Dear Debbie

Freida McFadden

49 pages • 1-hour read

Freida McFadden

Dear Debbie

Fiction | Novel | Adult | Published in 2026

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Themes

Content Warning: This section contains discussion of graphic violence, sexual assault, sexual harassment, and substance dependency.

The Danger of Secrecy in Relationships

The fact that Dear Debbie’s primary narrators, Debbie and Cooper Mullen, are married and lying to each other reflects the novel’s thematic interest in the danger of secrecy in romantic relationships. Debbie keeps a number of secrets, such as the dangerous contents of her garden, the revenge plots she enacts over the course of the novel, and the fact that she was sexually assaulted in college. Cooper has one major secret: His decades-long struggle with alcohol dependency, which he has kept secret from Debbie since before their marriage. Debbie and Cooper Mullen’s relationship history suggests that secrets breed more secrets and that secrets can become more dangerous over time.


Both Debbie and Cooper are aware that the other is keeping a secret, and the novel suggests that this knowledge breeds even more secrecy in their relationship. Debbie justifies not telling Cooper about her sexual assault by pointing out the fact that “he’s got secrets too. Plenty of them” (201). She repeats this idea later after drugging Zane, demanding to know, “[W]hy should I tell the truth when he’s been lying to my face?” (213). These passages suggest that Debbie believes that her lies are warranted because Cooper is already lying to her.


Cooper echoes this logic by attributing his secrecy to the fact that “it feels like she’s keeping something from me” (122). Although he admits that it’s reasonable to “blame it on the secrets I’ve kept from her” (122), Cooper insists that “everything I’ve done recently is because of the distance” (122) caused by Debbie’s secrecy. Like Debbie, Cooper believes that his partner’s secrecy justifies him in keeping more secrets, suggesting that secrets breed more secrets.


Debbie and Cooper’s relationship also suggests that secrets become more dangerous over time. Debbie explains, “after we were married, I was scared to tell [Cooper about the sexual assault] because I thought he’d be mad at me for not telling him sooner” (201). Cooper repeats this argument in his justification for not telling Debbie about his alcohol dependency: “[A]fter we were married, I realized it was too late, and she would be furious with me for lying to her” (285). The near-identical structure of these arguments suggests that this is a foundational issue in their relationship. For both Debbie and Cooper, the amount of time they had been keeping the secret adds to the danger and pain of the secret itself.


In the novel’s Epilogue, Debbie and Cooper begin the process of healing from their decades of secrecy. Debbie tells Cooper about her assault, while Cooper reveals his alcohol dependency and his ongoing treatment. Both partners respond with compassion and understanding, suggesting that their fears were groundless. In reestablishing honesty and transparency in their marriage, Debbie and Cooper seek to move forward with healthier communication styles.

Misogyny and Societal Control of Women’s Bodies

A central focus of Dear Debbie is the influence of misogyny in modern culture, and the attempts to control women’s bodies that come from that culture. This control is exercised most violently in Debbie’s rape, and the novel contextualizes this assault within the larger context of date rape drugging at colleges and universities. However, the novel also uses the characters of Debbie’s daughters, Izzy and Lexi, to show that misogynistic attempts to control female bodies start in girlhood.


In the novel’s opening chapters, Izzy is kicked off her school soccer team despite years of experience and skill. When Debbie confronts Coach Pike to demand an explanation, she is immediately disturbed by his “lecherous smile” (90) and the fact that she can feel his “gaze crawling up [her] body” (89). Pike’s willingness to openly ogle the parent of a student-athlete reflects the extent to which misogyny is ingrained in modern culture. Coach Pike explains that he cut Izzy from the team because she “needed to lose some weight before the next season. Fifteen pounds at least. But twenty would be better” (91). Although he attempts to connect Izzy’s weight to her speed, he eventually admits that “nobody wants to watch a bunch of chubby girls running around the soccer field” (91). Debbie is horrified when Pike describes the teenage girls on his team as an “eyeful” (91) whose purpose is to “make the crowd happy” (91). These passages suggest that Pike believes that he can control teenage girls’ bodies and that those bodies are intended to be physically appealing to men like him.


Lexi’s experience with sexual exploitation and revenge porn also reflects the ways in which misogynistic culture attempts to control teen girls’ bodies. When Lexi’s ex-boyfriend Zane threatens to share intimate photos that she previously sent to him, Lexi is confident that “[her] life is ruined” (191). Lexi fears that if Zane sends the pictures to his friends, “they’ll send it to their friends, and then the whole world will get it” (192). This passage suggests that, at only 17, Lexi understands intuitively that there is a market for sexual photos of young women and that she is at risk of being exploited. Her fear of exploitation is so great that she asks, “[H]ow will I even get into college?” (192). Here, Lexi indicates that she understands that a misogynistic society will blame her for being exploited by someone she thought she could trust.


Debbie, Izzy, and Lexi’s experiences therefore reveal the extent to which female sexuality and women’s bodies are both exploited and policed by misogynistic norms. While Debbie is reassured by the measures the fraternity house now takes against date-rape, her daughters’ ongoing issues with sexual harassment and judgment suggest that these issues remain serious and ongoing in contemporary society.

The Lasting Effects of Traumatic Events

Like many of Freida McFadden’s novels, Dear Debbie reflects an interest in the lasting effects of traumatic events through Debbie’s experiences. The novel presents Debbie’s rape at the age of 20 as a foundational event that permanently impacted the course of her life from the moment it happened. The novel suggests that the effects of trauma are long-lasting and physical, manifesting in the body as well as the mind.


The sexual assault impacted Debbie’s future by preventing her from finishing college and realizing her intellectual potential. Before the assault, Debbie was thriving in “challenging computer science classes in which several of [her] classmates were just barely scraping by” (195). Debbie repeatedly refers to her success in these classes as evidence of her academic potential. Hutch’s violent assault on Debbie is so traumatic that she has “nightmares every night” (201) and begins “sleeping in two-hour chunks” (201). Her grades suffered as a result: “[A]fter getting straight As first semester I failed every single class my second semester” (200). Debbie’s narrative draws a direct line between her assault and failing out of college, suggesting that the traumatic effects of the rape halted her academic potential. Debbie’s dissatisfaction with her life is rooted in the fact that she “can’t help but wonder what could have been” (195) if she had never been raped.


By the time the action of the novel begins, Debbie has reclaimed some of her confidence and is actively engaging the intellectual muscles that she gave up in college by developing apps for her family. However, she is also capable of being powerfully triggered by the traumatic memory of her rape at any moment. During the book club meeting, Debbie’s neighbor Rochelle condescendingly claims that Debbie hasn’t read King Lear because she “never went to college, and that’s the sort of book that you need to read on a collegiate level” (66). Despite the fact that Debbie understands the book better than the other women, her “face turns slightly pink” (66) at the reminder that she didn’t finish college, and she is only able to “protest weakly” (68) when the women gang up to kick her out of the club, suggesting that she is triggered by the painful memory.


By the novel’s end, Debbie has managed to regain a degree of self-confidence and closure, suggesting that she has begun to heal from the effects of the assault. She discloses what happened to Cooper, relieving herself of the burden of decades of secrecy and shame. She also learns that the fraternity now takes violence against women more seriously, suggesting an increased degree of social awareness that comforts her. However, the novel’s closing lines suggest that Debbie still struggles with feeling truly safe, as her vow to defend herself no matter what implies that she is still wary of being harmed by others.

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