53 pages 1-hour read

Addie E. Citchens

Dominion

Fiction | Novel | Adult | Published in 2025

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Chapters 3-5Chapter Summaries & Analyses

Content Warning: This section of the guide contains depictions of sexual violence, rape, physical abuse, emotional abuse, animal cruelty, animal death, substance use, addiction, graphic violence, sexual content, pregnancy termination, antigay bias, cursing, and mental illness.

Chapter 3 Summary

Priscilla Winfrey gets her hair done for the Saints versus Sinners Banquet at C. Michael’s salon. Her son Manny says the bright copper color and new style look too young for her, but she likes the change. At home, as she prepares her cream lace suit, she discovers her emerald earrings are missing from her vanity. She confronts Manny, suggesting that his girlfriend Diamond may have taken them. He denies involvement, and when she presses, she slaps him—shocking them both. Manny says he is going to do bleachers and leaves, scoffing, “like father, like son” (57).


At the church banquet that evening, the fellowship hall is divided by a burgundy runner into Heaven and Hell, each side with distinct decorations, menus, and ticket prices. The Hell side is packed while Heaven holds only a handful of church mothers and a few others. Priscilla sits with them, annoyed when her friend Bertha chooses Hell. Sabre opens the program in a white suit with a sparkly sash. Kathareen arrives late in a skintight red dress and widow’s veil, drawing everyone’s attention.


The narrative shifts to Diamond. Manny calls her urgently, and she meets him at their private spot, the Canoe by the Red Panther River. He has a bruised eye and appears emotionally distressed. They become physically intimate, and afterward he gives her a gift: Priscilla’s stolen emerald earrings. Diamond is dazzled, feeling like a princess. At a snack stand, she flashes back to her childhood in the Brickyard with her mother, Sonja Ann Bailey, stepfather Charles T. Scott, and half-brother Popeye. She remembers happy times, including the Christmas she received her beloved doll, Cornelia Deborah. After her mother’s miscarriage and Charles’s workplace injury, the family was evicted. During the chaos, the doll and Charles’s stereo were stolen.


The narrative returns to Priscilla the day after the banquet. She needs her prescription pills, but Bertha isn’t answering. Desperate, she flashes back to 1992-93, when she was detained for public drunkenness, indecent exposure, and assault. The incident—which she insists was exaggerated—occurred at Liberty Cash, where she was mesmerized by a ham in the butcher shop. She was forced to resign from teaching at Dominion Junior College and lost her piano students. Sabre used her public shaming to strengthen his own reputation.


Unable to reach Bertha, Priscilla bikes to her house but gets no answer. At home, Sabre brings dinner from Kemp’s, and later invites her to sit with him while Al Green plays. Feeling emotionally deprived of affection, she accepts, reflecting on their past and how she recently put laxatives in his food.


At Sunday church service, Priscilla sees Diamond wearing the missing emeralds and immediately recognizes them as her own. Bertha tells her they must now visit her brother, Tyrone, directly to buy pills. Later, after the service, they drive to Tyrone’s run-down trailer, where he slowly counts out their medication while they wait uncomfortably. At home, after taking a pill, Priscilla confronts Manny and demands her earrings back.


Diamond spots her brother Yancey on the street. They have an emotional reunion—she hasn’t seen him in over a year. He’s thin and worn but still wearing a friendship bracelet she made years ago. He mentions knowing about Priscilla’s drug habit, and Diamond’s quietly slips him $20. During Sunday benediction, the hymn “Thank You, Lord” (78) makes Diamond think of her scattered siblings. She breaks down crying, and her adoptive mother, Maggie, and another churchgoer, Mrs. Kathareen, hold and steady her as she cries. Diamond reflects on her disbelief in God and intangible things, contrasting them with her faith in the solid reality of Bob Ross.

Interlude 3 Summary: “7-000616”

Emanuel (Manny) takes an unnamed girl to the movies, buys her snacks and gifts, then drives her to an alley where they engage in a sexual encounter. He tells her he loves her and she says it back. When he drops her at her house, he realizes his father owns the property.

Chapter 4 Summary

The Joker—whose real name is Midas T. Benny—sleeps in the concession stand at Dominion Field when his girlfriend refuses to take him in. He’s a short, spare man with many talents who considers this a temporary setback.


Emanuel goes to the field early for his morning workout. On the track, he encounters a stranger who matches his speed and intensity. After racing, the stranger pulls Emanuel close and kisses him. Emanuel initially does not resist but then recoils, vomiting violently and collapsing in shame and confusion. The Joker emerges from the concession stand, having witnessed the kiss. He threatens to tell Emanuel’s father unless Emanuel pays him. Enraged, Emanuel attacks the Joker, beating him unconscious and then strangling him to death. He drags the body to the restroom.


Emanuel drives to find Yancey, Diamond’s brother, and offers him money to help. When Yancey sees the body, he suggests Moon Lake, but they end up leaving the Joker in a secluded wooded area. Yancey helps Emanuel clean the restroom with bleach. Emanuel finds a notebook bearing the name “Midas T. Benny” (93) on the body. At home, he showers obsessively and falls into fitful sleep plagued by nightmares.


His mother Priscilla tends to him while he’s unwell, bringing soup and water. Yancey does drugs, his mind wandering to Diamond and their scattered family. Emanuel calls Diamond urgently. She lights a red candle for love and he comes over. They engage in a sexual encounter. Afterward, he becomes emotional and asks if she’ll love him forever, no matter what happens or what she hears. He leaves abruptly despite her pleas to stay. Over the following days, Diamond hears nothing from him. On Sunday, he’s not at church—Sabre announces he’s visiting Ole Miss, something he never told her.


On July 4, Priscilla cooks an elaborate dinner. Emanuel barely eats and is withdrawn. Sabre offers to edge his hair. That evening, while Priscilla wraps her hair and listens to gospel music, she is overcome with religious fervor. Emanuel appears in her doorway watching. She prays aloud for whatever is possessing him to be freed. When she opens her eyes, he’s gone—but her emerald earrings have been returned to the vanity.

Interlude 4 Summary: “8-000706”

Emanuel goes to his mother’s room intending to confess, but when he finds her praying, he simply leaves her stolen earrings on the vanity and returns to his room. Emanuel struggles with nightmares about the Joker, the stranger on the track, and his father with a leather strap. Paranoid that Yancey might tell someone, he drives around looking for him. Instead, he picks up Caticia Wooten, a quiet girl who has not graduated with her class. In the truck, he tells her he killed his dog by strangling it and watching it die. That night, he sleeps without nightmares.

Chapter 5 Summary

The next evening, Jimmy Wooten arrives home from his casino job to find his daughter Caticia huddled in bed, her face marked with bite wounds. He takes her to the Winfreys’ house to confront them. Priscilla answers the door and initially remains composed, only reacting after seeing the girl’s injuries—a cluster of tooth marks on her cheek and a bruise extending from her shoulder to her elbow. Emanuel comes downstairs and claims that Caticia propositioned him for $75 in his truck, after which he dropped her at a house on Cherry Street where someone else must have hurt her. Jimmy becomes uncertain, not wanting his family’s name ruined. Priscilla offers to pray over them with holy oil.


After the Wootens leave, Priscilla confronts Emanuel, asking if he hurt Caticia. He responds ambiguously, asking whether she thinks he did it, then says that is not all he has to tell her. She tells him not to leave the house, but he goes to lift weights. She searches his room and finds the weather-beaten notebook labeled “Tales of a Joker, by Midas T. Benny” (122), recognizing the name from Tyrone Benny. She also discovers a locked box containing eight numbered, sealed envelopes, noting that one of them contains something fabric-like.


On July 6, Diamond tries to cope with Emanuel’s absence by skating and running. That evening, he calls and appears at her door looking sick. He says he’s in serious trouble and leaving town, asking if she’d go with him. She immediately agrees and packs. They leave Dominion heading south on Highway 49. While they are driving, she discovers a gun in his glove compartment; their first stop is about two and a half hours later at a gas station in Greenville. He tells her she needs to learn how to use it.


When Sabre arrives home, Priscilla tries to tell him about the Wooten incident, but he dismisses her concerns. He suggests the girl might be lying and calls it “boys being boys” (128). When Priscilla insists something is seriously wrong with Emanuel, Sabre asks if she’s had too many pills. She urges him to act before it’s too late, but he responds by asking her to find him a scripture and type up a sermon.

Chapters 3-5 Analysis

These chapters foreground Violence and Entitlement as Learned Behaviors, through the relationship between Sabre and Emanuel, tracing how Reverend Winfrey’s philosophy of male rule is absorbed and intensified by his son. Emanuel’s murder of the Joker marks a critical turning point, transforming him from a privileged youth into a killer. The act functions as a violent reassertion of patriarchal dominance following a perceived assault on his masculinity. After being kissed by the stranger on the track, Emanuel vomits, his physical revulsion stemming from a fear of being seen as weak or a “faggot” (90). His subsequent rage toward the Joker, who only attempts blackmail, is disproportionate, and in strangling the Joker, he redirects this shame into violence that restores his sense of control. This pattern of using violence to exert control appears again in his assault on Caticia Wooten. The interlude connects this act to his psychological state, noting that after the violent encounter, he sleeps without nightmares for the first time since the murder, indicating that acts of domination temporarily suppress his distress and reinforce his reliance on control as a coping response. When Sabre later dismisses the assault by telling Priscilla that such behavior is simply how boys act, he codifies this inheritance, reaffirming that the Winfrey men are entitled to inflict their will upon others without consequence.


In addition to physical violence, the Winfrey men rely on manipulation and psychological control to maintain dominance. Emanuel’s actions reflect a learned pattern of control shaped by his father’s example. Stealing Priscilla’s emerald earrings and gifting them to Diamond allows him to assert authority across multiple relationships at once, as he disrespects his mother, exerts power over his girlfriend, and establishes his own authority by reallocating a family treasure. This manipulation is further underscored when he calmly lies to Jimmy Wooten about the assault on Caticia, leveraging his family’s esteemed name to discredit a less-powerful man. His ability to maintain composure while fabricating his account reflects a practiced ease with deception that supports the family’s use of authority as protection. Meanwhile, Sabre reinforces the patriarchal order by undermining Priscilla; when she insists something is seriously wrong with their son, he dismisses her by asking if she has had “one pill too many” (128), using her addiction to invalidate her perception and maintain his own control. This pattern shows how dominion operates through physical force and strategic silencing, with male authority figures working to discredit women’s testimony and preserve their unchallenged power.


These chapters also develop The Burdens and Rebellions of Women in a Patriarchal World as Priscilla and Diamond begin to register strain, resistance, and emotional fracture under male control. Priscilla and Diamond offer contrasting positions within this structure, each trapped by a Winfrey man and each responding under pressure in different ways. After Emanuel’s theft and denial, Priscilla’s slap is an uncharacteristic burst of physical rebellion against the son who mirrors her husband’s contempt. Her subsequent trip to Tyrone Benny’s trailer to buy pills exposes the desperation beneath her polished “First Lady” image, a public role that offers status without genuine power. Diamond is similarly controlled through romantic manipulation, bound to Emanuel by sex and his demand for unconditional love. When he asks if she will love him forever, no matter what happens or what she hears, he seeks advance forgiveness for acts he has not disclosed. Her emotional reunion with her brother Yancey reconnects her to an identity and history outside of Emanuel. Later, her public breakdown during a hymn, where she is physically supported by Maggie and Mrs. Kathareen, points toward the importance of female support within a world structured by male dominance. The text shows that women’s survival in this patriarchal environment depends on endurance, recognition, and moments of support from other women.


The narrative solidifies the extent of Emanuel’s secrecy and violence through two key pieces of evidence: the Joker’s notebook and the locked box. These objects transform Priscilla’s abstract fears into tangible proof of her son’s actions. After the murder, Emanuel takes a notebook from the body explicitly titled “[Tales] of a Joker, by Midas T. Benny” (94), a piece of incriminating evidence he recklessly keeps. This discovery connects Emanuel directly to a violent crime. The locked box in his room, containing numbered and sealed envelopes, is an even clearer indicator of his predatory behavior. While Priscilla does not open them, her recognition that one envelope contains fabric confirms her suspicion of a repeated pattern of violation, shifting her understanding of Emanuel from a troubled teen to a methodical predator. These objects give material form to violence that has so far remained hidden within the family’s protected world. The box, in particular, suggests a private record of victimization, each envelope functioning like a discrete trophy marking another act of predation that has gone unpunished.

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