66 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of death, ableism, and mental illness.
Zelu is the protagonist of Death of the Author. She is a second-generation Nigerian American writer who has paraplegia. Zelu’s parents, Secret and Omoshalewa, come from Igbo and Yoruba families, respectively. This roots Zelu’s home dynamics in conflict since Omoshalewa’s royal family has a bias against Igbo men like Secret and since Igbos do not believe in hierarchical systems like the monarchy.
Zelu is the second of six children, making her the first “middle child,” as she describes herself. This self-description hints at Zelu’s struggles to assert her agency within the family. The fact that Zelu’s family is prone to argumentation exacerbates their treatment of her. She is made to feel like her family sees her as a burden who requires overprotection. Much of Zelu’s character arc revolves around assuring her parents and her siblings that she has been strengthened by the protection they have given her thus far, as well as that she has the capacity to pursue her dreams by taking advantage of the opportunities offered to her, developing the theme of Asserting the Agency of People With Disabilities.
Zelu’s paraplegia was caused by an accident where she fell out of a dead tree as a child. As she grew older, Zelu blamed herself for the accident, citing her arrogance as her fatal flaw. Zelu’s disability initially makes her childhood dream of becoming an astronaut seem impossible. However, the events of the novel prove that this is not the case, as science and technology augment her body. Zelu is given the opportunity to go to space because of her disability, not in spite of it.
Zelu is a writer, and she uses her writing as a platform to vent her frustrations as a person with paraplegia. This is illustrated by the novel she writes, Rusted Robots, her first foray into the science fiction genre. At the start of the narrative, Zelu’s first novel, a more literary work, failed to find a publisher. Msizi once read the novel and told her that he hated it. It is suggested that Zelu’s first novel was her attempt to mimic the writers she admired throughout college, while Rusted Robots is the first time she’s ever tried to write how she really feels. The narrative positions this as the best way to write fiction since Zelu is rewarded with instant literary superstardom.
Zelu is fiercely independent, but she also has anxiety. She experiences several panic attacks throughout the novel, and in Chapter 20, she ties her anxiety to her family dynamic. Whenever her family rejects her decisions, Zelu internalizes their criticism, believing that her decisions are the result of her arrogance and increasing her anxiety about decision-making. However, when she learns that her mother experiences panic attacks as well, Zelu reassesses the roots of her anxiety and how it holds her back from pursuing her ambitions. Msizi helps her work through her anxiety by helping her leverage her identity and skills as a writer to become a witness to each situation in her life. By the end of her character arc, Zelu succeeds in convincing her family to let her pursue the opportunity to fulfill her dreams. This is the culmination of Zelu’s grit and perseverance.
Ankara is the protagonist of Rusted Robots, the novel that Zelu writes at the start of her narrative. Okorafor uses metafictional techniques to enter the narrative of Zelu’s work, blurring the boundaries between the real world and Zelu’s fictional creation. In the larger scope of the narrative, Ankara fulfills the function of a secondary protagonist, supporting Zelu’s journey by functioning as an avatar for her feelings while also completing her own independent character arc.
Ankara is a female-built robot who lives in a posthuman version of Nigeria. She values her heritage as a product of humanity, which categorizes her as a type of robot called a Hume. Humes value their link to humanity so much that they try to resemble human beings in physical appearance. Ankara has a particular affinity for the way humans developed their inner lives into stories. This subcategorizes Ankara further into a Scholar, a Hume who roams the world searching for undiscovered stories.
Ankara goes on a hero’s journey when she meets Udide the Spider, who warns her of the oncoming threat of Trippers coming to destroy the Earth. Udide entrusts Ankara with a countdown, hoping that she will inform the Hume leaders of the issue so that they can work together to prevent their annihilation. Ankara’s journey to fulfill her quest confronts her with the hostility of an opposing faction of artificial intelligences called Ghosts, but it also brings her directly into the path of Ngozi, the last surviving human on Earth. To save her life, Ngozi installs a Ghost called Ijele into Ankara’s system. Ankara’s complex relationship with Ngozi and her symbiotic relationship with Ijele force her to deviate from her main quest but also raise issues about the value of embodiment and the need for collaboration.
Ankara is drawn to Ngozi because Ngozi represents everything Ankara values most in her life. Without humanity to command them, robots are left in search of a purpose. Despite the threat of the Trippers, Ankara spends time with Ngozi. Although Ankara admires the human, she is also ambivalent about Ngozi’s actions, merging Ankara’s consciousness with a Ghost, the Humes’ sworn enemy. Ankara is forced to find common ground with Ijele, which ultimately proves crucial in her quest to save automation from destruction. Their loyalty to one another ensures that Ankara can create the first story ever written by robots. Ankara’s discovery that stories are rooted in experience, not in the mimicry of other stories, directly mirrors Zelu’s process for writing Rusted Robots.
Okorafor uses the end of Ankara’s story to create an extra layer of metanarrative, hinting at the possibility that Zelu’s story may have been the product of Ankara’s work as a storyteller. Ankara suggests that the story she has written is based on the life of Ngozi’s ancestor, who was also named Zelunjo Onyenezi-Onyedele. The ambiguity over which story is true and which story is written drives the reality of the impossible things that Zelu and Ankara achieve. Ankara is just as much a mirror of Zelu as she is a product of her imagination.
Ijele is one of the main characters in Zelu’s novel, Rusted Robots. Initially portrayed as an antagonist to Ankara, Ijele quickly becomes Ankara’s closest and most trusted ally. Ankara considers Ijele necessary in her quest to become a storyteller since their shared experience of Ngozi allows Ankara to paint a more complex picture of her life.
Ijele is a female-built NoBody, an artificial intelligence program that exists without a primary physical body. The NoBodies are further subcategorized into Ghosts, who believe that automation is destined to transcend the physical world. This makes them resentful of any robot who has a body. Consequently, they despise Humes for their affinity with human beings. During their first interactions, Ijele and Ankara debate the necessity of a body. Ankara expresses that bodies are necessary to find wonder and joy in nature and the cosmos. Ijele, on the other hand, maintains that such wonder goes against the capabilities of automation. She frequently cites the infinite space of the network as a counterpoint to the vastness of the universe.
Ijele undergoes a dynamic character arc throughout Rusted Robots. Her journey reflects Zelu’s position that the world is better for its embodiment in physical forms. In Chapter 15, Ijele concedes that she has some capacity for wonder, as she expresses her curiosity about the stars in the night sky. Though Ijele doesn’t openly admit it, she forms an emotional attachment to Ngozi, similar to that of Ankara. After Ngozi dies, Ijele comes in a physical form to honor her human friend. By the end of the novel, Ijele, after helping Ankara write Ngozi’s story so that she can convince Oji to abandon his song of destruction, decides to transfer herself into a permanent physical body. This will disentangle her consciousness from Ankara’s while also setting her off on her own journey to discover herself. This represents Zelu’s assertion that her body does not hinder her from being her truest self. Rather, the body is a tool for one to become what they’ve always wanted to be—in Zelu’s case, an astronaut.
Msizi is Zelu’s romantic interest. Msizi oscillates between providing support for Zelu and becoming a source of tension. This reflects his shifting status as an ally in Zelu’s personal journey.
Msizi is a South African tech entrepreneur who owns the start-up application Yebo. The app is an artificial-intelligence-based personal assistant program that filters activity on Zelu’s phone based on her preferences and emotional needs. Zelu and Msizi meet at Amarachi’s wedding, where they find themselves instantly drawn to each other. It is explained in Chapter 46 that Msizi sees Zelu as someone who appeals to his mind, not just his sense of style.
Because Msizi holds a South African passport, he cannot permanently stay in the United States. This requires him to travel frequently between the two countries, going to business meetings and eventually making time to see Zelu in Chicago. Msizi proposes marriage to Zelu, arguing that they should get married primarily so that he can enter the US at will. Zelu does not believe in marriage but accepts his proposal. When Msizi invites Zelu’s family to the ceremony, Zelu realizes how much she loves him and appreciates him for doing things for her, even if she does not agree with them on principle. This, in turn, gives her the confidence to argue against him when he opposes decisions that will profoundly affect her life, which allows her to do the same with her family. It allows Zelu to realize the power of asserting the agency of people with disabilities while also preparing her to Navigate Challenging Family Dynamics by teaching her to reconcile her personal goals with family resistance.



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