54 pages • 1-hour read
Sophie StavaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of gender discrimination, anti-gay bias, suicidal ideation, self-harm, sexual content, cursing, illness, death, emotional abuse, violence, and bullying.
Sloane Caraway narrates Chapters 1-18. She’s a 33-year-old nail technician at an affluent day spa, Rose & Honey, and lives with her mother in Brooklyn. While at Quailwood Park, she helps a five-year-old girl, Harper, remove a bee sting from her foot. Sloane tells the father, the handsome Jay Lockhart, that her name is Caitlin. Harper reminds Sloane of a girl she took ballet with when she was little. The girl was well-off and her name was either Caitlin or Carly.
Jay makes Sloane think of Jay Gatsby—the wealthy, elusive man from F. Scott Fitzgerald’s novel The Great Gatsby. Jay Lockhart notices Sloane’s copy of Agatha Christie’s murder mystery Murder on the Orient Express. The Christie novel prompts him to declare, “Everyone’s a liar.” Sloane mentions her favorite Christie novel, And Then There Were None. Sloane offers to bring him a copy. She imagines she’s in the romantic comedy Jersey Girl (2004). She’s the female lead, played by Liv Tyler, and Jay is the widowed male lead, played by Ben Affleck.
Jay, however, is married. He started an online game (gambling) company, but he has the week off. It is usually his wife, Violet Lockhart, who brings Harper to the park. Jay promises to tell Violet about Sloane, reinforcing Sloane’s belief that she’s not threateningly attractive.
Sloane was born in Florida. She’s never met her father, whom her mother describes as a “brief fling.” Sloane’s mother was a hardworking house cleaner. She developed arthritis, and Sloane would rub oil and balm on her joints. They moved around, and Sloane felt like an outcast. When they moved to Georgia when Sloane was in the 5th grade, Sloane realized she was a “blank canvas.” She told the other students she was from California and her father was in the movies. She claimed she had a big house with a pool. When students asked to come over, Sloane said her house burned down. Parents and teachers discovered her lie, and the principal forced Sloane to write an apology letter. Sloane and her mother moved again. Under the influence of Anna Sewell’s novel Black Beauty (1877), Sloane told a friend that she rode horses.
Sloane continues to lie as an adult. She makes mistakes and tries to stop, but like a “favorite shirt,” she inevitably returns to lying. Sloane fears coming across as boring. She finds the truth “uninteresting.” Only her mother receives honesty.
Sloane was unemployed for months before Rose & Honey hired her. Lena, the owner, asked if she had a cosmetology license. Sloane lied and said she did. She then bought a counterfeit license online. Sloane makes $21 an hour and over $1000 a month in tips.
Laura Hoffman is one of Sloane’s customers. She has a penthouse on the Upper East Side, but her son lives in Brooklyn Heights—the affluent Brooklyn neighborhood where the spa is located. Laura’s husband died, and Laura and his children spar over the husband’s inheritance. Laura treats Sloane with respect, and she gives Sloane a $100 tip after Sloane lies and says that she spilled coffee on her MacBook, ruining the hard drive, which contained the last 50 pages of her novel.
Chloe is the Rose & Honey receptionist that Sloane likes the best. She attends Brooklyn College, and her parents are Korean. Natasha is Sloane’s “co-nail tech.” Natasha commutes from Jersey City. Her mother is Vietnamese, and her father is Italian.
Sloane lies to Natasha. She says she met someone and they went out to dinner the night before. Sloane claims they had “great” sex; in the morning, he made her breakfast. Sloane says the guy plans to take her to a Broadway show. Natasha wonders if Sloane’s “new boyfriend” has a friend. The last date Natasha went on involved Subway and a crass joke about his “foot-long.”
In reality, Sloane and her mother fell asleep during Seinfeld. She woke up and googled Jay. She found his LinkedIn page, but his other social media accounts weren’t public.
For Sloane’s afternoon break from Rose & Honey, she goes to Quailwood Park. She reads Daphne du Maurier’s novel Rebecca, listens to Taylor Swift, and thinks about Jay. She meets Harper, and Harper’s mother/Jay’s wife, Violet, whom Sloane compares to the Venus de Milo statue at the Louvre. Sloane also sees Violet as Daisy Buchannan, Jay Gatsby’s romantic interest in The Great Gatsby.
Violet also likes Taylor Swift, and Sloane details Violet’s chic style. Violet bemoans the length of her bangs, and Violet and Sloane make fun of their respective to-do lists. Violet gives Harper M&M’s, and Harper says goodbye to Sloane. Violet invites Sloane to dinner that night. Sloane then hurries back to the spa.
Sloane lives in Carroll Gardens. Sloane and her mother moved there to care for an aunt when Sloane was in high school. The aunt had unhealthy kidneys and a bad liver. Before the aunt died, she added Sloane and her mother to the lease, so they continue to pay under $1,000 a month. Now, a two-bedroom, one-bath in Carroll Gardens costs over $1.5 million. Violet, Jay, and Harper live in nearby Cobble Hill, which is even more expensive.
Back at the day spa, Chloe alerts Sloane that she has a customer waiting for her. The customer is Allison McIntyre. When Allison sees Sloane, she yells at Sloane to stay away from her. Sloane didn’t know Allison scheduled an appointment. Allison leaves, and Sloane takes another break.
Allison lives in a new high-rise in a nearby neighborhood. Sloane alludes to a conflict they had 18 months prior. Sloane has been on the lookout for Allison, but today is the first time she’s seen her since the mysterious incident.
Violet texts Sloane their address; using an app, Sloane learns Violet and Jay bought their brownstone for $3.25 million. Before leaving, Sloane makes her mom a veggie scramble. Sloane puts effort into her appearance, applying makeup and exchanging her glasses for contacts.
Sloane feels like she’s a kid on Christmas. She remembers her central lies: Her name is Caitlin, and she’s a nurse. She turns down a drink. Violet doesn’t drink either. Jay arrives home from work. Sloane thinks he looks more handsome than he did at the park. More so, he doesn’t act like a stereotypical husband: He gets his own beer, and he helps Violet prepare the pasta.
At dinner, Harper reveals her love for the A. A. Milne’s Winnie-the-Pooh stories (1926). The previous nanny, Nina, read them to her. Sloane used to be a nanny. In college, she switched her major from English to early childhood education. After she graduated, she was a nanny until she became a teacher at the local, affluent preschool Mockingbird Montessori. Her students adored her because her lying made her a “master storyteller.” Abruptly, she “lost” the preschool job, so she became a nail tech.
Harper spills her milk and Sloane helps her clean it up. Violet gives Harper two M&M’s to take a bath. Violet says Harper adores Jay. She claims everyone admires him. The women have tea in the cozy living room. There’s one picture of Harper, but no photos of Jay or Violet. Allison had lots of photos, and Sloane saw some of Allison’s photos that she wasn’t supposed to look at.
Sloane tells Violet about herself. Concerning her father, she reveals the truth. Then she lies and says she’s in nursing school. Sloane claims her mother has lupus, so she gave up her apartment to move in with her mother and take care of her. As she’s taking a break from nursing school to look after her mother, she also has time to watch Harper. Sloane envisions herself becoming Harper’s full-time, live-in nanny.
Violet tells Sloane about herself. Violet and Jay lived in San Francisco for 10 years. She passed the bar exam, and her father offered her a position at his law firm, but they moved to New York City for Jay’s work.
At home, Sloane’s mother is asleep in front of the TV. In her bed, Sloane wonders what Jay and Violet are doing in their bed. She imagines she, not Violet, is in bed with Jay. She stops the fantasy. She wants to be friends with Violet, and she’s sure Violet wants the same.
The narrator, Sloane, is a liar, but she’s not an entirely unreliable narrator, introducing the key theme of The Complexities of Lying. Paradoxically, she’s honest to the reader about her dishonesty: She reveals when she lies. About her first couple of fabrications, she says, “My name is Caitlin. I am a nurse. One, two. I tick off the lies that I’ve told, repeat them until they feel real” (82). Sloane deceives Violet, Jay, and the other characters, but she doesn’t trick the reader. Her openness about her “bad habit” makes her reliable, and it circles back to the title. Due to Sloane’s transparency, the reader can “count her lies.” They can keep track of the identities she creates.
Sloane’s lies also introduce the theme of The Allure of Becoming Someone Else, as Sloane is deeply insecure and lacks confidence. She feels like her real life bores people, and she repeatedly uses the negative term “schlub” to describe herself. She believes that lying gives her the chance to be an alluring person, with Sloane often trying to present herself as wealthier and more glamorous than she really is. In 5th grade, she says she is a privileged kid with a famous father, which foreshadows how Sloane will try to ingratiate herself with wealthy women like Allison and Violet as an adult. She also tells lies about her personal life and qualifications: She claims to be experiencing a thrilling new romance while talking with Nastasha, while with the Lockharts she says she has a pragmatic, viable career as a nurse. Sloane’s chronic lies reinforce the sense that Sloane is deeply dissatisfied with her life and longs to be someone else, leaving her vulnerable to the manipulations of someone like Violet.
Sloane’s work at the Rose & Honey spa reinforces the socioeconomic disadvantage Sloane faces in comparison to wealthy women like Allison and Violet. The job is inherently precarious, as a fair amount of her money comes from tips. Due to Sloane’s lies, the job has an extra layer of vulnerability, as she knows that Allison could expose her past bad behavior to her employers. She also wonders if Violet has been to Rose & Honey, as this means Violet may have learned about Allison’s scene at the spa and that Sloane is not actually in nursing school.
As a first-person narrator, Sloane also can’t delve inside the minds and motives of Violet or Jay. Her limited perspective reinforces the allure for her of being someone else, as she initially assumes their life is idyllic. Her evaluation of them comes from what she sees and hears. Violet and Jay appear amicable and pleasant. Violet is charming and self-deprecating, while Jay seems to be a loving husband and father. Once the narrative switches to Violet’s perspective later in the novel, this vision of an idyllic life will be exposed as a lie.
The theme of The Impact of Consumerism on Identity is also introduced in this section, with Sloane deeply impressed with Violet’s stylish appearance and expensive home. Sloane describes Violet’s clothing, noting, “It makes her look cool, like one of the girls I always longed to sit with at lunch in high school” (60). The clothes that Violet buys shape Sloane’s perception. She’s “cool” because her outfit represents an aspirational status, one that Sloane longs to achieve for herself.
Stava uses foreshadowing to hint at deeper conflict. The appearance of Allison hints at Sloane’s troubled history and her intense lack of boundaries, which will again become an issue as she grows closer to Violet’s family. In Chapter 6, Sloane notices the absence of photos in the Lockhart’s living room. The detail links to the central fight between Jay and Violet, where Violet smashed all the photos of them.



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