69 pages • 2-hour read
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Content Warning: This section of the guide depicts and/or references human trafficking scenes, child abuse, sexual violence and/or harassment, graphic violence, and sexual content.
Roxy struggles with the aftermath of kissing Diesel and seeing what he does for the Vipers, but she resolves to kill them by gaining their trust. The others are surprised she can still stomach dinner after the torture she witnessed. Ryder warns her to behave with Kenzo tomorrow, as he, Diesel, and Garrett will be visiting Donald, the man who runs the assassins within the country. When she returns to her room, she finds an array of new clothes, all in her size and style. The gesture makes her question if she’s experiencing Stockholm syndrome. She worries they’ll notice her desire for them, which quickly devolves into her fantasizing about what sex would be like with the four of them.
The next morning, she finds herself alone in the apartment but doesn’t attempt to escape again. When Kenzo comes to the living room without a shirt, he catches her staring at him. He offers to play a game with her: If she wins, she’ll gain her freedom, but if he wins, he gets to have her. He proposes poker, but she asks to play cups, knowing he’s a better card player than she is, but Roxy still loses. Roxy is perplexed that he doesn’t force her to have sex with him, instead demanding that she fulfill her part of their wager. Mid-act, however, Roxy realizes she’s having sex with her kidnapper and tries to get away. Kenzo chases after her, and they have violent sex in the hallway while Diesel watches. Roxy hates that she wanted it and runs to her room.
Diesel obsesses over what he witnessed and goes to find Roxy, as he knows she must be feeling scared and confused. He muses over how Roxy has the power to bring their family together or break them apart. He finds her sleeping and slips in bed with her. He thinks about enacting sadomasochistic fantasies with her and wakes her softly. She claims not to have wanted to have sex with Kenzo, but Diesel asks whether she ever denied her consent to him. Roxy eventually admits she wanted it. She kisses Diesel again and steals his knife. She threatens to kill him, and Diesel encourages her, but she relents, knowing the others would only hunt her down. Roxy speaks of how much her bar meant to her because of her surrogate father, Rich, who died from cancer. Her revelation prompts Diesel to speak of his own mother, who struggled with drug use and was eventually murdered. Diesel watched her die in the fire her murderers set to their home. He failed to save her, but he took his revenge on them later, which is when Ryder and the others found him and brought him into the Viper family. He tells Roxy she is one of them, too, now. While Roxy states she hates them still for being sold to them by her father, she acknowledges a similarity between them.
Ryder mulls over what happened between Kenzo and Roxy, and though he worries over the possible consequences of their engagement, he believes Roxy is now “fair game” since she’s consented to one of them. At breakfast, he discusses the need to find a forger to trace back those who hired the assassins to kill Garrett, and Roxy offers to bring them to a forger she knows on the condition they bring her along. Ryder grudgingly agrees. As Ryder and the others wait for Roxy, Kenzo comments on how Ryder sees her as more than a debt if he’s still taking care of her bar and putting the profits into her account. He denies it, but he feels jealous of how close she seems with Kenzo and Diesel. She directs them to the location, and they meet Tiny, the forger, in his hidden location. Ryder watches as Roxy and Tiny interact, clearly friends. Frustrated, he demands Tiny provide information on the assassins hired to kill them. Tiny demands greater pay but reveals the assassin he made papers for is an external hire from Germany. As they leave, Ryder tells Tiny never to insult Roxy again, as is his usual way of addressing her, or he will die, which infuriates Roxy.
As they leave Tiny’s, they are suddenly attacked by gunmen. They defend themselves while Garrett protects Roxy, who doesn’t have a weapon. A man slips behind his defenses, and Roxy steals Garrett’s gun and shoots them, saving Garrett’s life. With all their assailants down, they leave and go to Rizzo’s, a neutral restaurant that serves all criminals. There, Red, the owner, greets them like family, sets them in a booth, and is happy to see Garrett laughing at Roxy’s antics. They order food and ask Red for information on who was targeting them. As they wait, Roxy offers to make a few calls to find out their assailants’ identities, which Ryder allows. She calls a friend from a brothel, who informs her they were attacked by a gang called the Death Eaters.
When Diesel leaves for the bathroom, Kenzo brackets Roxy with Garrett, and she feels aroused by his sudden proximity. After some coaxing, Roxy allows him to digitally penetrate her in the middle of the restaurant as the others watch. Food eventually arrives, and they eat. Red returns and says that plans are being made for their downfall, and the city will be divvied up once they’re gone. Garrett tries to help Roxy from her seat and notices her flinch when he moves his hand too quickly. They drive back to the apartment and leave Roxy with bodyguards while they go attack the rival gang. Ryder gives strict orders to the guards that Roxy is not to leave, and no one is to touch her.
As they arrive at the warehouse where the gang is, Ryder gives out orders. They attack from all sides, killing all the members. Diesel is left alone with one member and makes an example out of him by disemboweling and hanging him up for all to see. When they find the leader, Ryder tortures him until he reveals the Triad paid for the murder contract. He then kills him, slices off his limbs, and puts them in boxes.
Roxy is playing poker with her bodyguards. She has a soft spot for Sam and Tony, who were formerly in the military and lost before their jobs with the Vipers. She dislikes Dem for his misogyny. When she wins another hand, he angrily grabs her as Ryder and the others arrive. Roxy watches as Ryder smashes Dem’s hand with a hammer, cuts out his tongue, and has the other guards take him away. Roxy is oddly turned on by Ryder’s display of possession and power. When the others remonstrate Roxy for letting another man touch her, she goads Ryder in particular about the sexual partners she’s already had. Ryder orders the others out of the room, but Roxy isn’t cowed by his threats to kill anyone who touches her.
Roxy goes to leave, but Ryder restrains her and forcefully kisses her. He knows he is falling in love with her. He engages in a dominant-submissive scenario, whereby he punishes her to teach her obedience. Roxy seemingly allows it, and though she defies him, eventually, in this context and within these roles, they have sex. He then brings her to his room, where, despite his need to work, he falls asleep next to her.
In this section of the narrative, Knight challenges the stereotypical understanding of the damsel-in-distress role by presenting a female heroine as a complex and nuanced character who resists her circumstances but is nevertheless subject to her own wants and desires. Agency is central to Roxy’s character in a way that defies typical narrative forms of kidnapped characters in the romance genre. Though her growing attraction to the Viper men will eventually outweigh the benefits of leaving them behind, this section demonstrates her mental resilience to being their unwilling captive, but she is nevertheless subject to her own sexual desires. As she claims after witnessing Diesel’s work as the Vipers’ assassin, “[I]f you can’t beat them, join them and then kill them. It’s time I got my hands dirty, ‘cause they clearly are, and being good doesn’t seem to be working for me” (109). Unlike traditional damsels in distress who wait for others to save them, Roxy isn’t the type of character to expect others’ protection, nor does she have anyone who would recklessly come to her rescue. Instead, she must rely on her own wit. This self-sufficiency is reinforced by her decision to actively participate in the Vipers’ world rather than remain a passive victim. Further, her willingness to shoot a man to save Garrett’s life in Chapter 20 marks a defining moment in her transformation, signaling that her loyalty is already shifting, and the truest version of herself is emerging.
However, Knight undermines her protagonist’s efforts to be her own hero, as her plan to “join them” only situates her in closer and more frequent proximity to the Viper men, which, in turn, only makes her more susceptible to her sexual desire for them. The interplay of power and attraction is an ongoing dynamic in the novel, and Roxy’s internal conflict—oscillating between resistance and submission—demonstrates how deeply the human psyche can be influenced by its circumstance. Knight makes a point of showing how Roxy is not impervious to the Vipers, nor is she the perfect heroine, as she shows how Roxy’s feelings can be swayed from something as simple as a few well-chosen gifts of clothes and makeup: “They stole me, I remind myself […] Did they? After all, they were just trying to collect their debt, it ain’t their fault my dad sold me. […] but if they carry on giving me expensive makeup, I might just hate them a little less. Maybe” (115). This moment is crucial in demonstrating cognitive dissonance—Roxy’s internal rationalization of her circumstances as a means of self-preservation. The opulence of the Vipers’ world contrasts starkly with the hardships she endured before, blurring the line between captivity and security. As Roxy navigates her relationships with each Viper and her desire for freedom, she draws further and further away from the stereotypical expectations of the damsel in distress.
Knight also showcases one of her overarching themes in this section, The Impact of Personalized Justice. Part of the Vipers’ social power is their ability to enact vigilante justice on whomever they feel deserves an execution and the subsequent power this gives them over their city’s social factions. Knight, however, demonstrates how this power claimed through fear is a double-edged sword, as it naturally generates enemies that can bond together over their shared hatred of the Vipers. As Red tells Ryder, “[Y]ou don’t understand. They’re saying once you’re dead…the city will be in new hands. Better hands. They are planning on wiping out the Vipers and taking over” (175). Ryder and the other Vipers, therefore, have created a foe of their own making: By brandishing their own power and killing and/or terrorizing at will, they’ve generated a hostile environment that, in itself, becomes an enemy. This foreshadows the increasing threats the Vipers will face, reinforcing the idea that their unchecked dominance has placed a target on their backs. Their form of justice, which once made them invincible, is now a liability as it fuels the ambitions of their rivals.
Additionally, the discussion of power dynamics within relationships continues to evolve in this section, particularly through Roxy’s growing attraction to Ryder. His need for control is exemplified in Chapter 24, where he forcibly kisses her and imposes dominance through a punishment dynamic. Unlike her earlier friction with Ryder, Roxy seemingly allows this interaction, signaling a shift in her perception of him. The scene examines consent, control, and desire, raising questions about whether Roxy’s submission is purely physical or if she is beginning to accept the Vipers on a deeper level. Moreover, Roxy’s growing closeness to Diesel, which includes emotional confessions about their struggles and losses, highlights The Relationship Between Emotional Fragility and Immoral Acts, suggesting that brutality in the world of the text is a matter of navigating trauma.
Knight also employs dramatic irony when the Vipers perceive Roxy’s growing involvement in their world. While they believe they are wearing her down, the reality is far more complex—Roxy is adapting, learning, and ultimately gaining leverage. Her ability to navigate their dynamics and even defy Ryder in Chapter 23 without immediate consequences demonstrates that she is not merely a captive but a growing force within their world. This tension between control and independence sets the stage for further power shifts as the novel progresses.



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