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Instead of telling his parents he’s been selected to go to space, Liam writes his parents a fake letter from the school saying he was selected for a special field trip to the Lakes District for gifted children. On the morning he’s scheduled to leave, Florida arrives at his house, and they get into a limousine as neighbors watch. Inside the limo, Liam and Florida find complimentary gift bags filled with new phones, watches, and more, and Florida feels like a real celebrity. Liam bids his parents only a casual goodbye, which he later regrets when he realizes that he may never see them again.
Both Liam and Florida receive a message on their phone from the head of the company, Dr. Dinah Drax, telling them they’ll soon reach a secret location. She explains that the contest is for fathers, because fathers give a lot to the world (her father gave her the Drax company when she was 12). As they’re driven to the next location, they discuss celebrities, about which Liam and Florida have different views. Soon, they come to a large field with a red Learjet waiting to take them to China.
Dr. Dinah Drax is waiting at the plane and excitedly greets Liam and Florida. On board, Liam is surprised to find that the plane doesn’t have rows, but comfortable and spacious seating instead. He’s introduced to the other fathers and their children, including Hasan and his father, Eddie, who’s proud of Hasan’s money-making abilities; Max and his father, Monsieur Martinet, who both believe in success; and Samson Two and his father, who are both reading complicated books.
As all the other dads brag about their children’s talents, Liam only says that Florida wants to be famous one day, which the other dads find strange. It occurs to Liam then that he must act proud of Florida to be convincing. He takes out a book that he stole from his father on parenting teens, and reads about the importance of listening to one’s children. When the plane lands in the Gobi Desert in China, Florida suddenly realizes that she isn’t in England and takes out her anger on Liam. Liam tries to explain away the situation, as he always does, but the only thing that stops Florida’s panic is hearing that she’ll be needed for some photos.
A minibus comes to take the participants to Infinity Park, where the rocket and their lodging are located. Liam and Florida discover that they have their own bungalow unit, complete with brand-new technology. The entire wall is a television screen, and they spend the night watching TV, eating ice cream, pretending to be famous, and having a water fight. The awakening the next morning is rough, but they’re called to meet at the Possibility Building at eight o’clock sharp. In his bag, Liam finds his dad’s broken St. Joseph statue and a photo of him with his parents; they’re items his parents put there, and he ends up taking them with him to space.
Liam and Florida find a high-tech car in their driveway, and after arguing and hesitating, they get in. Liam clumsily drives to the Possibility Building, and people honk at him as he goes. When they arrive, they enter and discover that the thrill ride is a real, functioning rocket ship called the Infinite Possibility. The rocket is so huge that clouds form around it, and all anyone can do is ask about the paint and color. Dr. Dinah Drax explains that she wants to give a gift to the next generation: the possibility to start life anew on another planet. She thinks that having children as astronauts will give them more time to find a new planet to live on, and explains that the fathers won’t join their children in space. Dr. Drax says that the rocket is “almost” safe and that it will only be in space for a few moments. When Liam realizes that he won’t be on the mission, he feels deeply disappointed and jealous of Florida.
Liam fills out forms about Florida while she goes inside the rocket to look around. He realizes that he knows almost nothing about her and puts down that she had chronic obesity and arthritis as a child. Afterward, all the dads go golfing together, which Liam considers the most boring game in the world. It’s clear that he knows nothing about it, and he celebrates when he drives the ball way beyond the green. Monsieur Martinet appears to realize that Liam is a child, but no one else does. All Liam can think about is going on the rocket, and he suggests to Dr. Drax that one of the fathers should go with the children into space. Dr. Drax agrees and decides to have the fathers compete by training to become astronauts and then having the children vote. Later, Florida tells Liam that he has no chance of winning the competition, but Liam is convinced that with some help from Florida, he can. She agrees, but only if he starts calling her “[m]y little princess.”
The group is instructed to head out into the desert to fetch a flag, following the rocket’s massive shadow. They know they must go quickly to get the most out of the shade and leave with little preparation. They’re also given one flare, but are told that if they use it, they’ll all be sent home. On the way, the group quickly discovers how hot it is in the sun, and Florida is the only one who brought sunglasses. When Hasan’s father offers to buy them from her, she declines, but Liam suggests that she lead the group, and she agrees.
When they approach a massive dune, they know they have no choice but to climb it, and Liam manages to motivate everyone by making it fun. He remembers how his dad used to take him to the dunes, and they would jump down them together, and he encourages everyone to do that now. On the other side, they find the flag, and then they march back, feeling triumphant. They share what little food they have, and Hasan’s father pulls out a Thermos filled with ice cream, bribing everyone to vote for him. The sun sets quickly, revealing a huge moon and hundreds of stars. Everyone votes for Hasan’s dad.
The group is tasked with trying on their inflatable spacesuits for the first time, and Mr. Xanadu offers Liam a drink from his flask beforehand. Liam is unaware he’s being given alcohol until he drinks it, and he becomes inebriated, requiring help to get his suit on. Dr. Drax shows everyone how to inflate their suits, and Liam can’t resist bumping into people with it. Soon, everyone’s rolling around on the floor in their inflated suits, and Liam has embarrassed himself.
Later, he wakes up in bed, and Florida tells him he has a hangover. She explains that everyone feels sorry for her for having an “alcoholic” father, and that they taught her how to swim. When Florida implies that Liam is a bad father because he never taught her himself, Liam can’t help pointing out that she’s referring to her real father. This upsets Florida, but they soon reconcile when Liam compliments Florida on her intelligence, telling her that if she puts it in the right places, she could go far with it. Florida decides to keep her interest in celebrities, but to use some of her brain power to learn about science as well. One person votes for Liam that day despite his foibles, but Florida insists that it wasn’t her.
In these chapters, The Importance of Fatherhood becomes an increasingly prominent theme, especially with the introduction of Dr. Dinah Drax, whose father gave her the company when she was 12. Her contest is designed to celebrate the influence of fathers, and she creates a gathering of all different types of fathers. Each father is unbelievably proud of their child, and the environment turns into a competition for who is the best father-child pair.
Amidst all this, Liam continues to struggle to meet the demands of his asserted identity as Florida’s father, developing the theme of Growing up and Becoming Responsible. Though he’s pretending to be an adult, he begins to see adulthood as limiting, especially when he realizes that the children are the ones going into space, not the adults: “What’s the POINT in forfeiting your childhood if all you get for it is filling in forms?” (133). Liam also notes that he seems to be the only one still acting like a child: “Hasan fretting all the time about money. Max always making sure he was first. Florida too, going on about color coordination and stuff. They weren’t proper kids. They were like trainee grown-ups” (177). This reflection showcases the early but somewhat false maturity of his peers and shows Liam caught between childishness and adult responsibility.
The Gobi Desert setting provides both awe and fear, especially for Florida, who panics when she realizes where they are. Her fear quickly subsides when she learns that they’ll be taking photos, as fame and attention lower her anxiety. Vivid, almost surreal imagery describes the setting. When the sun rises during their training as “taikonauts” (the Chinese word for astronauts), the desert transforms:
Even the Possibility Building didn’t look that solid, until the Sun rolled up and peeled a strip of shadow off its back, as though it was a huge red banana. And then it tore up all the other shadows like tissue paper and there was everyone unwrapped on the tarmac, like surprises (147).
The rocket’s physical description also contributes to this sense of awe; its height and the clouds forming around it emphasize the scale of the journey ahead. The contrast between the vast desert and the secretive technology of the Drax Corporation adds to the tension and mystery.
Several motifs and symbols continue to develop in these chapters. The Infinite Possibility rocket becomes a multilayered symbol, representing human ambition, environmental guilt, and hope for the future. Dr. Drax describes it as a gift and an apology to the next generation, as a way of giving them a chance to do better than her generation. Liam’s World of Warcraft metaphor continues to play a role, as he uses it to understand others: “When it came to Florida, World of Warcraft was more useful. You just had to think of her as a kind of monster and remember that every monster has a soft zone” (113). This metaphor reveals Liam’s struggle to connect emotionally and shows how he still relies on gaming logic to navigate real-world relationships. The setting, the language used in the contest, and Dr. Drax’s playful but menacing tone (“completely safe. Almost” [132]) are somewhat disorienting, reminiscent of a tone similar to that in Willy Wonka’s chocolate factory.
Liam and Florida show significant growth in these chapters. Florida initially thrives in the spotlight, feeling like a real celebrity in the limousine and enjoying the attention. Liam proves himself increasingly clever and resourceful, especially when he convinces Dr. Drax to let the kids vote on which dad should accompany them into space. While he successfully leads the group over a massive dune, Hasan’s father ironically wins the vote after bribing everyone with ice cream. Liam’s leadership during the sand scene showcases his thematic journey of Growing Up and Becoming Responsible. His conflict with Florida, in which he tells her he isn’t her dad and criticizes her for using her intelligence for trivial things, is a turning point for both characters. Florida defends her real father and, after the argument, decides to learn more useful things while still keeping her interests. At the same time, Liam learns that Florida needs him. This moment of emotional honesty shows both characters maturing.
Much of the tension in these chapters derives from the slow revelation of what the mission really involves. The group gets closer to their destination, and though the setting remains mysterious, the tone grows increasingly uneasy. Liam realizes, too late, that he never really said goodbye to his parents, an oversight that reflects his naivete regarding the situation and adds emotional weight. Their first night in the compound is lighthearted, as Florida enjoys the fame and others relax, but suspense builds because Dr. Drax still won’t reveal the rocket’s true purpose. Their first official task is to retrieve a flag from the end of the rocket’s shadow, a symbolic introduction to competition and danger. The climax of this section is the argument between Liam and Florida, which deepens their relationship and reinforces the emotional stakes of the mission.
A blend of humor, literary references, and dark irony continues to shape the narrative tone. Liam’s voice remains self-aware and comic, even when the stakes are high. He uses dark humor to reflect on their increasingly dangerous situation: “Not only have I not seen Dr. Drax, I haven’t seen her planet” (122). Dr. Drax’s tone often mirrors Willy Wonka’s in its unsettling ambiguity; her claim that the rocket is “completely safe. Almost” (132) hints at the danger to come. Liam’s internal monologue remains filled with “dad jokes,” such as describing Monsieur Martinet’s anger as “waving his five iron round his head” (141). These literary devices build a tone that is light but increasingly layered.



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