regime and later disappeared.


Violet reveals an unprecedented gift from the Illum—a lens to cover Emeline’s blue eye, making both eyes brown. The Starlings take away her gray clothes, the Minors’ mandated attire, and dress Emeline in a shimmering gold gown. Seeing her reflection with matching eyes and elegant appearance, she is moved to tears. Violet reminds her that she must either follow the Illum’s rules or face elimination.

Chapter 3 Summary

Emeline arrives at a secret garden restaurant where Elite diners stare and whisper. She marvels at the natural beauty and wonders why the Elite destroys art. Her proposed Mate, Collin, greets her with unexpected kindness, and Emeline feels captivated by his charm. Collin apologizes for her birth family’s unkindness and suggests a favorable four-year cohabitation contract, disregarding the mandated trials. Confused by his attitude, which conflicts with the Academy rules she constantly recalls, Emeline questions why Collin would choose a “Defect” as a mate. Collin says Emeline is different from what he expected and is his first mating.


An Elite named Edward interrupts their dinner, condescendingly calling Emeline a “pet.” Collin coldly corrects him, asserting she is his intended Mate. After Edward leaves, Collin apologizes to Emeline and reveals he is not Elite but the youngest member of the Illum. He explains that Tabitha, the female head of the Illum, advised him to take a Mate and the system paired them. He warns that the Press and the Elite will watch constantly but promises to handle concerns about her “defect.”

Chapter 4 Summary

The next morning, Emeline wakes up recalling her dinner with Collin. Lo marvels at her lens and questions her about the experience. Emeline reveals her Mate is a member of the Illum, shocking Lo.


At her office, Emeline finds Hal waiting for her while Collin has sent flowers. He holds Collin’s notecard that calls Emeline “the most beautiful thing in the room” (51). When an attendant delivers the Procreation Contract, Hal is appalled as Emeline signs without reading it. He points out harmful clauses regarding infertility, but she insists she has no choice. They argue, with Hal calling her “brainwashed and compliant” (52). As he leaves, Hal tells her Collin was wrong to praise her while she hid her heterochromia—the very feature that makes her beautiful. Stunned, Emeline throws her pen at the doorway.

Chapter 5 Summary

Four days pass with no word from Collin, and Emeline longs for a visit from Hal. The irritating contact lens pains Emeline, but she refuses to remove it, fearing rejection from Collin. Pondering on her procreation contract, she keeps questioning the workings of the Elite and the Illum.


Hal reappears and insists Emeline remove the lens. After she admits her fears, he apologizes and reassures her. Emeline takes the lens off, and Hal calls her eyes “striking.” Hal discusses more art as they examine another painting. He offers a poignant interpretation about final goodbyes, and Emeline shares her theory that the Illum destroy art that represents people’s emotions to prevent dissent. Hal says he underestimated her. He promises to revisit her and leaves.


Soon after, Emeline receives messages about her next meeting with Collin. Rushing out, she finds the atrium crowded with Elite and panics. Moving among the crowd, she collides with her birth brother Phillip, who coldly dismisses her while other Elite members make condescending comments about her mismatched eyes. Devastated, Emeline runs to the Pods, feeling hopeless.

Chapter 6 Summary

At the Starlings’ room, Violet and Rose prep Emeline while discussing the rebels who attacked the Capitol building, killing six Elite. Rose’s source is an Elite named Eve and notes a big meeting is scheduled with the Illum present. The Starlings reveal a rebellion is forming, with rumors that Minor offspring are downgraded to Majors at the Illum’s will. The Elite Force—violent law enforcers—is involved. Violet shares this information because she recognizes Emeline’s curiosity and her inclination to question authority.


Rose dresses Emeline in a sheer gown. A glowing gold band appears on Emeline’s wrist, officially marking her Procreation Agreement. The Starlings are surprised, realizing that her mate is an Illum. Violet suspects this event might be a planned distraction from the current uprising.


Emeline recalls Alice again and their questioning of the Academy's education and the Illum’s authority. Her mysterious disappearance still troubles Emeline. Soon, the Pod takes her to the Sphere, a glass building suspended impossibly high. Terrified, she crosses a transparent bridge to a floating ferry carrying her to Collin.

Chapter 7 Summary

Collin welcomes Emeline and notes that he knows about the atrium incident. He confirms Phillip is her brother and reveals she has two more brothers, Gregory and Richard.


He also informs Emeline that they must attend a High Council dinner in six days per Tabitha’s orders, who rules the Illum for 50 years. A Hologram Instructor will provide daily protocol lessons to Emeline.


Emeline keeps questioning Collin about the rebellion. Surprised she knows, he guesses the Starlings told her. She lies to protect them, claiming they only said an Elite named Eve had told them there was trouble. Collin confirms the unrest delayed their meeting as the Illum is determined to contain dissent.


Emeline and Collin share tea and food and watch the sunset. Collin breaks Elite etiquette to indulge her desire for chocolate. As they leave on a floating platform, he pulls her close protectively. She admits she never expected a public relationship when she sees birth family arriving on another platform.

Chapter 8 Summary

Emeline’s birth family arrives before her and Collin: her mother Helen, her father Vincent, and her brothers Phillip, Gregory, and Richard. Emeline observes them together, feeling heartbroken. Helen notices the gold band on Emeline’s wrist and claims it is an honor. Vincent implies that Collin should have informed him and hatefully looks at Emeline. Collin retorts that the Elite are unworthy of input into Illum decisions. Helen invites them to a family dinner. Collin accepts and curtly dismisses them.


Emeline turns to Collin, who steadies her and says that as his mate, she is “an extension” of him. He argues that her family will regret their unkindness. Noting that everyone watches, Collin asks Emeline if she trusts him and reminds her of Academy Rule Ten: She cannot tell her Mate no. He murmurs an apology and kisses her. The kiss becomes passionate, and Emeline responds. Suddenly, he pulls back, his gaze “untamed and wild” (90), and leaves.

Chapters 1-8 Analysis

The opening chapters establish a narrative framework built on the tension between state-enforced conditioning of the self and individual consciousness. Using a first-person perspective, the text immerses the reader in Emeline’s psyche, which is governed by the constant recollection of her strict education: the Academy rules that indoctrinate Minor and Major “Defects” since childhood. These maxims, recalled by Emeline at moments of stress or uncertainty, function as an internal manifestation of systemic control, demonstrating how The Policing of Identity Within a Rigid Caste System operates not just through external force but through internalized ideology. Emeline’s world is psychologically circumscribed; her thoughts constantly return to the doctrines of compliance and the danger of nonconformity. This internal monologue is juxtaposed with her burgeoning emotional and intellectual curiosity, particularly her reactions to art and to Collin, her ordained mate. Therefore, the narrative conflict revolves around Emeline’s struggle with the external societal forces and her internal turmoil between a repressed, compliant self and an emerging and awakening consciousness. This structural choice frames the narrative as a psychological exploration of identity formation under oppressive conditions.

 

 The Erasure of History as a Form of Totalitarianism serves as a central pillar of the Illum’s authority. Emeline’s role in the Archives, tasked to destroy artworks, is not merely a job but a state-sanctioned act of cultural suppression. Her fascination with paintings like the Mona Lisa and other works slated for deletion establishes art as a conduit for complex human emotion, historical memory, and ambiguity—qualities the regime actively subdues.  Emeline’s developing theory that the Illum destroys emotionally resonant art, works that depict “everything beautiful and different” to prevent dissent (108), marks a critical step in her intellectual awakening. Hal’s character reinforces this theme; their connection develops over a shared appreciation for the emotional depth and intensity art represents. The regime’s methodology becomes clear: By eliminating artifacts that depict love, grief, and rebellion, it seeks to eliminate the cultural vocabulary necessary for such feelings to flourish, thus reinforcing its absolutism and autocracy. The contrast between this destroyed history and the controlled, sterile environment of the Elite illustrates the Illum’s preference for conformist aesthetics over authentic, and therefore potentially dangerous, human expression.

 

The characters of Collin and Hal are introduced as ideological foils, each representing a different potential path for Emeline and a distinct model of interacting with the totalitarian state. In this section, Collin embodies a reformist approach, leveraging his powerful position within the Illum to manipulate the system’s rigid structures and occasionally defy them. His unexpected kindness toward Emeline, his willingness to break Elite etiquette, and his protective stance against her family position him as a figure who offers her safety through proximity to power. However, Collin still limits Emeline’s agency and freedom. When he declares, “You are an extension of me now” (89), he offers her his status as a shield, but also implies her identity will be subsumed and contained by his. Hal, conversely, represents a revolutionary path toward potential liberation. As a Major Defect, he directly challenges the state’s ideology. He rejects the premise that Emeline’s heterochromia is a flaw, instead identifying it as the core of her beauty. His criticism of her uncritical acceptance of her procreation contract and his validation of her unfiltered self suggest a more radical and riskier vision of freedom. This dichotomy forces Emeline to navigate two competing ideologies, one that promises a more comfortable yet oppressed existence within the system and one that champions its destruction.

 

Elements like the eyes, the gaze, and the act of being seen further develop the theme of the construction and policing of identity. Emeline’s heterochromia is the physical marker of her state-defined “defect,” the visible signifier of her otherness that has conditioned her to avoid the gaze of others and remain unseen. The lens provided by the Illum is symbolic of enforced conformity; it offers her the possibility of acceptance, but only by erasing the feature that defines her individuality. The narrative contrasts Collin’s acceptance of the Elite’s pretentiousness and Hal’s assertion that “[she was] covering what makes [her] beautiful” (53). This establishes a clear conflict between an identity that is performed for social acceptance and one that is authentic. Collin’s warning about the Press constant criticism and watching further weaponizes the gaze, painting it as an instrument of social control. To be seen in Emeline’s world is to be judged, and survival depends on presenting an appearance that aligns with the state’s narrow definitions of worth.


Furthermore, the state’s control over its citizens is exerted in intimate, physical terms, linking the political to the corporeal. Emeline’s preparation by the Starlings is an ordained state ritual of depersonalization that connects to the Governmental Oppression of Reproductive Rights. The harsh scrubbing and complete removal of body hair are not only acts of beautification but also designed to strip away her identity and render her body an anonymous object. This process of objectification is underscored by Rose’s declaration that Emeline is “a vessel for humanity” destined to procreate (24). Emeline’s body, therefore, is not her own but becomes a resource for the state, a tool whose value is measured by its reproductive potential. This physical transformation mirrors the Procreation Program’s larger goal: to control the genetic future of the population by reducing individuals to their biological function. This makes clear that in Emeline’s society, the body is the ultimate frontier of state control, a site where personal autonomy is systematically dismantled.

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