62 pages • 2-hour read
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Grace claws at Flint as he keeps squeezing her neck. Tears fill his eyes, and he wishes it didn’t have to be this way. Right before Grace blacks out, Flint falls to the ground. Jaxon bursts through the wall using his telekinesis. Flint transforms into a dragon, and he and Jaxon fight. During their struggle, Jaxon accidentally sets off another earthquake.
Grace wants to stay and help Jaxon, but she chooses to run to safety. Pushing further into the tunnels, Grace is almost free. She is struck from behind, worried that Flint may be back. Instead, Lia stands over her.
Lia drags Grace by her hair back to the altar, as Grace screams wildly. She hopes Jaxon will hear, but he’s busy dealing with Flint. Lia slams her head into the wall, dazing Grace, yet she keeps shrieking. Grace almost goes unconscious, but Lia smacks her, stating she needs her awake. They enter a secret tunnel, the door closing behind them.
Grace’s rage boils over for Lia, who apparently had her parents killed to bring her to Alaska. Grace wonders why she needed her specifically, vowing that she will take Lia into death with her somehow. When Lia ties her to the altar again, Grace grabs Lia’s head and slams it into the altar’s corner multiple times. Grace slides off the altar and runs for the spellbook Lia has on a podium. She rips pages out of the book. Lia howls and attacks her, but Grace throws the book into the many candles in the room, setting it on fire.
Lia grabs for the pages’ remnants. She drags Grace to the altar again with her intense strength. Lia tells her that she’s spent months preparing and doesn’t need the book; she memorized the spell. When Grace counters that she’s just a human and Lia could use anyone, Lia laughs that Grace isn’t only human. Grace thinks she’s lying. Lia needed Jaxon’s mate for her plan to work: a mate for a mate. She’s going to bring Hudson back with her spell.
Jaxon pounds at the door outside, but vampires can’t come inside until they’re welcomed in. Lia won’t allow him in while Grace’s screams for Jaxon. Lia starts chanting her spell and slices her wrist with a ceremonial knife. Hudson’s energy appears like smoke, which needs to go into Grace’s mouth. Lia tries to pry open her mouth, but Grace doesn’t yield.
Jaxon breaks the stone walls down to enter, attacking Lia. They scuffle until Lia stabs Jaxon with her knife. Grace gets the knife away, stabbing Lia. The magic smoke with Hudson’s dark energy turns to Jaxon. Grace sucks in air to call the smoke to her instead.
The dark smoke enters Grace’s lungs, but Jaxon overpowers it. He controls the smoke with his mind, swirling it into a sphere. The walls keep crumbling, the world spinning, as Jaxon tames the smoke. He fires the energy at Lia, who explodes into dust. Both wounded, Grace and Jaxon walk toward each other. Jaxon reaches her, then faints.
Hysterical that her true love is dying, Grace presses a strand of her dress fabric to the knife wound in his torso. Jaxon is fading, so she cuts her arm with the knife to give him blood. She presses her wounds to his lips so he can drink. Jaxon awakens, sucking Grace’s blood for survival. She gives all she can to him, then falls unconscious.
Grace wakes up disoriented in the school’s infirmary. She struggles to stand and find Jaxon, but the nurse makes her lie back down; she says Jaxon hasn’t left her side except when they need to take her vitals. Grace suffered blood loss and has a dislocated shoulder, but she’ll make a full recovery.
Jaxon enters, yet he won’t come near her. Grace beckons him, assuring him that she’s fine and he owes her for saving his life. She convinces him to lay with her. He holds her in the bed, discussing that Lia and Hudson’s energy are dead. Flint is fine, and the plots to kill Grace should be over. Grace still wonders why she’s so special, why Lia needed her.
Jaxon blames himself for Grace’s hardships. He almost drained her of blood. Grace argues that she willingly gave him her blood. They confess their love for each other, but he tries to break off their relationship since she’s always going to be in danger with him. He can’t risk her life again. Grace protests that they love each other, and it’s simple: If he wants to be with her, she says, “Be with me. Love me. Let me love you” (436). Jaxon agrees, kissing her passionately.
A few days later, Grace’s recovery is going well, so Jaxon accompanies her on a walk. They build a snowman. He gives her a thermos of hot cocoa and marshmallows, and she’s “blown away by how Jaxon always thinks about [her]” (441). She asks him questions about vampires, and he explains their attributes. She asks about Hudson’s energy; they saw Lia die, but did Hudson’s smoke too? Jaxon isn’t sure, but he won’t let Hudson return.
A few days later, Grace returns to her classes. She settles into a routine of homework and hanging out with Jaxon and Macy. She gets closer with the other vampires and studies about them voraciously. Jaxon walks her to class one day, with Grace reflecting that she’s helped him too because he smiles now, tells jokes, and is happier.
In the hallway, Grace notices black smoke behind Jaxon. The smoke cloud forms into the shape of a man who must be Hudson, carrying a broadsword aimed at Jaxon’s head. Horrified, Grace knows she must protect him. Grace grabs his arm and spins them around, so Hudson slices her back with the sword instead.
In a chapter from Jaxon’s perspective, he interrogates Finn on when Grace will be herself again; after Hudson’s assault, she turned into a stone statue. As it turns out, Grace is a gargoyle. Another teacher says that gargoyles haven’t appeared in about a thousand years. The teachers insist that Grace should be able to return to her former self on her own. Since it’s been four days, they conclude that either Grace is choosing not to come back or she’s dead. Jaxon refuses to believe she’s dead, as earthquakes roar beneath him.
Finn believes Grace is holding Hudson’s energy back. She likely absorbed Hudson’s evil into her stone body, and she doesn’t want to release that threat into Katmere. Jaxon fears that Grace is enduring pain to protect him and everyone else. He promises aloud he’ll find a way to separate her from Hudson and kill his brother for good. He can’t continue without Grace, who acted out of love.
In the final chapters, battles settle all remaining rivalries. Physical altercations occur between Lia and Flint, Flint and Grace, Flint and Jaxon, Lia and Grace, and finally Jaxon, Lia, and Grace. The fast-paced, plot-based scenes are full of action with sparse descriptions, increases the plot’s momentum rather than slowing it down with characterization and scene setting. The conflicts build tension and suspense, especially when Grace is seemingly safe twice. Her attempts to run are dashed by Flint, then Lia, until she’s back on the altar about to die. Still, Grace doesn’t give up, showing that her character has become stronger; she resorts to violence to escape Lia even though she’s a pacifist. The fight between them is graphic; blood and gore characterize the Gothic genre, and the scene at the altar fulfills this trope. Grace accepts that she might die on the altar, but she can’t accept leaving Jaxon or that he will perish too. She wants to stay alive for Jaxon, showing her selflessness, empathy, and endless care for him.
The themes of Danger, Safety, and Protection and Romance and Desire reach their peak in the climax and resolution, as Grace and Jaxon both sacrifice themselves for each other. They combat their enemies until both of them are near death. In the surprising final scene, Grace is the one who saves Jaxon from Hudson when he reappears. This reverses the knight-in-shining-armor trope that Jaxon has fulfilled for Grace throughout the narrative. She was “always meant to be the hero of [Jaxon’s] story” (450). Grace remaining in her gargoyle state to keep everyone else safe shows that she’s made a commitment to their wellbeing over her own too.
The enduring theme of romance intensifies not only with Grace and Jaxon rescuing each other, but with them finally proclaiming their love for each other. In the infirmary, Grace says she was being selfish when she saved Jaxon because she didn’t want to live without him. Jaxon tries to be selfless with his attempted breakup, but this brief threat to their relationship resolves when Grace finally breaks through Jaxon’s barrier of fearing he’ll lose her. With strong feminist undertones, Grace states that he’s not the only one in the relationship and that safety doesn’t last, but love does. This balance of the major themes, such as love, danger, and loss, solidifies their character growth and acceptance of love being worth whatever risks they face.



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