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Content Warning: This section of the guide includes discussion of incarceration, illness/death, emotional abuse, and graphic violence.
With a voice hoarse from disuse, Talia implores Rhea to stop so that she can get a better look at the man she believes to be Noel. Knowing how unbelievable she will sound, she nonetheless tells Rhea that the man in the waiting room looks like her husband. Incredulous, Rhea reminds Talia that she is incarcerated for murdering her husband and ushers her back to her room. Talia allows Rhea to lead her back to her cell, but for the rest of the night, all she can think about is the man.
Talia is feeling drunk after consuming three glasses of wine at a party she and Noel are throwing—the first one they have hosted in nearly a year. Talia reflects on how busy Noel has been since getting a job at a pharmaceutical company after finishing his postdoc.
Despite some of the hardships of the last year, Talia is grateful to host the party, and she pours herself another drink. Her best friend, Kinsey, sidles up to the table, accusing her of slurring her words and stating that Talia must not be “knocked up yet” (30) based on her alcohol consumption. Talia tells her that Noel has been talking about trying for a baby with more urgency, but that his work schedule keeps him away from home so much that Talia still has doubts about whether they are ready. Kinsey affirms that this must be challenging for her, and Talia realizes that she has not seen her husband in over an hour.
Looking through the house for Noel, Talia fails to locate him until she spies him out in the backyard, standing close to a woman she does not recognize. Talia marches toward them, realizing that, despite the low temperature, she does not feel cold. That strange sense of unreality comes over her again, and she ignores the voice in her head that echoes “this isn’t real” (31).
When she reaches Noel and the other woman, she asks who she is and demands that she leave the party immediately. The woman tries to explain that she came with another partygoer from Noel’s job, but Talia cannot handle the flirtatious tone the woman takes with Noel and threatens to call the cops unless the woman leaves. The woman hastens to leave, and Noel gawks at Talia, asking her why she was so upset.
Talia accuses the woman of “wanting” (33) Noel, which causes him to smirk when he realizes how jealous she is. He assures her that he loves her and that he would never cheat on her, joking that if he did, Talia would “probably kill [him]” (33). He and Talia laugh, but the thought of Noel cheating is unbearable to her, and she could not handle it were it to come true.
Noel leads them back inside, pulling Talia close for a kiss. Before their lips can meet, Noel tells Talia to open her eyes, revealing once more that the scene was just a dream.
When she fully wakes, Talia reflects on how realistic her dreams feel. She notes a similarity across the dreams: Every time she reaches out to kiss Noel, she wakes up. She thinks back to the man she saw two days previously, still convinced that he is Noel. She scrutinizes how this could be possible as, even though she is innocent, she knows Noel is dead.
As she thinks, she realizes that she never saw Noel’s body after the accident, and the body removed from their home by paramedics was covered in a sheet. She begins to wonder whether the DNA evidence police used to identify Noel’s body was wrong, and that it perhaps was not Noel who died in the house fire. Talia begins poking holes in her own theory, knowing that the most likely explanation is that her desperation has caused her to think that a stranger is her dead husband.
It is nearly nine o’clock and Noel is late again, having promised to be home by seven. Talia is annoyed, but unsurprised, as this has become a familiar pattern, down to Noel’s apologetic text messages. At 9:10 p.m., Talia hears Noel enter their home, and she removes the now-dry chicken she made from the oven.
Noel comes into the kitchen, apologizing profusely and explaining that one of their experiments ran long at the lab. Talia assures him that it is fine and that she understands the importance of his work. He promises to take her on vacation when the experiment trial is complete, and Talia thinks that a vacation sounds nice, perhaps even an opportunity for them to conceive a child. Talia has recently become more open to the idea of starting a family, thinking that a child would be the incentive Noel needs to begin cutting his work hours.
Noel leans in to kiss Talia, but she interrupts, asking if he wants to eat. He says that he needs five minutes to shower. Talia asks if he wants to try for a baby after dinner, but he asks for a “rain check” (38), citing his exhaustion from work. Talia nods and watches her husband go up the stairs to take a shower, hoping that it washes off the distinct scent of another woman’s perfume from her husband, who cannot smell it.
Talia jolts awake, realizing that this is the first time she has dreamed about Noel’s suspected infidelity. Talia usually looks at her dreams as a way to escape her grim reality and is despondent to find that this challenging time from her past has infiltrated her dreams. She sits up, hearing once again the beeping sound from somewhere in the prison, and realizes that this is probably what woke her up.
Rhea calls to Talia, asking if she is awake, and tells her that she found out who the man in the visiting room was: Father Richard Decker, a chaplain who often comes to read last rites to inmates. While learning that the man is a chaplain explains his presence in the prison, Talia thinks that it does not explain why he looks so similar to Noel, nor the feeling she got when their eyes met.
Talia asks Rhea if she can schedule some time to meet with Father Decker, and Rhea agrees, telling her that she will arrange it to take place once Talia is moved to “death watch” (41), the cell where she will await execution.
Talia berates herself for being so naïve as to miss every sign that Noel has been cheating on her. After smelling the perfume that first night, Talia has smelled it on her husband every night since. This, coupled with his lack of interest in sex and his prolonged absences, convinces Talia that Noel is cheating on her with a woman at work.
Sitting on the couch, trying and failing to read, Talia shifts and hears the distinct crinkle of paper. She lifts out a receipt for an expensive necklace purchased with Noel’s credit card. Knowing that there is no special event coming up to occasion such a gift, Talia assumes that Noel has bought the necklace for the woman he is sleeping with. A text from Kinsey, her best friend, interrupts Talia’s thoughts, asking whether she wants to go to dinner.
Too upset to consider going to dinner, Talia ignores Kinsey’s text and goes to the kitchen to begin boiling pasta for dinner. Their old stove does not work properly, and the burner fails to ignite, filling Talia’s nostrils with the familiar scent added to gas. A thought occurs to Talia: The gas scent never bothers Noel because he cannot smell it; therefore, were the house to fill with gas, he would not know to not turn on the stove to prevent an explosion.
As the plan formulates in Talia’s mind, she imagines going out with Kinsey as an alibi for killing Noel, convincing herself that Noel deserves this because of his betrayal. She texts Kinsey, confirming their meeting for later that night.
In anticipation of her execution, the prison has moved Talia to the death watch area adjacent to the execution chamber. Kinsey brings Talia an outfit so that she does not have to die in her prison jumpsuit, and Talia orders her last meal, which she learns has a cost cap of $40.
In advance of her anticipated meeting with Father Decker, Talia’s dreams about Noel have become darker. Talia does not go into detail but states that while they had many good times, the end of their relationship was not so good, and she admits that she did things she regrets. Despite this, the hope that Noel may have somehow survived the explosion buoys her.
Talia shakes as Rhea leads her to the visitation area to meet Father Decker. Assuming her palpable anxiety is about her impending execution, Rhea assures Talia that she is “almost at the end now” (48). There is no one in the visiting area, and there is only one man waiting on the other side of the partition.
Chapters 6 through 12 further develop the themes established in the first section of chapters. The narrative reveals more about Talia’s past, and begins to raise the question as to whether Talia is an altogether reliable narrator. A major plot point in these chapters is that Talia believes the prison chaplain, Father Decker, is actually Noel in disguise. She tries to rationalize their physical similarities to herself, and yet cannot let go of the innate feeling she has that Father Decker is Noel: “It doesn’t explain the feeling I got when our eyes met” (41). Talia’s fixation on Father Decker illustrates Talia’s perception of Noel and Decker’s physical similarities, thus shaping the way she views their limited interaction.
Talia’s focus on Decker in these chapters once more evokes questions around The Ethics of Capital Punishment, as the narrative creates ambiguity around whether Talia’s intensifying dreams about her relationship with Noel and her prolonged isolation are beginning to affect her mind and perception of reality. Talia herself acknowledges that it would be easy to assume that, “Father Decker is exactly who he says he is […] The thought that this man could be my dead husband is almost too ridiculous for words” (41) and yet, in a situation as seemingly hopeless as hers, Talia feels forced to latch onto any shred of hope, even at the expense of her mental well-being.
Aside from Talia’s interest in Father Decker, her dreams about her relationship with Noel are becoming more intense and less focused on their happiest moments, which bothers Talia: “I used to look forward to escaping into my dreams” (40). While the narrative has still not revealed at this juncture that Talia’s time on death row is nothing but a manifestation of her guilty conscience as she remains unconscious in a coma, there continue to be moments throughout these chapters that allude to the larger picture: “Once again, I get that feeling of vertigo, where my world goes on tilt. This isn’t real, a voice in the back of my head insists” (31). These short interludes of semi-awareness are becoming more troubling to Talia as she approaches her execution date, as if somewhere in her comatose state, she realizes that there is a clock that is running out on her.
Two important scenes in this section of chapters illustrate The Psychological Impacts of Trauma and Betrayal as Talia reveals more about the circumstances leading up to her condemnation to death row. Talia has already established that she values loyalty in her relationship with Noel above all else, so when she sees the woman flirting with Noel at their party, Talia experiences a state of extreme emotional distress. Her response to the woman is intense: “I want to reach out and strangle her with my bare hands. I want to choke her until she dies, and then bury her body in the backyard” (32). This quote illustrates not only Talia’s emotional intensity and alludes to perhaps a sense of psychological instability in the face of triggering events, but also her capacity for inflicting violence. This is a clear escalation from spitting in a drink, as Talia feels herself capable of actually inflicting bodily harm on another person for an assumed transgression. While she does not hurt the woman, she does force her to leave the party under threat of calling the police—an intense response, nonetheless.
While Noel is at first aghast at his wife’s behavior, their conversation indicates that he is well aware of Talia’s emotional intensity when it comes to betrayal. He tries to make light of the scene Talia caused, telling her that he would never cheat on her, “because if I ever did cheat on you, you’d probably kill me” (33). Meant as a joke intended to cut the tension between them, there is nonetheless an undercurrent of awareness in Noel’s quote that he perhaps believes her capable of something so extreme. Talia does not refute his point, thinking, “I love him so much that the thought of him ever being unfaithful to me is unbearable. If he ever did something like that…” (34). The use of an ellipsis at the end of this quote is meant to sow further doubt in the reader’s mind. An ellipsis indicates the trailing off or incompleteness of a thought, inviting the reader to fill in the blanks of what the narrator is choosing to leave out. While in the “Present Day” chapters, Talia maintains her innocence, the more that is revealed about her past, the more possible it becomes that Talia might not be telling the full truth with regard to her innocence.
This leads to the later manifestation of Talia’s psychological trauma: “Noel has lost his sense of smell, but I haven’t, and I am very aware that he reeks of another woman’s perfume” (39). This scene expands the theme of The Fallibility of Perception as Talia’s jealous perception predisposes her to believe that she is destined for betrayal by those she loves. While this theme primarily appears throughout the text within the context of Talia’s split realities, here the emphasis is on the impact a person’s psychological state has on their perception, which can drastically affect one’s decision-making and life outcomes.
With little prompting, Talia’s love for Noel curdles into homicidal hatred, and she quickly formulates a plan for his “accidental” demise. She rationalizes this decision to kill her husband with chilling ease: “Noel deserves this. I loved him with my entire heart and soul, and what did he do? He betrayed me in the worst possible way” (46). This quote illustrates Talia’s outlook on life and perception: Noel’s unsubstantiated infidelity is worthy of a death sentence that Talia acts on without much thought. It adds a touch of dramatic irony to the text, as Talia rails against the injustice of her own death sentence when she feels the state has not adequately proven her guilt, and yet she easily decides to kill the love of her life without irrefutable proof.



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