61 pages 2-hour read

Direbound

Fiction | Novel | Adult | Published in 2025

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Themes

Content Warning: This section of the guide includes discussion of child death, sexual violence, physical abuse, emotional abuse, and gender discrimination.

The Impact of Social Classes

Within the book’s world building, the social structure is based on typical medieval classes: the nobility, the merchants, and the peasantry (or commoners). Wealth within this structure is unevenly distributed: The nobles live in luxury and opulence, while the peasantry lives in poverty and squalor. The author uses this context and the exceptional case of the Bonded, however, to emphasize how those in power use social classes to cultivate dehumanization and collective societal collapse.


The public’s lack of knowledge of the kidnappings in Sturmfrost’s impoverished neighborhoods signals the dehumanizing impact of social classes. As Meryn narrates, “Kids have been getting kidnapped for as long as I’ve been alive; maybe as long as this entire war has been going on. And we all know who the Nabbers actually are. Siphons, our ancient, monstrous enemy from the neighboring country of Astreona” (24).


Despite their longstanding occurrence, the kidnappings are never considered a social emergency by anyone except the commoners themselves. Though few are aware that the Siphons in question are King Cyril and Killian, the novel suggests that an intentional use of class division helps maintain the royal family’s secret kidnapping scheme. As Meryn discovers, no one in a position to help the townspeople (specifically, the Bonded) is aware of the kidnappings. Venna and Izabel, who are legacy applicants to the Bonding Trials, have never heard of the kidnappings. Likewise, Egith, who participates in the war effort, is oblivious, as are other Rawbonds. The novel thus suggests that the bulk of the kingdom’s power and protection (the Bonded) are all unaware because they’ve all resided within the Bonded City and have minimal interactions with commoners.


The intentional widespread ignorance effectively achieves three goals. First, it ensures that commoners remain isolated and without resources to counter the kidnappings, leaving their children vulnerable to becoming the king’s blood source. Second, ignorance fosters civil discontent and mistrust, as Meryn exemplifies when she learns that Egith is unaware of the kidnappings: “Of course, she doesn’t know. I just thought…she’s important, right? Everyone’s always known that the king doesn’t give a shit about the commoners, but even such a high-ranking Bonded doesn’t know? Doesn’t care to know?” (139). For commoners like Meryn, therefore, the Bonded’s ignorance seems willful, given how long the kidnappings have occurred and especially since the king himself has never bothered to address the issue. For Meryn and other commoners, the Bonded’s ignorance is proof that they don’t consider commoners proper citizens but rather fodder for war and a means of enriching the nobility. Third, it portrays the Bonded as an institution for the specific intended use of the nobility. The Bonded may well fight in the war, but for commoners, their inaction and lack of involvement in the matters of common citizens imply that they do so for the king only and not for the kingdom or its inhabitants. The novel thus exposes the exploitation of social classes to cause fissures within the kingdom’s collective unity, allowing the Siphons to use those gaps for their own gains.

The Objectification of Women

Direbound establishes a duality within the nobility’s perspective of the Bonded: While they’re considered the warriors who defend others against the Siphons, they’re largely understood as objects for the nobles’ entertainment, visual aesthetics, and, at times, sexual gratification. Izabel explains to Meryn that she “ha[s] to look nice. […] Appearances matter here” because (148), as Meryn later learns, the Bonded are expected to please the nobility as they desire. The text especially emphasizes the objectification of the Bonded women, however, showcasing the corruption of Sturmfrost’s rightful monarchy (which is matriarchal) and the general sexism that has corrupted the kingdom.


The novel largely achieves this effect through the mirroring image of the king’s “chosen” companion, Audelie, and Killian’s similar fantasy for his and Meryn’s reign. King Cyril’s objectification of Audelie is evident in her appearance at public events, especially at the Forging Ball in Chapter 33. When in the role of the king’s companion, Audelie is stripped of the usual uniform for Rawbonds and put on display for the king’s pleasure:


Audelie’s in a white dress that goes up to her neck […] but it’s entirely translucent and she’s wearing nothing underneath. I realize with muted horror that her full breasts and nipples, and even the curl of hair between her legs, are exposed to the entire ballroom. She […] slinks over to the king’s side and arranges herself artfully on his lap (330).


Forcing Audelie to bare herself to the public effectively eliminates her agency (since being the king’s companion is considered an honor for her family) and violates her right to a private body. She becomes the king’s trophy for the ballroom attendees to admire and a symbol of his power, as he can reduce a Bonded to a sexualized toy. The king doesn’t consider Audelie as anything above this role and has no qualms about shoving her to the ground minutes after she’s on his lap. The text further reinforces this objectification by never giving Audelie dialogue: As she endures the king’s abusive treatment, she receives no opportunity to express her thoughts.


For most of the novel, Meryn believes that this behavior is exclusive to the king and a few nobles, but Killian disproves this belief when he eerily mirrors his father’s habit. In his fantasy, he imagines that he’s “sitting on the throne [and she is] there with [him], perched on [his] lap. […] Every single time, […] [she is] naked” (485-56). The author thus implies that treating women like trophies to display is an intended and generational behavior pattern among all the kings in his lineage. His and his father’s dehumanizing conduct also has broader implications: Since both he and his father are Siphons, King Cyril’s behavior desecrates the dignity of the Bonded and normalizes sexual abuse against them. Killian’s fantasy, meanwhile, portrays the corruption, belittlement, and subjugation of Sturmfrost’s monarchy since he’s aware that Meryn is the true queen. Both instances of objectification, therefore, normalize sexism to establish the validity of their patriarchal subjugation.

The Effects of False History

One of the central tenets of Meryn’s hero journey is her discovery of the kingdom’s lost and silenced history. The novel deliberately frames this aspect of her development as the key to reclaiming her identity, thus highlighting how history defines the contextual environment that shapes a person’s existence.


The novel achieves this effect by exposing the consequences of the Valtiere monarchy’s blood curse and revised historical narrative. Throughout the narrative, Meryn regularly makes assumptions or repeats commonly held notions, such as when she comments on the Faceless Goddess: “The Faceless Goddess sought to uplift humans and balance power between us and our enemies. So, she blessed King Cyril’s ancestor with the Diren Blæd, giving him the power to control the wolves and us the ability to bond with them” (450). This version of Nocturna’s foundation myth deliberately centers human salvation in the hands of King Cyril’s bloodline while also anointing him and his lineage with a divine right to rule.


This glorification of the Valtiere family pushes Meryn to claim that “for most commoners, the king is closer to a deity than the goddess” since (402), after all, the king holds the magical sword that can rule an entire race of giant wolves. Since no one but Stark’s family knows the true history of Nocturna, the Valtieres’ reimagined foundation myth has had entrenched repercussions for 500 years: Despite widespread poverty and ceaseless war, no one questions the validity of King Cyril’s reign, the plundering of human resources, or the abuse of power.


Likewise, no one questions the Bonding Trials or the numerous cullings because, as Anassa explains, “The Bonded were told this to keep them from revolting against the king. This was his way of controlling our population—he wanted our strength, but not in large enough numbers to rise up against him” (554). The effects are also felt on a cultural scale. In a Bonded familial setting, for instance, the Valtiere monarchy’s history intimated that sending one’s children to participate in the Trials was encouraged and necessary to maintain a family’s social standing. As a result, the Bonded became a social class and made bonding with a direwolf a nepotistic practice that typically excluded commoners like Meryn and Henrey. Thus, a king who routinely dehumanizes his people normalized and validated internal strife between common-born individuals, the nobility, and the Bonded. As a whole, therefore, the Valtieres’ false history effectively shifted the kingdom’s collective cultural identity into a discordant and suppressed devotion to their reign.

blurred text
blurred text
blurred text

Unlock every key theme and why it matters

Get in-depth breakdowns of the book’s main ideas and how they connect and evolve.

  • Explore how themes develop throughout the text
  • Connect themes to characters, events, and symbols
  • Support essays and discussions with thematic evidence