Count My Lies

Sophie Stava

54 pages 1-hour read

Sophie Stava

Count My Lies

Fiction | Novel | Adult | Published in 2025

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 19-26Chapter Summaries & Analyses

Chapter 19 Summary

Content Warning: This section of the guide includes depictions of sexual content, cursing, death, emotional abuse, violence, and bullying.


Violet narrates Chapters 19-29. Violet knows that Sloane is lying to her, but Violet is intentionally misleading Sloane. A year ago, Violet overheard Allison tell the other mothers about Sloane. The “melodramatic tone” made Violet want to laugh. Violet remembers using her mother’s things when she was a kid—though Violet admits that Sloane is an adult.


Using social media and the internet, Violet learned about Sloane. She followed Sloane around Brooklyn. She set up the first encounter at the park between Jay, Harper, and Sloane. She implies that something irrevocable occurred between her and Jay. She wants Sloane to be her.


Back in the present, she sends Sloane home with a bag full of her designer clothes. Alone, Sloane drinks Grey Goose vodka.

Chapter 20 Summary

Violet reveals she set up the hair dye and the haircut. She also orchestrated Allison’s appointment at Rose & Honey. At the hairdresser’s, she intentionally dropped the Rose & Honey card to unsettle Sloane. When Sloane is out with Harper, Violet doesn’t study for the New York bar exam: She listens to crime podcasts.


The next afternoon, Sloane arrives in Violet’s Carolina Herrera tank top—Jay’s “favorite” shirt. Violet notices Sloane’s breasts and makeup. Violet invites Sloane to Block Island, a wealthy resort town off the coast of Rhode Island. She’ll pay Sloane too. She tells Sloane she needs Sloane’s driver’s license to buy a ticket for the ferry and put her on the rental car reservation. Sloane promises to bring it tomorrow. By bribing Gina, a travel agent, Violet found a house next to a family. Violet is confident that her mysterious plan will work. Alone, she sips wine.


Growing up, Violet and her parents spent every summer at Block Island. They stayed in the bungalow of Violet’s grandmother, Rebecca. As Violet grew up, her parents would leave after a week, but Violet would stay longer. When Violet was a high school senior, she moved in with Rebecca. Unlike her parents, Rebecca was carefree. Violet felt like herself around Rebecca.


Violet told Rebecca when Danny kissed her. She was 16. She’s known Danny since she was six. They built sandcastles and listened to Prince. Danny and his family lived year-round on Block Island. Shortly after the kiss, Danny told Violet that they couldn’t be romantic partners.


Rebecca died when Violet was a college freshman. Her mother called and told her, which was the first time in months that she had spoken to her mother. Last spring, Jay, Violet, and Harper returned to Block Island. The smell was the same, but the tourism had accelerated, and an ugly, three-story house had replaced Rebecca’s bungalow. Aside from Danny’s aunt, no one recognized Violet, although her bikini bottoms “turned heads.” When Jay initiated sex with her, she dissociated.

Chapter 21 Summary

The next morning, Sloane brings her real driver’s license. To explain the name she’s been using, she tells Violet people called her “Caitlin” when she was growing up and the name stuck with her. Violet wishes Sloane had a less “lame” lie.


Violet then persuades Sloane to sign documents that give Sloane guardianship of Harper. Sloane signs her real name, and Violet forges Jay’s signature. Violet also has another mysterious legal document with her (divorce papers). She’ll send them to their lawyer from Jay’s email. She’ll then block the lawyer’s email, so Jay won’t find out about them. Violet gives Sloane a bag of nice clothes. In Block Island, she wants people to think Sloane is Violet Lockhart.


Once Sloane leaves, Violet goes to the DMV with Sloane’s driver’s license. Violet gets a new picture, and she has the DMV send the ID to a PO Box she established in Block Island. Violet pays $35 for expedited shipping.


Growing up, Violet and her parents weren’t close. Nannies and tutors surrounded her, and she ate dinner with the housekeeper. Violet did ballet and horseback riding. She felt like an object.


In high school, she saw her father with another woman. She told her mother, but her mother already knew. Enraged by the lies, she went to live with Rebecca. Her grandmother left her an eight-figure trust fund; her parents only received the bungalow, which they sold to upgrade their “country club membership.”


Jay and Violet were college sweethearts. Her parents didn’t like Jay, but they tried to reconcile with Violet. Her father offered to make her a partner at his law firm. Her mother wanted her to serve on a foundation that she was a part of. Violet assumed they only reached out because of the trust fund. After Harper was born, Jay and Harper moved to New York City for Jay’s business opportunity. Violet changed her number, disabled her social media, and refuses to speak to her parents.

Chapter 22 Summary

The Lockharts and Sloane travel to Block Island. Violet wears Sloane’s flannel—Violet “traded” the Carolina Herrera top for it—and Violet feels like she is Sloane. Sloane appears dressed in Violet’s clothes. Violet packs the burner phone and a gun that her mother gave her before she moved to New York City. The gun is registered to Jay and Violet. In her bathroom, Violet calls an unnamed person and cryptically tells them “soon.”


On the way there, Violet takes several photos of Harper and Sloane. In the rental car, she makes Sloane ride up front with Jay. Block Island is bustling, and it looks like a “movie set.” After they arrive at their “vintage” two-story cottage, Violet has Jay take Sloane on a tour of the island. Jay gives Violet a “confused” look. Violet wants people to assume that Jay and Sloane are Mr. and Mrs. Lockhart.

Chapter 23 Summary

Alone, Violet puts the gun, the burner phone, and the divorce papers (the other legal document) in a safe. Aside from a red Hervé Léger dress, Violet leaves all her clothes in her suitcase. Later this week, she plans to move the clothes into Sloane’s room.


Jay and Sloane arrive at the beach and meet up with Harper and Violet. Sloane thinks of Block Island as a place where “nothing bad” can occur. However, many mysterious deaths have happened on Block Island. Money, power, and a bribable coroner who drinks conceal the crimes.


After dinner, Violet gives Harper a bath and goes to bed. She wants Sloane and Jay to be alone and become intimate, but Sloane goes to bed, and Jay tries to initiate sex with Violet, who is uninterested. Jay and Violet met when they were freshmen in college. After they graduated, Jay proposed. Violet believed she’d always liked how Jay looked at her. She tried hard to stay in shape, but Jay grew tired of looking at her.

Chapter 24 Summary

The next morning, Violet feels unburdened. She’s not trying to look good for Jay. She realizes she went from being the person her parents wanted her to be to the person Jay wanted her to be.


After burning Harper’s toast, Violet quickly makes Harper new toast so they can get to the beach and interact with the family in the house next to them. Anne-Marie is the talkative mother, Fitz is her lackluster husband, and Rooney and Claire are their children. Violet tells Anne-Marie that she’s Caitlin—Harper’s nanny. She points to Sloane, who’s wearing Dior sunglasses, and says that Sloane is Violet Lockhart. She invites Anne-Marie to their house later in the afternoon.


Still on the beach, Violet tells Sloane that Anne-Marie assumed Violet was the nanny and Sloane was Jay’s wife. Violet went along with it, and she gets Sloane to agree to maintain the lie. Jay works in the cottage, but Violet suggests that Jay isn’t really working. He arrives with food, but he doesn’t bring the ice cream that Violet wants. Harper’s favorite Taylor Swift song is “Bad Blood” (2014), and Harper plays it on repeat.


Anne-Marie arrives at the Lockhart cottage. Harper, Rooney, and Claire play in Harper’s room. Sloane pretends to be Violet. Annie-Marie praises Violet’s nanny. Anne-Marie shares her backstory. She’s from Vermont. She met Fitz at a sales conference. They live in Charlotte, North Carolina, so they’re close to Fitz’s parents.


Jay appears, and he and Anne-Marie discuss their fondness for running, even though Violet hasn’t seen Jay run since they moved to New York City. Nevertheless, Jay and Anne-Marie agree to go running together.

Chapter 25 Summary

Violet summarizes the next few days. Anne-Marie gossips about the people on Block Island; along with Sloane, she “ogles” Jay, whose tan is making him “more handsome.” When Harper says, “Mom,” both Sloane and Violet react. Violet doesn’t wash her face, and she eats a lot. Sloane and Violet binge-watch Bridgerton. Violet likes Sloane, but she believes that Sloane now wants Jay more than her.


One night, Violet goes to bed early instead of watching Bridgerton with Sloane. She secretly spies on Sloane and Jay, who watch the fireflies. Jay tries to kiss Sloane, and Violet wants Sloane to kiss him, but Sloane pulls back. Jay then tells Sloane that he and Violet are divorcing. He claims they’ve “changed” and have divergent priorities.


Violet remembers the night of the fight when they first mentioned divorce. Jay told her she wasn’t the woman he married. Feeling rejected, Violet threw her entire wine glass at him. When they first married, she was “meticulously curated.” She wore sexy underwear and performed oral sex on him in public places. Once she had Harper, the baby became her focus. As Harper started sleeping longer, Violet returned to her “curated,” sexual identity. Jay promised he’d be “better” once they moved to New York. Jay’s lies enrage Violet.

Chapter 26 Summary

The next morning, Sloane doesn’t ask Violet about the divorce. Violet announces that she made dinner reservations at a famous lobster house. She wants more people to see Sloane and Jay together, and she wants Sloane to wear the “head-turning,” red Hervé Léger dress. Reinforcing her low-effort look, Violet wears plastic-rimmed glasses.


Due to the Disney movie The Princess and the Frog, Harper wants a green dress, so Harper, Sloane, and Violet go shopping for one. Violet gives Sloane her credit card so it looks like Sloane is buying her daughter clothes. She tells Sloane to meet her at a little cafe near the children’s shop. When they arrive, a woman in her fifties or sixties exits the children’s shop and waves at Sloane. Violet asks about the woman, and Sloane says it’s someone she just met in the shop. The woman is Laura Hoffman.

Chapters 19-26 Analysis

The narrative develops a cutting tone once Violet becomes the first-person narrator, adding a new perspective to the text’s exploration of The Allure of Becoming Someone Else. Violet’s snappy voice ties her to the “mean girl” trope. Due to her looks and high socioeconomic status, Violet has power. She knows all about Sloane’s deceptions and is eager to manipulate Sloane to her own advantage, reflecting the wide socioeconomic gulf between them. As Violet says, “This whole time, [Sloane] thought she lied her way into our lives, but the truth is, I lied my way into hers” (292, emphasis added). Violet wants to kill Sloane and frame Jay for the murder.


At the same time, Violet’s backstory undercuts her acerbic tone, putting her in a similar position to Sloane in her longing to escape her life and identity. Violet, too, feels alienated from an authentic sense of self. She explains, “[B]efore I found myself, I found Jay. I thought he was the antidote to the straitlaced dear daughter I was expected to be at home [….] I was wrong. Instead of becoming the person I wanted to be, I became who he wanted me to be” (366). Violet is thus as secretly dissatisfied with her life as Sloane is with hers, with Violet feeling trapped in her role as Jay’s unhappy wife.


Violet’s chapters are dense with information about how she set up Sloane and plans to use her to frame Jay, adding another layer to The Complexities of Lying. The rush of details reveals Violet’s thoroughness. She’s meticulous and driven, using secondary characters like Gina and Anne-Marie to bring her scheme to fruition. Violet turns people into accessories and exploits them for her gain. The complex scheme represents Violet’s discipline, as she deftly organizes countless variables. Her plotting also exposes her deliberately sinister intentions. Her lies aren’t spontaneous like Sloane’s. As Violet says, “I know I’ve said the right thing, about us being sisters. Another brick in the house of lies I’m building” (331). The “house” is Violet’s multifaceted vengeance. To kill Sloane and frame Jay, she needs connected, preplanned deceptions (“bricks”). Her level of harm requires vicious lies.


The conflict between Jay and Violet also underpins The Impact of Consumerism on Identity. Jay says, “You’re not the woman I married,” which makes Violet feel like an “old rag” (396). Jay sees her as an undesirable object, and she feels worthless and disposable. Violet contrasts Jay’s current perception of her with how he used to view her: “The woman he married was a meticulously curated version of myself, a boxed-in 24-year-old with a round ass and a tight dress, in lacy bras and thongs, who gave him head in the bathrooms of bars” (396-97). Violet thus depicts her clothing choices as intrinsically linked to the “curated version of [her]self” that she feels compelled to create and uphold, implying that her clothing choices were less about pleasing herself and more about objectifying herself in a way she thought would please Jay.


In freeing herself of her usual clothing and posing as Sloane, Violet feels she is escaping the confines of her old “curated” persona and taking on a new one. In swapping their clothing and lifestyles, the women also switch roles. As Sloane, Violet feels the freedom of undercutting common beauty standards. She says, “[F]or the first time in I can’t remember how long, I’m not dressing for someone else. I don’t care what anyone thinks when they look at me” (366). Conversely, Sloane has the thrill of living up to the expectations of being Mrs. Lockhart. No longer boring, Sloane is now the person who attracts attention because people see her as a glamorous mother and wife.


Significantly, Violet also treats Sloane like another material commodity she can appropriate and use to her own advantage. While Violet says she likes Sloane, she demonstrates no particular qualms in this section about her plot to kill her. Instead, she uses the lure of her glamorous clothing and ceding her usual social position to Sloane to further entrap Sloane in her schemes, posing as Sloane’s friend and employer all the while. She thus uses her higher socioeconomic position to her own advantage, distracting Sloane with the allure of expensive consumer goods and clothes so that she will not see the trap until it is too late.

blurred text
blurred text
blurred text

Unlock all 54 pages of this Study Guide

Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.

  • Grasp challenging concepts with clear, comprehensive explanations
  • Revisit key plot points and ideas without rereading the book
  • Share impressive insights in classes and book clubs