48 pages 1-hour read

Criss Cross

Fiction | Novel | Middle Grade | Published in 2005

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Chapters 10-17Chapter Summaries & Analyses

Chapter 10 Summary: “Conversation in the Dark: Brilliant Eskimo Thoughts”

Patty and Debbie lie awake talking about fate, chance, and love. Neither of them is sure how to explain random things that happen in life. Their conversation shifts to changing their appearances, hair, and clothes. They compare themselves to various movie characters and young women who live in Seldem. Finally, Debbie asks if Patty thinks Dan likes her. He said hi to her the other day when they were at their neighboring lockers. Patty isn’t sure but encourages Debbie to talk to him the next time she sees him.

Chapter 11 Summary: “Hector’s First Song”

Hector writes his first song. He imagines that a girl will sing half of the lines, and a boy will sing the other half. He wonders if he should add more verses or chords.

Chapter 12 Summary: “Truck Lessons”

Debbie listens to “Criss Cross” with Lenny in his dad’s truck. Phil is at a relative’s wedding and they’re unsure of Hector’s whereabouts. After the program ends, Lenny suggests that he teach Debbie how to drive a stick shift. Debbie guesses it’d be a good thing to learn and agrees as long as Leon doesn’t mind. Lenny pretends to ask Leon and assures Debbie it’s okay as long as they don’t go on the street. The friends practice driving in the driveway, shifting between first and reverse. Debbie eventually gets the hang of it, feeling excited that she’s learned something new. A smiling Lenny seems proud, too. Before Debbie heads home, she begs Lenny not to tell her mom about the driving.

Chapter 13 Summary: “Ravine”

Hector lies on his bedroom floor listening to the radio. This is the first time he’s heard the Mamas and the Papas, who are from California. He wonders what California is like and how it would feel to leave Seldem. His mind wanders to Meadow. He’d like to take her out but doesn’t know where. He takes a walk through the neighborhood, wandering down to a nearby ravine. It seems like a good place to take Meadow until Hector realizes the landscape is filled with litter and trash. He picks up a giant sack of kitchen garbage and hauls it back to the nearby gas station. The longer he walks, the weaker the bag becomes. He races to the dumpster, just as the bag breaks.


Rowanne appears, teasing Hector for carrying garbage. She takes him to Tastee-Freez. Over ice cream, Hector admits his interest in Meadow and desire to ask her out. Rowanne suggests going out for ice cream instead of visiting a trash-filled ravine.

Chapter 14 Summary: “Japanese Chapter”

Debbie and Patty flip through the yearbook while hanging out in the neighborhood gazebo. They read all of the students’ famous quotations and comment on their pictures. Then they invent haikus to go along with each classmate’s photo. Debbie’s mind wanders into the past. She’s flooded with memories from a dance and sleepover in the sixth grade. She remembers feeling young and immature and wanting to go home. She studies her picture and silently compares herself to a caterpillar. Suddenly, Hector races past with an armful of garbage. Debbie finds herself musing on who Hector really is.

Chapter 15 Summary: “Guitar Progress”

Hector continues practicing his guitar. He learns one new song after the next. Calluses form on his fingers. Sometimes when he plays, his mind imagines all the places he’d like to go.

Chapter 16 Summary: “Home Work”

Lenny works on homework until Leon asks for his help moving an “old washing machine out of the cellar” (132). Lenny is surprised by all of the old junk and furniture stored downstairs. Leon suggests they clean everything out and convert it into a TV room.


Meanwhile, Debbie lounges in her room playing a word game with her and Dan’s names. If she crosses out certain letters she can divine if she and Dan have a future together. She sets the game aside to do some homework but can’t stop thinking about the day Dan greeted her at their lockers. She wonders again if he was flirting with her. She imagines how their conversation would have gone if they’d talked longer. She also imagines Dan turning into a donkey as the result of a spell.


Hector returns to his guitar and writes a new song. He recalls something a supermarket cashier said the other day and incorporates her words into his lyrics. Suddenly Rowanne appears and remarks on Hector’s playing.


While finishing her homework, Patty muses on electrons, molecules, and the universe. Distracted, she calls Debbie.


Meanwhile, Russell takes a walk and discovers a necklace in the wet grass. It’s engraved with the name Debbie. Unsure which Debbie it belongs to, he tucks it into his jacket.


Elsewhere, Phil shoots hoops alone. Lenny hears him dribbling and comes over to join him. Eventually they part ways and head home for bed.

Chapter 17 Summary: “At the Tastee-Freez on a Tuesday Evening”

Debbie and Patty go out for ice cream at Tastee-Freez. They study the surrounding lights and billboards while chatting about Nancy Drew characters. Then Dan, Hector, Russell, and Meadow appear. They’ve just gotten out of guitar lessons.


Hector feels disappointed watching Dan and Meadow chat. He’s convinced nothing will happen between him and Meadow now. Meanwhile, Russell moves to don his jacket and accidentally hits the older guitar classmate Mary in the face. The jacket movement also causes Debbie’s necklace to fall out of his pocket. Dan sees the necklace land on the table. He knows Debbie has a crush on him and thinks he can “have some fun with this necklace” when he sees Debbie at school (160).

Chapters 10-17 Analysis

Throughout Chapters 10-17, the primary characters’ friendly conversations and alone time help them Search for Meaning and Understanding. As adolescents, Debbie, Hector, Lenny, Patty, and Phil are trying to make sense of how chance, fate, and love relate to their developing identities. When they are sharing time and space, they exchange ideas and thought experiments—pastimes which shape their evolving perceptions of the world. When they’re alone, the characters’ minds shift into musings on science, music, and relationships—streams of consciousness which convey their desire to believe in something definite.


The repeated scenes of dialogue throughout this excerpt convey the primary characters’ curious minds and spirits. For example, when Patty and Debbie are lying awake together in Chapter 10, they discuss soulmates, serendipity, identity, and romance. These topics of conversation help the friends navigate their adolescent realities. They also prove that Patty and Debbie have philosophical minds. For example, Patty and Debbie ask each other their thoughts on chance and fate—revealing that they’re skeptical of using God to explain life’s coincidences:


I think it does make people feel better. That’s when they say, “God works in mysterious ways.” Although no one wants to be the one He’s working on that way. It makes people feel like there is some really worthwhile reason that they’re having such a crappy life. And like they will be rewarded later (86).


Patty and Debbie are living in 1970s Middle America. This historical era is defined by sweeping shifts in popular culture, political views, and religious ideals. The adolescents’ conversation originates from and aligns with their temporal context. Just as cultural changes have influenced their style of dress, these same changes are influencing the friends’ viewpoints on religion and culture. Although they do discuss crushes and hairstyles, Patty and Debbie’s musings on God and fate reveal their depth of character. They’re eager to explore complex concepts in order to better understand themselves and their ever-changing reality.


Chapters 10-17 launch a series of formal shifts in the narrative, which propels the Seldem adolescents’ Journey Towards Self-Discovery. While Chapters 1-9 appear in a typical narrative prose style, Chapters 10-17 introduce various alternate structures. For example, Chapter 10 appears in the form of a screenplay, presenting only Patty and Debbie’s lines of dialogue and omitting any contextualizing narration. Chapter 11 incorporates Hector’s song lyrics and Chapter 14 fractures into a series of haikus, fragmented thoughts, and italicized memories. The surrounding chapters also incorporate photographic imagery, illustrations, and sheet music—all of which act as tangible artifacts from the characters’ lives. For example, the images of the trash at the ravine visually represent Hector’s walk through town while the drawing of a donkey in a football jersey illustrates Debbie’s thoughts about a spell being placed on Dan. These formal images create a patchwork effect and a playful, searching tone. Debbie, Hector, Lenny, Patty, and Phil are collecting visual, aural, conversational, and written ephemera from their surroundings to formulate what they believe and who they are. Each experience, dialogue, or adventure they have feels like a pivotal moment in their coming of age. The narrative structure enacts their attempts to document and process their lives in real time.


The narrative also begins to merge the primary characters’ independent storylines. For example, the third-person narrator shifts between all five of their storylines in Chapter 16. This formal choice emphasizes the simultaneity of Debbie’s, Hector’s, Lenny’s, Patty’s, and Phil’s pastimes. In the course of a single evening, Lenny helps his father move furniture, Debbie does her homework, Hector writes new songs, Patty calls Debbie on the phone, and Phil plays basketball. The convergence of these disparate scenes underscores the Importance of Friendship and Connection. Even when the friends aren’t in the same space, their experiences inform one another. No matter what they’re doing, all five characters are seeking grounding, understanding, excitement, or escape.


Community is an important element of self-discovery in these chapters. The characters’ hometown, Seldem, unites them even when they feel isolated or alone. Chapter 17 reiterates this notion by placing the five main characters in the same physical setting: the local Tastee-Freez. When they’re all here, random events transpire to draw them even closer together. In particular, this scene initiates another image of Debbie’s lost necklace. The piece of jewelry has recurred throughout the novel, shifting from character to character. This motif underscores the interconnection of the characters’ lives. They aren’t always talking or spending time all together, but the necklace is a common thread between their experiences. The novel thus suggests that the individual can experience mystery and magic if they pay attention to the subtle events happening in their surroundings, as these small moments can offer a new way of seeing the world.

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