55 pages 1-hour read

Deep End

Fiction | Novel | YA | Published in 2025

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Character Analysis

Scarlett Vandermeer

Content Warning: This section of the guide includes discussion of cursing, sexual content, physical abuse, and death.


Scarlett Vandermeer is the protagonist and first-person narrator of the novel and her distinct point of view dictates the parameters, conflicts, stakes, and themes of the novel. Her view of the world defines the narrative mood as her voice guides the narrative from beginning to end. Over the course of Deep End, the narrative tone evolves from self-critical and withholding to self-accepting and confessional—mirroring Scarlett’s Journey Toward Growth, Healing, and Self-Empowerment.


From the opening chapter, Hazelwood establishes Scarlett as defining herself through her athletic and academic accomplishments. In the narrative present, Scarlett is 21 years old and just starting her junior year at Stanford University where she’s a student-athlete on the diving team and a premed student. For years, she’s gotten straight As and been one of the top divers on her team. However, ever since she injured herself during the NCAA championships freshman year, Scarlett has questioned who she really is and what she’s really capable of. The “thirty seconds” when she got the twisties and hurt herself doing an inward dive “changed [her] life” and compelled her to doubt her self-worth (11). At the novel’s start, she’s striving to process her trauma in therapy, struggling to regain her confidence in diving and apply herself in school, all while pursuing new relationships.


Hazelwood characterizes Scarlett as a reflective, hardworking, and curious person. However, she tends to undermine her positive character traits with self-doubt. She self-identifies as an “[o]verachiever. Obsessive with wanting things to go [her] way. Hyper-controlled. Distant, sometimes. Basically, [she fears that she] come[s] across as a stone-cold bitch” (166). In reality, Scarlett’s negative self-regard is a symptom of her unresolved emotional and psychological wounds. She grew up with an abusive father who demeaned her and undermined her value as a person. She also dated someone (Josh) who took her feelings for granted and broke up with her over the phone right before the NCAA. Because she hasn’t confronted the true impact of these relationships on her psyche, she continues to question her personal value in the present.


Scarlett’s relationships with her therapist Sam, her stepmom Barb, her lover Lukas Blomqvist, and her friend Penelope (Pen) Ross each serve as sources of support that help Scarlett redefine herself and her sense of her true worth independent of her athletic or academic achievements. With Sam, Scarlett learns how to open up about her past, work through her trauma, and show herself grace. With Barb, she learns how to accept and show love. With Lukas, she learns how to identify her wants and needs, and to experiment sexually and romantically, underscoring the novel’s thematic engagement with the Exploration of BDSM Within Consensual Relationships. With Pen, she learns how to contribute to a reciprocal friendship and to be strong for someone else. These interpersonal exchanges offer Scarlett opportunities to see herself in a range of contexts, and thus to discover a holistic understanding of herself.


Hazelwood positions Scarlett as a dynamic character who changes as a result of her experiences. While she’s fearful, hesitant, and self-critical at the novel’s start, Scarlett proves herself to be confident, bold, and self-accepting by the novel’s end. She not only confronts and heals from her trauma, but embraces new relationships, learns how to love herself, and re-opens herself to life and its challenges.

Lukas Blomqvist

Lukas Blomqvist is one of the novel’s primary characters and the male romantic lead of Deep End. Unlike most contemporary romance novels, this novel doesn’t have Lukas narrate any portion of the narrative, but his character does play a major role in Scarlett’s story.


Hazelwood depicts Lukas as attractive, confident, talented, and intelligent. He is from Sweden and has established himself as the hunky swimming champion in the world of Stanford athletics. He and Scarlett cross paths several times during Scarlett’s first two years at Stanford, but she doesn’t notice him the way he notices her. After they formally meet, she starts to understand what everyone else sees in him, with his “[b]lack Speedos. Tattoos. Short, choppy brown hair. Above-average wingspan,” and “majestic and yet improbable build” (2). The more she spends time with him (they’re also paired up on a research project), the more Scarlett understands that her attraction to Lukas isn’t just physical. Lukas is indeed handsome and charming with an imposing figure, but he’s also intuitive, respectful, curious, and well-spoken.


Lukas contributes to Scarlett’s growth because he invests in her life and shows her love, trust, and care. Lukas and Scarlett’s relationship initially begins as just sex. They’re both interested in BDSM and find themselves sexually compatible. Over time, Lukas begins to fall for Scarlett. He enjoys that she wants what he wants in bed, but he’s also drawn to her intellect, admires her drive, and connects with her athletic and medical pursuits. Scarlett concurrently develops feelings for Lukas, appreciating their shared passion for science and sports, and loves the ways he listens to and understands her better than anyone else she’s been intimate with.


Hazelwood emphasizes that Lukas’s confidence isn’t the result of arrogance but of a capacity for humility that allows him to balance his strengths with his weaknesses. Like Scarlett, he’s lived with significant trauma. His mom passed away when he was just a teenager, a personal loss that affected his athletic and academic careers. In the narrative present, he shares these struggles with Scarlett to let her know that she’s not alone. He also shares his dreams of accomplishing things beyond swimming. He knows that he’s famous for his athletic talent but puts little value on fame because he wants to go to med school and fall in love. He is thus a balanced, centered character who creates stability in Scarlett’s life. Together, they build a healthy, trusting relationship.

Penelope (Pen) Ross

Penelope (Pen) Ross is another of the novel’s primary characters. Pen is the captain of the diving team, and Scarlett has looked up to her ever since she started diving at Stanford: “The thing about Pen, she’s kinda great. Aspirational. The type of person who instinctively knows how to make someone feel at ease” (3). Scarlett relies on her for confidence, comfort, and support. However, she’s surprised when Pen shows authentic interest in being her friend because Pen already has a wide social network. Pen is well-liked but she’s also genuine. She openly interacts with Scarlett—sharing her feelings about Lukas (both before and after their breakup) and allowing Scarlett to see her vulnerability (when she’s dating Theo and confronting personal challenges of her own). Throughout the novel, she and Scarlett develop a close connection.


Pen’s character also creates conflict in Scarlett’s story. Because Pen is Lukas’s ex-girlfriend and Scarlett’s close friend, Scarlett often fears overstepping her boundaries and hurting Pen. She worries that Pen will feel betrayed if she falls for Lukas and also worries that Pen is more suited for Lukas than she is. Because of these anxieties, Scarlett sometimes feels on edge in Pen’s company, particularly when the topic of Lukas comes up.


Scarlett and Pen work out their differences when they learn how to communicate without fear, shame, or jealousy. Pen hurts Scarlett when she accuses her of stealing her boyfriend and medal after the NCAA but ultimately owns her mistakes when she travels to St. Louis to apologize to Scarlett in person. Although she has a big personality and is more emotive than Scarlett, she proves herself to be a loyal friend who has Scarlett’s best interests in mind. The author also uses Scarlett and Pen’s friendship to balance Scarlett’s social sphere and to offer Scarlett female connection. At the same time, their relationship illustrates Scarlett’s capacity for patience and empathy.

Sam

Sam, Scarlett’s new therapist, is a secondary character in the novel who is a support to Scarlett throughout her arc. She works in Stanford’s Counseling Services department and thus doesn’t have in-depth knowledge of Scarlett’s athletic career. The author uses her as a device to translate the complexities of the diving world onto the page for the reader, making it more accessible. Scarlett often has to explain specific athletic dynamics to Sam or answer Sam’s questions about the sport for clarification—conversational dynamics that help the reader navigate Scarlett’s athletic sphere. Despite her ignorance of diving, Scarlett decides to start therapy with Sam at the beginning of the year because she wants a different perspective on her mental and emotional health.


Hazelwood portrays Sam as a no-nonsense character who “appears to have mastered neutrality in all facets of life” (5). She not only has “no judgment or curiosity in her tone” but often wears “beige” and has “an ageless, graceful look” (5). When Scarlett first starts working with her, she is hesitant about trusting her. Sam doesn’t make Scarlett feel unsafe, but she does ask Scarlett difficult questions—acting as a support to Scarlett by pushing her toward growth. Her intuition at times unsettles Scarlett because she’s still learning to own her difficult experiences.


Sam acts as Scarlett’s archetypal guide throughout her junior year. Depictions of their weekly therapy sessions are interspersed throughout Scarlett’s first-person account, and trace Scarlett’s arc toward growth, healing, and self-empowerment. The sessions are difficult for Scarlett, but she gradually learns to use Sam as a resource. By the novel’s end, she makes significant strides with Sam’s help. Sam facilitates Scarlett’s growth by remaining a consistent support system through her various collegiate, athletic, and personal challenges.

Barb

Barb, Scarlett’s stepmom, is another secondary character in the novel who is a non-traditional parental figure in Scarlett’s life. Hazelwood defines Barb in opposition to Scarlett’s father from whom she’s estranged. Ever since Barb left Scarlett’s dad, Alex, Barb has been her only family. Scarlett’s biological mom isn’t mentioned throughout the novel, because Scarlett has seen Barb as her mother since she was a little girl. She also feels close to Barb because she saved her from her abusive father—Barb left Alex when she realized how negatively his abuse was affecting Scarlett. Hazelwood depicts Barb as a caring, selfless, loyal, and level-headed character who provides constant support for Scarlett and has inspired Scarlett’s dreams of becoming a doctor. While Barb is a static character, her changelessness is evidence of her stability. She offers Scarlett consistency in her otherwise unpredictable journey toward self-discovery.


Barb doesn’t often appear in scene, but Scarlett keeps in touch with her while she’s away at college. They have weekly phone calls that help to recenter Scarlett. These conversations are defined by honesty and openness and thus have a loving tenor. When Scarlett is home with Barb, she feels similarly safe and secure. Barb defines home and family for Scarlett.

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