47 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of ableism and mental illness.
Deenie is made to wear a Milwaukee brace until the end of her adolescent growth spurt to correct her scoliosis, and her changing relationship with the brace becomes a metaphor for her changing sense of herself and her identity. This type of brace is visible even under clothing and fairly cumbersome, which affects Deenie’s self-image and sets up the novel’s theme of Disability as a Catalyst for Self-Acceptance. The young girl feels very self-conscious about it and becomes hyper-aware of other people’s attitudes, which range from curiosity to ostracization. As a result, Deenie’s brace spurs her emotional journey throughout the book, using her changing physical appearance to explore the challenges of growing up and identity during adolescence.
The contrast between Deenie’s condition, visible because of the brace, and Thelma’s emphasis on her beauty further highlights this symbolism. Due to a combination of familial and social factors, Deenie’s relationship to beauty standards strongly correlates with superficial societal norms rather than what lies below an individual’s surface. The focus on Deenie’s appearance has left little room for the young girl to explore her own desires and ambitions outside of modeling. The brace challenges her preconceived notions about her self-image and pushes her to explore deeper, more meaningful facets of her identity.
At first, Deenie is very resistant to the idea of wearing a brace, which exposes Deenie’s insecurities, suddenly made visible to the world and exposing her emotional vulnerabilities. The young girl tries to conceal the device by wearing scarves and larger clothing, she refuses to let her classmates see her change in gym class, and she even refuses to wear an undershirt for fear of being judged. Over the course of the story, however, Deenie befriends Barbara, whom she initially judged based only on the young girl’s appearance. Deenie also receives support and validation from her friends, as well as from her sister Helen. Eventually, she even agrees to wear an undershirt to protect her skin, a decision which hints at her journey toward self-acceptance.
At the end of the novel, Deenie’s dilemma on whether to keep her brace or remove it at Janet’s party illustrates her growth. The young girl’s decision to keep it on reveals that she now fully embraces her condition and has overcome her fears of being stigmatized for it. She does not feel the need to hide the brace—or, symbolically, her emotional insecurities—anymore.
After Deenie announces to Janet and Midge that she is going to have surgery, her friends buy her a nightgown “made of two layers of the softest nylon. The top layer was pink and the underneath was purple so when you moved it around it had a sort of lavender look to it” (60). Deenie is very touched by their gesture and feels grateful for her friends’ support, and at this point, the nightgown acts as a symbol of their support and acceptance, focusing on Empathy as a Tool to Challenge Ableism.
When she first sees the beautiful gown, Deenie fantasizes about Buddy visiting her at the hospital and giving her pink roses. Her understanding of her condition is still vague, and she expects everything to return to normal quickly. Deenie’s fantasy, in which she imagines herself in a movie-like romantic scenario, is both a reflection of her naivety and a way for the young girl to deal with her anxiety. She does not yet understand what living with scoliosis entails, what her future might look like, or how her condition may impact her ambitions. At this point, to Deenie, the nightgown represents the promise of a bright and happy future in which her problems are magically resolved.
However, instead of undergoing surgery, Deenie is made to wear a bulky and uncomfortable Milwaukee brace for four years. The young girl emotionally struggles to accept her new reality, which directly contradicts her naïve hopes. Deenie’s consequent decision to return the dreamy nightgown becomes a metaphor for the end of her fantasy and the start of Deenie’s emotional growth. Although she is still far from embracing her condition at this point in the story, Deenie lets go of her illusions about a magical fix, which in turn paves the way for her journey toward self-acceptance.
In the first chapter, Deenie explains that she is named after Natalie Wood’s character in the 1961 movie Splendor in the Grass. In the film, Deanie cuts off her hair after she “went crazy,” which Deenie references when she chops off her own hair in Blume’s story. Deenie does it after putting her brace on for the first time, an impulsive reaction that reveals her state of mind. She explicitly compares herself to her namesake, who ends up in a psychiatric hospital in the movie, which highlights the young girl’s emotional turmoil: “I’m crazy, I thought. I’m like the Deenie in the movie” (102).
Impulsively cutting one’s hair is a recurring symbolic device in fiction, usually demonstrating either a character’s loss of emotional control or their desire for a larger change in their life. Deenie, who has just lost her illusions about a quick, easy fix for her scoliosis, is now forced to confront a new reality that challenges her self-image. As a result, the young girl impulsively cuts off her hair in a symbolic attempt to reclaim control over her own life.
In addition, Deenie’s decision also reveals her ambivalent feelings toward her appearance, which has always been described as exceptionally beautiful. Deenie’s diagnosis challenges the traditional standards of beauty that, until now, defined her identity. As she cuts her hair, Deenie comments, “If I was going to be ugly I was going to be ugly all the way…as ugly as anybody’d ever been before…maybe even uglier” (103). Since she believes that wearing a brace will undermine her beauty, Deenie reclaims control over her identity by redefining herself as “ugly.” When others later ask what motivated her to chop off her hair, Deenie explains that she simply wanted to, thus taking an active part in creating her new self-image. Deenie’s hair symbolizes her grief over losing control of her life and her attempts to explore new, more meaningful facets of her identity.



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