70 pages 2-hour read

Crow Mary

Fiction | Novel | Adult | Published in 2023

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Themes

Colonial Trauma and Indigenous Survival

Content Warning: This section discusses racism, colonialism and colonial violence, and sexual assault.


Crow Mary’s story is a journey of survival and homecoming. The novel explores Indigenous people’s survival against colonial trauma, violence, and cultural erasure, highlighting their historical struggles and endurance against colonialism. From the start of her life with Farwell, Crow Mary experiences alienation. Separated from her family and the Crow tribe, Crow Mary finds white people’s forts and cities isolating and disturbing. Grissom uses olfactory and visual imagery to describe Crow Mary’s perspective; the “rank smell” of Fort Benton and its “huge structures” suggest her sense of displacement. The “shattering” noise of the fort highlights the distorting effects of the colonial environment on the inner self. The text indicates the colonial efforts of cultural erasure, as during her marriage to Farwell, she is forced to change her name to Mary. Crow Mary’s identity is rooted in her traditional culture, and her life with a white man away from her homeland challenges her identity and inhibits her sense of belonging.


The text illustrates colonial trauma and the genocide against Indigenous people through the Cypress Hills massacre and the forced removal of Indigenous children to residential schools. Grissom explores the Cypress Hills massacre as a disorganized form of genocide, indicating the impact of colonial oppression and anti-Indigenous racism. With his racism and sexual harassment of Crow Mary and other Indigenous women, Stiller embodies the colonialist ethos of the wolfers. The massacre is a result of colonial violence that disproportionately affects innocent women and children. Crow Mary describes the horror of the massacre: “[T]he Nakoda women and children raced from their lodges and out toward the trees, and then the bullets came faster and thicker than ever” (188). The novel also creates vivid imagery of colonial violence, describing the wolfers’ sexual assault against the Nakoda women. Crow Mary is determined to save the women, but the experience traumatizes her. Her testimony about the assault against Indigenous women is ignored, indicating that the Western justice system often perpetuates Indigenous suffering. Her children’s abduction by Stiller and their relocation to a residential school against her will also demonstrates the traumatizing impact of colonial policies on Indigenous people.


In the novel, Indigenous tradition and culture counterbalance the impact of colonialism and can heal colonial trauma. Through Red Fox’s character, Grissom demonstrates the resilience of Indigenous culture, countering dominant narratives of elimination and erasure. Red Fox represents the Indigenous elders who preserves the tribe’s traditions across generations. He nurtures Crow Mary as a child with traditional teachings of bravery and practices like horse racing and shooting. He continues to provide spiritual sustenance to Crow Mary’s children. He passes on traditional storytelling, reinforcing their Indigenous consciousness and helping them remember their Crow identity even as the residential school attempts to erase this identity. Red Fox kills Stiller, signifying the healing power of the Indigenous tradition against colonialism. Reservation life limits the tribe, but Crow Mary begins a new life with her community on Crow land. The novel demonstrates that despite the repercussions of colonialism, Indigenous people survive, reconnecting with their culture and ancestral lands.

Cultural Conflict and Cross-Cultural Understanding

The novel explores the cultural conflict and tensions between Indigenous people and white settlers as a repercussion of colonial contact. Crow Mary’s relationship with Farwell exemplifies the limitations and possibilities of the clash between cultures. Farwell and Crow Mary’s relationship is premised on love. Farwell is a gentle and “thoughtful” husband, and Crow Mary realizes that Farwell also “[appreciates] Mother Earth” (131), suggesting the possibility of a genuine connection between them. He watches Crow Mary perform her traditional rituals, and the scene where the two exchange knowledge of the stars portrays Farwell’s ability to accept Crow Mary’s culture, as he accepts her reproach about pointing to the “sacred stars” with his fingers: “‘If you say so,’ he said, using the willow stick to outline the stars he called the Big Dipper” (128). However, Farwell thwarts the possibility of understanding as he continues to insist on the colonial mindset.


Farwell expects Crow Mary to conform to white social norms. Their conflict intensifies when Farwell reconnects with Stiller and embraces the settler mentality. Following their return to the reservation that could signify a “new start” for the family, Farwell opposes Crow Mary’s cultural practices and suggests to her family that assimilation into white culture is the “only way for them to survive” (294). The couple’s clash culminates with Farwell’s decision to separate Crow Mary from their children so that they can learn the white way of life in residential schools. Farwell’s attitude demonstrates that colonialism as an ideology promotes negative cultural conflict.


Grissom emphasizes the possibility of cross-cultural understanding as part of the postcolonial condition. The novel explores the Métis people to demonstrate the positive aspects of hybridity, with identities that arise from cross-cultural exchange. The Métis people are a post-contact Indigenous nation of mixed European and Indigenous ancestry. The metaphor of the Métis as a “colorful group” underscores the potential of biracial identities to promote balance and understanding between different cultures. Jeannie guides Crow Mary during her early life, teaching her English and helping her adapt: “At first, she was hard to follow, because she spoke quickly and often forgot herself as she slipped from one language to another” (97). Jeannie’s identity challenges ideas of racial purity and superiority, describing them as social constructs by people who “don’t feel good about themselves” (148). Jeannie’s attitude, though, demonstrates that cross-cultural understanding does not require the loss of Crow Mary’s identity. Jeannie gives her the name “Crow Mary,” suggesting the possibility to reaffirm her identity in the white world. Helping her rebuild her tipi is an effort to provide her with a sense of belonging away from home, suggesting that identity is also an inner state. The novel emphasizes the potential of cross-cultural understanding in the postcolonial condition, suggesting a harmonious coexistence of cultures.

The Resilience of Indigenous Women

Through Crow Mary’s life story, Grissom emphasizes the resilience of Indigenous women against cultural erasure and colonial violence. Crow Mary’s character is informed by traditional Crow values. Her grandmother teaches her about Crow women’s crucial role within the community by instructing her in tasks and duties that are central to her identity. Crow Mary learns that Crow women “don’t rely on a man” and set up their tipis because “their home belongs to them” (267). Hence, Crow womanhood suggests independence, self-affirmation, and active participation in the community—qualities that contrast with the limited roles for women in white communities. Crow Mary grows up aspiring to be a “warrior” and a “brave,” traditionally male roles. Red Fox’s teachings counter stereotypical notions of Indigenous gender identities, indicating less rigid gender patterns. He includes her in the warriors’ training, teaching her horse and gun skills. He reinforces her confidence, arguing that she is already brave, and instructs her that bravery is “action in spite of […] fear” (15). This value is key to Crow Mary’s resilience as a character and helps her survive her life’s struggles.


Crow Mary also manifests resilience through acts of resistance. As Farwell’s wife, Crow Mary tries to adapt to the white way of life but consistently affirms her Crow identity. When Farwell sees her in Métis clothing, he praises her, suggesting that she is becoming a white woman, but Crow Mary responds, “I am Crow” (113). Crow Mary adheres to her cultural values despite colonial attempts to erase her identity. Crow Mary also resists the wolfers’ intimidation and colonial violence. She refuses Stiller’s alcohol and shows courage against racial slurs and sexual harassment. Crow Mary epitomizes bravery by saving the Nakoda women from sexual assault. She “forces” herself to confront the wolfers despite being “terrified” and vomiting out of fear. Crow Mary summons the courage of the Crow warriors who “fought for their lives against all odds” (196). She exemplifies Red Fox’s values of bravery, demonstrating resilience premised on her Indigenous spirit.


Crow Mary continues to resist the colonial impact, beginning to form a decolonized mindset. Her character reflects Indigenous consciousness in the context of the 19th century. After Farwell’s and Stiller’s deaths and her son’s return from residential school, she navigates life on the Crow reservation as a liberated woman. She sells Farwell’s ranch in an attempt to reconnect with her culture and ancestral land anew, demonstrating her defiance of colonial policies. Crow Mary claims new land from the Crow agency, suggesting that land is central to her freedom as a Crow woman. Despite her tribe’s restriction to a reservation, Crow Mary claims her “hard-won freedom,” living with her community on “sacred” Crow land (340). The novel underscores Crow Mary’s resilience and survival, indicating Indigenous women’s crucial role in community healing.

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