48 pages • 1-hour read
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Content Warning: This section of the guide includes depictions of substance use.
As Debbie flips through her sister Chrisanne’s magazine, she wishes something in her life would change. She’s wearing Chrisanne’s sweater and lip gloss and toying with her necklace. The magazine shows different ways to change your look and become someone different, but Debbie wishes she could just be herself. Suddenly her necklace unclasps: She wrapped it too tightly around her finger. She reclasps the chain and continues paging through the magazine.
Elsewhere in Seldem, Hector listens to his sister, Rowanne, move through her bedroom. He peeks inside, smiling at her as she gets ready to go out. He and Rowane have similar features but look nothing alike. He catches his reflection in the window, removes his glasses, and wonders how he might change his appearance. Rowanne emerges and invites Hector to join her at a coffeehouse event at Arland Community College.
Hector is surprised by the community college. It looks different than expected. Inside, the siblings meander to the space set up for the event. They join Rowanne’s friends and listen to the performers. Hector feels annoyed by a boy “named Chip or Skip” when he shows Rowanne attention (15).
Hector is moved by one of the guitarists wonders if he could play like that someday. After the event, Skip asks Rowanne out, but she insists she has to drive Hector home. In the car, Rowanne confesses that she invited Hector to get out of a date with Skip. She explains that she doesn’t like the attention he’s been giving her. Hector doesn’t fully understand and changes the subject to guitar. Rowanne encourages him to learn.
On Saturday evening, Hector walks to Phil’s house. He studies the neighborhood and muses on chance and change. Suddenly he realizes he missed the turn to Phil’s.
Debbie, Chrisanne, and Chrissane’s friend Tesey sunbathe in the yard. After Chrisanne and Tesey go inside, Debbie sits alone on her chaise, thinking about a science fiction book she read. She imagines communicating with people via telepathy and tries mentally transporting herself to a peaceful planet. Her dog Cupcake joins her. She wonders if boys would be easier to communicate with if they were “more like dogs” (31).
Lenny, Phil, Hector, and Debbie start listening to “Criss Cross” in Lenny’s driveway on a regular basis. One day, their friend Patty joins them, too. The truck is small, so they have to take turns sitting inside and standing outside the truck. When the radio music comes on one day, Hector and Debbie playfully dance. Their eyes meet, but they both look away. Hector wonders if this discomfort is what Rowane was talking about.
Debbie and Patty sneak into a rhododendron bush so their mothers won’t see them change into “hipper” clothing. Debbie tugs on her new plaid bell-bottoms; she’s wanted a pair for a long time. She and her mother, Helen, went to the mall to find some that Debbie liked. Debbie wanted the kind that dragged on the ground, but Helen didn’t approve. Helen let her get the plaid pair because they were shorter. Debbie also found a pair with a raw edge which she promised Helen she’d hem.
While changing, the friends spot a pair of playful chipmunks. They don’t notice that one of the chipmunks is tangled in Debbie’s broken necklace, which fell off her neck while she was changing.
In the truck, Debbie holds her breath so she doesn’t have to smell Lenny’s chewing tobacco. The other friends complain aloud about the odor. Lenny started chewing it because his dad, Leon, does, and Lenny likes his dad’s scent. Lenny’s mind drifts into the past. When he was younger, he became obsessed with his mother Edie’s encyclopedia collection. The more he read, the more his brain filled with information. Sometimes people teased him for being a bookworm, but he loved learning things, especially scientific facts. He learned about small machinery, too, and discovered how to fix things around the house. Sometimes he feels that no one understands the true him. Finally, he agrees to spit out the tobacco.
Debbie and her father work together to fix a leak in the kitchen sink. They read the instruction manual so they know how to use the wrench. Debbie works hard, careful about each step. She feels proud of herself when she figures it out. Finally, her dad calls her to have lunch. She packs up the plumbing project, hopeful that she’ll be able to fix other things around the house in the future, too.
Hector’s mom arranges for him to take guitar lessons at the local church. In the basement room, Hector feels disappointed. This isn’t what he expected. Pastor Don is leading the group, which includes two older adults, and several local kids, including Robin, Meadow, Dan, and Russell. Hector studies each of his peers, musing on what he knows about them. He’s interested in Meadow but doesn’t know her. He feels irritated by Dan, because he plays sports, and all the girls think he’s attractive. Finally, Pastor Don plays a demo song. He isn’t as good as the coffeehouse guitarist, but Hector appreciates his playing. He starts singing along, deciding not to be embarrassed in front of Dan.
After the class, Hector introduces himself to Meadow. They chat about the meanings of their names and why their parents chose them. Before leaving, Hector greets and briefly chats with Russell. He can’t help feeling disappointed when he sees Meadow talking to Dan. On his way home, he clutches his guitar and thinks of different names Meadow’s parents could have named her.
The opening chapters of Criss Cross introduce the primary characters, conflicts, stakes, and themes of the novel. The third-person narration alternates between the main characters’ perspectives and offers details about their identities, home lives, and dreams. These movements between Debbie’s, Hector’s, Lenny’s—as well as Patty’s and Phil’s—lives represent the Importance of Friendship and Connection. Debbie, Hector, Lenny, Patty, and Phil all live in the same Midwestern town of Seldem. Their physical proximity creates immediate communal ties between them—compelling them to divide their time between one another’s homes. At the same time, the five main characters all have independent and unique inner worlds. Each chapter is devoted to a different character’s experience, and traces how Debbie, Hector, Lenny, Patty, and Phil are each experiencing their adolescence. The narrative structure and multiple points of view foreshadow how the pre-teens’ storylines will interconnect and inform one another over time.
The narrator primarily focuses on Debbie’s and Hector’s storylines in these chapters—establishing them as the two primary protagonists. The shifts between their experiences affects a compare-and-contrast between their characters. In particular, both Debbie and Hector are on a Journey Towards Self-Discovery. Images between their individual chapters recur and echo off of one another. For example, in Chapter 1, the narrator depicts Debbie reading a magazine article “about how the most important thing [is] to be yourself” (2). The article inspires Debbie’s musings on who she might be and how she might change. As a young woman, Debbie is still coming of age. She is still searching for a defined sense of self.
The images of her sneaking into her sister’s bedroom, reading her magazines, stealing her lip gloss, and borrowing her sweater imply that Chrisanne is a role model to Debbie. Debbie is mimicking her sister’s appearance, dress, and hobbies in an attempt to explore and define her own sense of self. These images and experiences repeat in Hector’s subsequent chapter. Hector stands in the hallway and watches his older sister Rowanne prepare to go out while studying his reflection in the sunlit window. He compares himself to Rowanne, because she is older and seems more self-assured. While Rowanne’s face carries an “aura of interestingness […] all the time,” Hector feels plagued by “the usual averageness of his face” (6). Like Debbie, Hector defines his identity according to his exterior appearance. Like Debbie, he has yet to fully explore his internal world and thus to understand his own heart. In these ways, Hector and Debbie are both at a pivotal moment in their adolescent experiences. They want to understand themselves and are seeking answers in their immediate surroundings.
Both Debbie and Hector attempt to change their behavior and appearances to create more defined identities. For Debbie, this means altering her wardrobe. Her obsession with wearing bell-bottom jeans conveys her desire to fit in, to be modern, and to satisfy others’ expectations of young womanhood. Debbie knows that “wearing the dragging jeans [does] not actually guarantee that good things [will] happen to you, but not wearing them could almost guarantee that the good things [will not]” (45). Donning new, more fashionable clothing is Debbie’s way of claiming her autonomy. She is desperate for something to happen to her, or for something to change in her life. Via clothing, she discovers that she can conjure these changes of her own volition. This is an essential aspect of her journey towards self-realization. The same is true of Hector’s interest in learning guitar. Hector doubts that he’ll ever be able to play as well as the coffeehouse musician, but he identifies a goal, expresses it to his mother, and follows through with his lessons. He even risks embarrassment by singing along with the pastor’s guitar playing. These decisions are Hector’s way of exercising his agency and claiming his identity.
Meanwhile, the interspersed images of the Seldem friends listening to “Criss Cross” in Lenny’s truck capture the Importance of Friendship and Connection to self-discovery. As its title implies, the “Criss Cross” program is a symbol of interconnection. It brings all of the characters into a common space and helps them connect over a common interest. Although Debbie, Hector, Lenny, Phil, and Patty have yet to openly discuss their dreams and longings, the images of them crammed into the car to hear the program affect an intimate mood. These images also foreshadow the emotional crossovers which will develop between the main characters’ individual storylines.



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