57 pages 1-hour read

Dinner for Vampires: Life on a Cult TV Show (While also in an Actual Cult!)

Nonfiction | Autobiography / Memoir | Adult | Published in 2024

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Part 2Chapter Summaries & Analyses

Part 2, Chapter 12 Summary

Joy met with her agent in Los Angeles to discuss the script for a teen drama called Ravens. Her agent encouraged her to audition, but Joy was reluctant. Soon after, she shot a pilot for a superhero show that did not get picked up. She was discouraged and turned to the Family for support.


Her friend Camille had been attending Bible study less and less. One day at lunch, Camille told her that Pam had had an odd conversation with Camille’s mother at one of Abe Van Hewitt’s band’s shows. When Camille’s mother asked Pam about the leader of the group, Pam’s response was hostile. Joy defended the group to Camille and said spiritual family sometimes knows more than “bio-family.” Camille told Joy she was going to stop going to Bible study. They wouldn’t see each other again for two years.

Part 2, Chapter 13 Summary

Joy’s agent called to tell her that the show Ravens, which had been retitled One Tree Hill, was specifically asking for her to audition. Joy agreed to it. The first audition went well and she was called in for a screen test and chemistry read to see how well she clicked with the show’s lead, actor Chad Michael Murray. Joy was inspired by the depth of the characters and the show’s uplifting message. Before the screen test, one of the executives warned her manager that “this show is about fucking and sucking, and if she’s gonna have a problem with that, she shouldn’t come in” (121). At the screen test, Joy performed well with Chad. Afterward, Chad told her she got the role as the awkward next-door neighbor Haley James.


The Family was supportive. They went to a chain restaurant to celebrate. Everyone prayed for her. The next week, Joy moved to Wilmington, North Carolina to shoot the show.

Part 2, Chapter 14 Summary

Joy arrived on set and began to meet her costars. She was especially friendly with the hair and makeup women, whom she called “the Mama Bears” (134). Early on in production, Joy attempted to befriend the charismatic Sophia Bush, but they drifted apart because of Joy’s militant religious beliefs. Joy attempted to bond with other Christians who worked on the show, but they found some of her beliefs off-putting. Joy rented a beach house. Emily, a talent manager in LA and part of the Family, came to visit her. Emily told Joy she was quitting her job and moving to Idaho to work at a motel that Les and the Family were opening as part of their ministry.

Part 2, Chapter 15 Summary

That summer, the Family created an official leadership board called the Hamoatzah consisting of Les, Martine, Pam, Ed, Kurt, and Lucy. Kurt and Les flew to Wilmington to meet with Joy. They asked her to invest $10,000 in the motel project and she agreed to think about it. Les gave Joy a pamphlet about the project. That night, Joy read through the pamphlet. It had a (poorly-written) story in it about how Les had healed a man of congenital heart disease. Joy felt shocked that Les was so humble—he had never mentioned this story to her. Struck by the story, Joy called her financial managers and asked them to send $10,000 to Les for the project despite their objections.

Part 2, Chapter 16 Summary

Joy stayed connected to the Family through emails sent by Les and others. One of those emails informed her that Mina was pregnant again and suffering from “post-pardum [sic]” [post-partum depression]. When she wasn’t at work on the show, Joy filled her time with creative activities like writing songs. However, she began to get a reputation on the set for being difficult because her ADHD and OCD would lead her to fixate on things like an apple pie in the background of a shot. Other times, she would refuse to do certain things like be shot wearing only a bra because it offended her “religious modesty.” Joy notes that the methods the show’s creator used to control her, such as geographic isolation, were similar to those used by Les.


Joy began to bond with other actors on the show like Chad Michael Murray and James Lafferty even though Pam and Les encouraged her not to because they weren’t “spiritually safe.” When she moved into a house in downtown Wilmington, Les chided her for not asking the Family for permission first. He told her he wanted her to come back for Christmas so they could have a meeting and she could share her problems with them.

Part 2, Chapter 17 Summary

When the motel was finished, Les began holding church services twice a month in its conference center. However, the timing of the services was always decided at the last minute. Joy notes that this was another way to control the group members so that they would have to drop everything and go to the services at a moment’s notice. Emily was struggling as the manager of the motel because Les and Kurt micromanaged everything, including how to fold the towels.


When Joy arrived in Idaho for Christmas, she noticed that the house was in disrepair. The Quiet Boy (QB) had punched a hole in his bedroom door after an argument with his younger brothers. Les thought it was funny, but it made Joy uneasy. Dontay’s mother, Esther, arrived to spend Christmas with them. She was friendly with the Family and a major investor in the motel. However, after visiting the motel and seeing its state of disrepair, she grew frustrated and left.


On Christmas morning, Joy overheard a conversation between Kurt and Les. They were talking about how Mina was “not very credible” because of her postpartum depression and how Harker was becoming critical (163). Later that day, Les told Joy that her parents had been asking pointed questions about the Family and researching Les’s background. She apologized and wondered why her parents couldn’t just “let [her] be happy” (168).


That evening, Joy went into the basement for her meeting with Pam, Emily, and Les. They pressured her to talk about herself and criticized her for hours. They told her she was asking too many “illegal questions” like whether she still wanted to be in the Family. Joy felt she couldn’t do anything right.

Part 2, Chapter 18 Summary

One Tree Hill gained in popularity. Because they were so isolated in Wilmington, the cast was shocked when they went to New York and found themselves mobbed by fans. Joy was somewhat unnerved by the attention and the competition amongst the actresses, but she didn’t want to confide in anyone because she had been taught not to “take advice from nonbelievers” (177). She didn’t even call Mina because Joy had been avoiding her after the conversation she had overheard between Les and Kurt.


Joy met a Christian carpenter from Wilmington named Ben. They began to date and he proposed soon after. She said yes even though she wasn’t sure about it. Ben went to Idaho and met everyone in the Family. Afterward, Les and Pam voiced their reservations about him. Joy told Ben they had to call off the engagement because the Family didn’t approve.


Les formed a company called TRIAD to manage the motel and other businesses. Gretchen was made bookkeeper.


In 2005, Joy had the opportunity to be part of a nation-wide One Tree Hill concert tour where she could perform her own music. During the tour, Joy hit it off with actor and musician Tyler Hilton, but he began to distance himself from her when he learned she was in a “religious cult.” During the tour, Joy got a call from her manager that she had an opportunity to audition for the role of Belle in Beauty and the Beast on Broadway. Joy was thrilled because it was a dream role. However, Les discouraged her from doing it because it would take her further away from the Family, so she turned down the role. Joy speculates Les didn’t want her to do the role because he thought she might never come back from New York.

Part 2, Chapter 19 Summary

Emily called Joy to tell her that Les and Kurt had pressured her into allowing a group of swingers to book the motel. Emily felt it went against their Christian values, but Les justified it by saying swingers were the kind of people to whom they most needed to minister. Joy highlights the hypocrisy of this stance when contrasted with Les’s treatment of Dontay who had been fired from his job at the motel for watching porn.


To earn more money, Les and Pam became counselors despite not being certified. They laundered the payments and insurance through Pam’s husband Ed’s medical practice. Mina began counseling sessions with Les for postpartum depression in which Les was openly critical of Harker. Harker called a meeting of the Hamoatzah and accused Les of trying to drive a wedge between himself and his wife. Les apologized, but it was an insincere apology. Joy notes this was the crack that eventually led to the fracture of the Big House Family.


Les’s friend, a prophet Joy dubs Pirelli, came to the motel to hold a series of spiritual workshops. One of the attendees was a One Tree Hill superfan named Danielle who was there to try and get closer to Joy.

Part 2, Chapter 20 Summary

The tension between Les and Harker continued to mount. Dontay and Jasmine got married, followed by Abe Van Hewitt and Emily. Joy told Les she wanted to get married, too, and mentioned QB. He encouraged the pairing and eventually they started dating. Soon after, QB proposed and, despite her misgivings, Joy accepted. In the time leading up to the wedding, Joy felt “hopeless.” She asked God for guidance and believed she heard the message “If you choose this, I will make it good” (203). Joy’s parents were unenthusiastic about the marriage. Mina and Harker attempted to dissuade her from going through with it. Pam and Les reassured Joy that she was making the right choice. They told her she would eventually feel attracted to QB.


Joy prepared for the wedding by adding QB to all her bank accounts and agreeing to hire TRIAD as her financial manager. She bought a house in Idaho near the Big House. She dreaded her wedding day.

Part 2, Chapter 21 Summary

Joy and QB married on New Year’s Eve. Joy’s father refused to attend, but her mother, stepfather, and even Camille came. Pam acted like the matron of honor instead of Joy’s actual mother. Standing on the alter, Joy felt like she was in one of the scenes she had acted out, except it “wasn’t make-believe,” it was her actual life (208).


QB arranged a honeymoon to Colorado paid for with Joy’s money. Joy was disappointed because she had hoped to go to the beach or Europe. He insisted they stay in the hotel room most of the time. They had sex, but it was unsatisfying for both of them.


Afterwards, QB moved in with Joy in Wilmington. He was cordial with the cast and crew of One Tree Hill, but privately complained they were “frauds.” He was extremely controlling. Joy told Mina and Harker about her concerns. When QB found out, he was furious. He told Joy she had to “obey” him. Eventually, QB moved back to Idaho. Even while he was there, he continued to closely monitor her. He grew upset when she would spend time with male coworkers. He even dictated what she could wear.

Part 2, Chapter 22 Summary

Joy decided to throw her energy into developing a musical version of the Nicholas Sparks novel The Notebook. She got support to workshop it in Wilmington, but QB refused to let her play the lead role of Allie because it would involve romantic moments with a man. Members of the Family got involved in the production, leading to cost overruns and delays. The six performances of the musical went well, but because of legal wrangling, they could not secure the legal permissions for the material and the musical never went into production.


One day, Les announced his plans to buy The Bistro, the only nice restaurant in their Idaho town. Soon after, Kurt announced the motel was closing due to their inability to pay the mortgage. Danielle, the One Tree Hill fan, had moved to Idaho to be closer to the Family. She told the group that there were rumors about the “cult” on fan message boards.


As the rumors grew, Joy became increasingly isolated in the industry. She had recorded an album, but Epic Records refused to release it because of her cult ties. Meanwhile, she sunk more money into the Bistro, which seemed to always need something. After three years of this, she planned to leave One Tree Hill. However, Les encouraged her to sign another contract because he didn’t “think the Lord [was] done with [her] at One Tree Hill,” (233) and so in 2009 she returned to the Wilmington set for season 7.

Part 2 Analysis

Part 2 of Dinner for Vampires reflects several key characteristics of the celebrity memoir genre. Many scenes focus on Joy’s famous co-stars and her interactions with them. Most notable is her description of the screen test with Chad Michael Murray, the lead in One Tree Hill. Joy writes about that screen test in a warm and nostalgic tone, stating “Chad smiled at me. But Chad was no longer Chad. […] We had reached that rare but always sought-after moment in acting where the performance becomes reality” (127). Joy also describes her relationships with other actors like Sophia Bush including moments of closeness between the pair such as when they “were in fits of laughter” when they woke up to find the puppies had soiled the bed. These moments give a behind-the-scenes glance into the making of the show and the dynamics among the cast.


Joy alludes to manipulative aspects of the show’s production, particularly tactics employed on the part of the show’s creator, Mark Schwann, drawing parallels between his behavior and The Psychological Mechanisms of Cult Influence. Before the show even began production, she was warned that the show was about “sucking and fucking,” and if she had a problem with that, she should not take the role. She describes this warning as setting up a dynamic early on that framed any problem she had with how she was sexualized on the show, as her being problematic and difficult. She asserts that being warned of what would be expected of her, doesn’t erase the misogyny inherent in the creator’s mindset. She also notes how the show creator and executives hid the success of the show from the actors, who were relatively isolated in Wilmington, and constantly warned them that they were going to be cancelled as a strategy to keep them from “banding together to renegotiate [their] contracts as a group” (145). During filming, Schwahn pressured Joy to wear revealing clothing on screen when she was not comfortable doing so. Joy compares Schwahn’s behavior with Les’s to note their shared manipulative strategies, reflecting that, “In hindsight, it became clear that they both used geography to isolate young and trusting people from our support systems and pressure us into doing what they wanted” (151). She writes that, when she spoke out, the creator would punish her by writing plot lines that “were an attempt to humiliate or antagonize” her (151). Joy relates these moments to show how precarious and off-balance her life felt during her time on the show.


Joy notes ways in which the Family’s influence and interference in her life caused conflicts with her fellow cast members while filming One Tree Hill, sabotaging her Search for Community and Belonging outside of the cult. Because she believed that the Family were her true support system, she largely isolated herself from the cast and crew. She initially rented a beach house “isolated from all the activity” (139). She avoided opportunities to socialize with the cast and crew, and she did not open up to them about the difficulties she was facing. Despite the difficulty she experienced finding a sense of community on the set, Joy achieved a vicarious sense of belonging by embodying the character of Haley James Scott. One Tree Hill depicts a small community where people fall in love, learn important life lessons, and rely upon one another (albeit with the requisite amount of drama one would expect in a television show). When the camera was on, Joy felt she was absorbed into the world of the show, with a loving husband and supportive community, just like the moment of “transmutation” she experienced during the screen test. She writes, “I’d go to work, someone would say ‘Action!’, and I’d be in a loving, healthy relationship” (229). Joy depicts this feeling as both touching and tragic, emphasizing her desperation for community to the extent that even a fictional approximation of it was gratifying.


Joy frames this desperation as explicitly and intentionally cultivated in her by The Family members. Les and the others encouraged her to avoid those outside of the community, including her parents, because they would interfere with her spiritual growth. This emotional and geographic isolation forced greater dependence on the Family for her community needs. In addition to this pressure, Les and others used “struggle sessions” to publicly humiliate Joy. After these humiliations, Joy would feel ever-more driven to recommit herself to the Family to achieve validation and support. These sessions were iterative and used as punishment to discourage Joy’s “independence and rebellion,” i.e. making her own choices (217). They were invasive of her privacy as well, including demanding Joy read aloud from her private journal. Joy notes it was not only her who was forced into these basement meetings, but other members of the cult who were struggling like Dontay and Gretchen. In this way, these meetings served as a form of surveillance that reinforced the insular dynamics of the group.


Joy’s memoir also highlights a key element of cult dynamics: the use of jargon. Jargon is coded language whose specific meanings are only understood by in-group members and inscrutable to outsiders. Dinner for Vampires is full of this language. For instance, Les preaches that things must “be done ‘in unity’”—a nonsensical phrase in standard English, but within the cult it meant “in agreement with one’s spiritual leader and/or husband” (217). Jargon like this further isolated Joy from the wider world, because when she attempted to talk about her beliefs with others, like the driver on the Wilmington set, “they just looked at [her] strangely” (138). As a result, Joy came to the conclusion that “the less I said about my spiritual life [to outsiders], the better off I’d be” (138).

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