62 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of illness, death, child death, and pregnancy loss.
The novel opens at the moment the main character, Damon Lister, is dying. He is being held underwater by an unnamed woman. He tries to fight her off, but he cannot. Before he dies, he sees his life flash before his eyes, ending with the vision of a dead child, “the one who started all this” (1).
Six months before his death, Damon suggests that he and his ex-wife, Melissa Lister, challenge each other to do new things before they turn 30. She reluctantly agrees. Even though they’re divorced, he still loves her. Damon challenge Melissa to sing karaoke, and she does. She has a more difficult challenge in store for him.
Melissa challenges Damon to go swimming in the ocean at Brighton, even though she knows he hates swimming in open water. It’s February, and the water is cold. Melissa and Damon swim out to a buoy. They’re on their way back to shore when Melissa realizes that she can’t see Damon anymore.
Melissa searches for Damon in the water. She realizes that he’s been caught by the rip tide. She finds him and brings his unconscious body back to shore. On the beach, she realizes that he’s not breathing and doesn’t have a pulse.
Melissa performs emergency procedures on Damon. She’s a paramedic and experienced swimmer. She tells a passer-by to call emergency services. After a few minutes, she manages to revive Damon. When he regains consciousness, he asks her who the boy he “think[s]” he killed is.
Two weeks after he almost drowns, Damon is at the bar with his friends, including Melissa, to celebrate his survival. He can’t drink because he’s on antibiotics to treat a possible infection from swallowing so much water. He has been feeling anxious ever since his near-death experience and is having trouble enjoying the party. He wonders if the experience has “taken more of a toll on [Melissa] than she’s ready to admit” (22).
Damon reflects on how, during the train ride from Brighton to Northampton after he was released from the hospital, he kept going over what he saw when he almost died. He saw an image of a red-headed boy bleeding from the mouth and ear reaching out for Damon’s help. Melissa had reassured him that he would not have forgotten killing someone. Damon is not so sure because he doesn’t remember much of his childhood.
While standing outside the bar, Damon gives money to an unhoused person because he feels that he could have ended up like them because he grew up in foster care. Suddenly, Damon thinks he catches sight of the red-headed boy on a nearby bus, but the sight quickly disappears.
Damon awakes on Monday morning. He realizes that he has slept for 20 hours but still feels tired. When he sleeps, he feels the cold water of the sea and returns to the visions he had while drowning. He gets ready for work.
While in the shower, he examines his many tattoos, the meanings of some of which are obscure even to him, such as the words “Offering Others Direction in Sorrow” across his collarbone (29). When he steps out of the shower, he sees small footprints in blood leading to his bedroom.
Damon works as a stockboy in a grocery store. His co-worker Jason is as dismissive of Damon’s account of seeing a dead boy as Melissa. Damon goes to the bathroom at work, where he’s confronted with the vision of the red-headed boy reaching out to him. Damon is scared and runs away.
For three days, Damon has been haunted by the vision of the dead boy whenever he’s alone. He realizes that it’s a hallucination, but he can’t determine why the boy is haunting him. When he finally goes home after work, he leaves the television on and the window open so that the sounds will prevent the boy from returning.
Damon goes to the fertility clinic with Melissa and her new girlfriend, Adrienne. Damon has agreed to provide the sperm for their child. Adrienne says that Damon seems “a little out of it” (37), but he brushes off her concerns.
Damon thinks about how he discovered that Melissa was gay when their sex life ended and he found gay porn on her laptop. She soon after told him that she’s gay. Damon was sad, but he didn’t argue. He has known Melissa since they were teenagers. He enjoyed the time she spent with him after the drowning because it gave him hope that they might be together again even though she’s happy and in love with Adrienne.
While in the clinic, Damon anxiously rubs the semicolon tattoo on his wrist. He hasn’t seen the vision of the dead boy for three days, but he worries that the vision will soon return.
They are at the clinic to meet with a counselor about their birth plan. Melissa had gotten pregnant while she and Damon were married, but she told him that she lost the pregnancy. He still wants a child to have the family he never had when he was younger. That is why, eight months ago, he agreed to provide the sperm for Adrienne to get pregnant through in-vitro fertilization (IVF).
While meeting with the counselor, Damon sees the dead boy writhing in pain with an open mouth. He yells, “No,” and runs away. He worries that he’s becoming mentally unwell.
Damon goes to visit his favorite foster mother, Helena Obugachu. Although she’s only in her late fifties, she’s frail from having had a stroke. She is reading Dead in the Water by Ed James, which “could also be the title of [Damon’s] autobiography” (44). She is the only link that Damon has between his past and present, but he thinks she’s hiding something from him.
Damon asks Helena if there’s anything in his records about “the death of a child” (47). He explains about the visions of the dead red-headed boy he’s been having since his near-death experience. Helena is surprised when Damon says that he thinks he might have had something to do with the boy’s death. Helena says that it’s only his mind playing tricks on him. When he leaves, he sees a vision of the boy just behind her on the stairwell.
Helena reflects on how frightened and vulnerable Damon was when he was first put in her care. He thinks of her only as a foster mother; he doesn’t know that their ties are deeper than that. Helena worries that Damon’s vision of a dead boy is “only […] the beginning” (51). She has done her best to protect him from the truth.
Damon is seeing the dead boy with increasing frequency. He has tried to drown himself to induce the near-death experience and hopefully learn more about the vision, but he was not able to. He decides to see a hypnotherapist to learn more.
Damon startles at a flash of lightning while he stands on the doorstep of the hypnotherapist. He has electrophobia, a fear of electricity. He gets a text from Melissa reminding him of his next fertility-clinic appointment. Damon then enters the hypnotherapist’s office. He explains that he wants to use the process to learn more about the dead boy he keeps seeing.
While under hypnosis, Damon recalls seeing the boy on the ground bleeding ahead of him. They are near a road. Then, Damon sees himself pulling something from his pocket. He’s overwhelmed with panic before he can finish seeing more of the scene.
The hypnotherapist explains that “brains prefer to avoid reliving trauma, so they build protective shields” (59). She suggests that Damon see a counselor to help him process more, but he rejects the idea and leaves. He feels the boy haunting him as he walks to the car.
Dead in the Water is a psychological thriller that focuses on the feelings and subjective experiences of the primary characters, namely the protagonist, Damon Lister, as he wrestles with The Destructive Nature of Obsession in becoming more engrossed in reconstructing his past. The majority of the novel is written from Damon’s first-person perspective, with an emphasis on his thoughts. For instance, in Chapter 5, Damon is riding the train back to his home in Northampton after experiencing a near-death experience (NDE). From the outside, it would appear that he’s simply sitting on the train, but the use of first-person perspective allows for insight into his emotional state, such as when he reflects, “I was still too overwhelmed from watching my life flash before me” (24).
The vision of the dead boy incites Damon’s obsessive quest to induce NDEs because he becomes persuaded that the boy holds the key to an important event in his past, introducing the theme of The Unreliability of Memory. Damon struggles to understand who the boy is and in what way, if any, he fits into his life because his memory of his childhood is already fragmentary and unreliable. His sense of being unable to piece together what may have happened is exacerbated by Melissa’s and Helena’s reactions, as both women assure him that his mind is simply playing tricks on him. Damon’s sense that Helena is hiding something from him creates mystery around what secrets she may be keeping from him and whether or not they’re tied to the dead boy. These different perspectives on the dead boy reinforce the confusion surrounding Damon, as it is not entirely clear at this point who is interpreting—or remembering—the events of Damon’s life accurately or honestly.
Occasionally, the novel’s perspective shifts to that of secondary characters like Helena and Melissa. These chapters are written in third-person limited perspective. This point of view creates distance, and therefore a new perspective, from Damon’s first-person understanding. For instance, Helena sees Damon as a “well-adjusted, compassionate, and caring man” (50), while the reader knows that Damon sees himself as “perpetually bewildered.” The novel exploits the differences between these shifting perspectives on the same situation to create tension and drama, raising the question of which perspective is closest to the truth.
The novel also creates tension through the use of chronology. The Prologue opens with an account of Damon’s murder at the hands of an as-yet unknown woman. This looms over the rest of the novel, as the reader is aware that Damon will die, but they do not know why he’s dying or who will kill him. This establishes from the early chapters that Damon is marked for death, creating tension even in seemingly happy scenes, such as when he watches Melissa sing karaoke. The novel then skips back six months in the chronology to trace the months before Damon’s death as he embarks on an increasingly obsessive quest to learn about his past.
As a thriller, Dead in the Water is fast paced. While it lacks the violent action of a typical thriller, it creates suspense and pace through the use of present tense and short chapters. Most novels are written in past tense, or literary past tense, but Dead in the Water uses primarily present tense, as in “I decide not to mention we and Adrienne are trying for a baby” (47). This use of present tense makes events in the novel feel more immediate and intense, as if they are unspooling before the reader in real time.
This technique is coupled with the use of many short chapters and cliff hangers to create suspense and anticipation for what is to come. For instance, at the end of Chapter 3, Melissa thinks that “Damon is dead” from having drowned (13). Her reaction creates suspense as to whether this is the death of Damon shown in the Prologue. However, in the next chapter, Melissa is able to revive Damon, and he ultimately survives. Shifting between creating tension (e.g., Damon’s death) and relieving tension (e.g., Damon is revived) is a common method for creating pace.



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