42 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of illness, death, and animal death.
Indya is driving from Texas to Montana following a divorce, on her way to Crazy Mountain Cattle Resort—a place she has been many times before, but not since her youth. After calling her father’s voicemail to tell him that she made it safely, Indya makes her way along the gravel road through the wilderness. The road passes alongside the Haven River and through fields and forests. Indya feels that her father should have been the one to take over the ranch, and she is certain that the Haven family won’t welcome her.
When Indya arrives at the ranch her father loved, she instantly sees that it needs work. The only thing in good repair appears to be the cattle fencing, and the cabins for guests are in shambles. Indya doesn’t want to look at the largest cabin because of the memories it brings back. Instead, she drives along until she gets to the lodge.
Inside, Indya is greeted by ranch secretary Deb and then Curtis Haven, the now former owner of the ranch, which Indya has just purchased. Curtis has two sons, West and Jax, and they both work on the ranch with him. Indya has a long history with West, including romance, but it ended painfully, and she hasn’t seen him since. Curtis is gruff and awkward, explaining that he hasn’t yet told his sons about selling the ranch. This just makes Indya feel more nervous and unwelcome.
Jax is the first to enter. He hardly remembers Indya, but West recognizes her instantly. He doesn’t smile or say anything to her, and when the two sons hear that Indya has bought the ranch, Jax is the only one to voice his disappointment and shock. West stands stoically, staring at Indya for a moment, and then turns and leaves. When Indya is left alone, she looks around the office and sees nothing that reminds her of home.
When Indya was eight years old, she and her parents came to the ranch in Montana for a relaxing vacation. Indya’s father had cancer at the time, and her mother was always shuffling Indya outside so that her father could rest. On one of these excursions, Indya hurt herself, and West found her. He was 10 years old at the time, and Indya could sense that he was already tough. He lived on the ranch with his family, and Indya didn’t want to cry in front of him. West offered to take Indya to see his horse, Chief, and they played together often afterward.
West can’t believe that anything he just heard is real, after all the hard work and years he has put into the ranch. He heads toward his truck to go for a drive, and Jax stops him, begging him to fix the situation. West sees his father limp past, an injury that resulted from riding West’s new horse (his first since Chief died). Curtis tries to explain that he had no choice, but it hurts West even more to learn that Curtis withheld the information for a month. He tries to assure West that Indya has promised to keep the ranch a ranch, but West doesn’t trust this promise. He drives to the lodge and walks up to Indya’s room.
Indya opens the door and greets West with slight surprise. West immediately notices her blonde, curly hair and the way her shirt sits over her breasts. He asks Indya to sell the ranch to him, but they both know he could never afford it. West tells Indya that she doesn’t belong at the ranch, and Indya replies by telling West that he and his family are expected to meet with her the following morning. She slams the door.
Indya came to the ranch with her family again at age nine, when her father’s cancer was in remission. The worry and tension of the last visit were gone, and Indya’s father found the return to the ranch inspiring and rejuvenating. Indya’s first thought was that she wanted to play with West, but she later overheard West’s father ordering him to play with her and West reluctantly agreeing. When West approached, Indya pretended like she didn’t want to play with him, but she couldn’t resist being invited to his fort. West took her to his fort made of trees and taught her how to play poker, and Indya lost $20. Her father ended up paying for it, and Indya promised to win it back, which made her father laugh.
Half an hour after the meeting time, Indya starts to wonder if Curtis and his sons are coming at all. She knows that she needs West on board to stay and run the ranch, and she decides to call a mandatory staff meeting, with everyone who works at the ranch required to attend. Indya asks Deb to call West and tell him to come to the office, and when he arrives, Indya is instantly taken aback by his ruggedness and his use of her nickname, “Indy.” She tries to tell West that she isn’t his enemy, but West feels lost and is still in shock. When Indya vaguely mentions an announcement that she plans to make at the meeting later, West storms off in anger, and Indya is reminded of how unwelcome she is at the ranch. Indya looks outside and sees West ride off on a black horse.
Indya and her family went back to the ranch two years later. Indya wanted to play soccer with West but couldn’t find him anywhere. She accidentally stumbled upon West’s parents having a conversation about divorce and moving West to the city, and then she realized that West was listening, too. Indya followed him outside and tried to distract him from his thoughts by making paper airplanes with him, but when Indya’s plane flew further, West was discouraged and walked away. Indya didn’t see him again during that visit, but she left her paper airplane for him when she left.
West skips the staff meeting in favor of horse riding, but he is deeply curious about what went on. He is filled with regrets about everything that led to the ranch’s downfall, and he feels betrayed by his father not only keeping the sale a secret but also never letting him take part in business decisions. West’s mother pulls into the ranch, and West tells her the news. Even she can hardly believe it. West asks his mother to talk to Curtis about it, but she refuses, having hardly spoken to him since their divorce.
West goes into the lodge and notices that it looks and smells cleaner. Deb, who is usually found slacking off, is at her desk and ready to work. West finds Indya at her desk and immediately notices how beautiful she looks. He asks her to sell again, and she again refuses, telling West that he needs to accept reality. She asks West if he would stay and keep his job as the ranch manager, and West agrees to think about it. Indya then announces her plans to move into the ranch’s largest and best kept cabin, Beartooth Chalet. West has mixed feelings about it: He has maintained the cabin just in case Indya ever came back, but he didn’t expect it to be under these circumstances.
Crossroads is filled with symbols that are used in conjunction with the overarching motif of the Montana landscape. In the opening chapter, Indya drives through pristine wilderness that she describes as “breathtakingly beautiful,” passing the Crazy Mountains, green pastures, and the Haven River. The drive symbolizes her emotional journey and the beginning of something new but also a return to the past that she ran from after her father’s death. This journey back to the site of her happiest and most painful memories symbolizes the theme of Personal Growth Through Confrontation With the Past. When Indya approaches the Haven River, it foreshadows her decision to rename the ranch Haven River Ranch and symbolizes the Haven family’s connection to the place. The name “Haven,” meanwhile, suggests that the ranch will serve as a safe haven in which Indya can process the painful events of her recent life. When she arrives, Indya is instantly flooded with memories of the past, which becomes a constant part of her experience at the ranch: “Every vacation to Montana came rushing back. […] Campfires and s’mores when I was eight. Wildflower picking when I was nine. Paper airplanes at eleven. A broken heart at twenty-three” (3). This litany of memories suggests another narrative effect of the ranch as a site of memory: Like a stop-motion camera, it presents her childhood and young adulthood in a series of still images, at once speeding up time and freezing individual moments.
The ranch acts as a motif, becoming the story’s setting while also symbolizing the consequences of bad decisions, family tensions, and West’s regrets. The ranch is falling apart and losing business, which is described in detail to emphasize the need for Renewal Through Second Chances. Within the ranch itself, the Beartooth Chalet in which Indya stays is a symbol of West’s undying love for Indya and his hope that she would always return. He keeps it in top condition and renovates it in a way that he knows Indya would like. Finally, the scene in which Indya and West fly paper airplanes together symbolizes the fleeting nature of their childhoods and the temporariness of their time together in their youth.
Indya’s character development is deeply tied to her struggles with The Necessity of Accepting Change. As she moves from Texas to Montana, she returns to a familiar yet emotionally fraught place. Upon her return to the ranch, she immediately thinks of her father and calls his voicemail, demonstrating her ongoing attachment to him even after his death. Her father’s love for the ranch weighs on her, creating an unspoken responsibility to honor his memory. She also expresses concern for the Haven family, especially West, subtly foreshadowing the rekindling of their complex relationship. However, certain aspects of the ranch are difficult for her to face, as they serve as painful reminders of the past. One example of this is the horse painting, which is unsettling to Indya until she learns of its origins. The mention of her father’s cancer returning multiple times further emphasizes Indya’s long history of loss and resilience—a history that taught her to cling to what she knows. However, in order to grow, she will have to accept that her world will not go back to the way it was before her father’s death.
West’s strong bond with the ranch, sense of betrayal, and difficulty adjusting to change all influence his character development. He has put in countless hours to keep the ranch running, but his efforts have been insufficient, leaving him feeling frustrated. He feels helpless and deceived by his father’s decision to sell the ranch without seeking his approval. West offers to buy back the ranch because he is determined to reclaim what he considers his legacy, but Indya declines, forcing him to face an uncertain future. Despite being tough and stoic by nature, West uses his horse as an escape and finds comfort in it, even deciding to ride while the ranch meeting is going on. In contrast to his aloof and outspoken brother, West tends to remain stoic and keep his thoughts to himself.
The romance between Indya and West is built on years of shared history, childhood memories, and unresolved tension. When they meet again after years apart, the moment is heavy with unspoken emotions. They simply stare at each other, unable to find words to express the complex emotions they both feel. Their connection began when Indya was eight, visiting the ranch with her family. After she hurt her knee, West helped her and introduced her to his horse, sparking a bond that deepened over the years. During this time, Indya’s father had cancer, making her time at the ranch a rare source of comfort and escape—again reflected in the name that Indya eventually gives it: Haven River Ranch. Despite this history, Indya hasn’t been back in four years, and West harbors resentment, yet he still notices her hair, her body, and the sparks between them, showing that his feelings never fully faded. Their romance is one of nostalgia, pain, and longing, making their reunion both tense and deeply emotional.
From the very beginning, metaphor, imagery, and tension shape Indya’s return to Montana. The metaphor “I needed more miles” reflects her desire for distance (1), both physically and emotionally, from the past she is hesitant to confront. The tension is clear upon Indya’s return, as she receives no smiles or warm greetings from the Haven family, only awkward silences: “Silence stretched between us as uncomfortable as my seat” (9). Additionally, subtle foreshadowing gives clues about her father’s death. She repeatedly mentions that he should have been there, and every time she calls him, it goes straight to voicemail, hinting at her struggle to accept that he is gone.



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