53 pages 1-hour read

Addie E. Citchens

Dominion

Fiction | Novel | Adult | Published in 2025

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Prologue-Interlude 2Chapter Summaries & Analyses

Content Warning: This section of the guide contains depictions of sexual violence, rape, physical abuse, emotional abuse, animal cruelty, animal death, substance use, addiction, graphic violence, and sexual content.

Prologue Summary

Reverend Sabre Winfrey Jr., is a prominent figure in Dominion, Mississippi. He pastors the region’s largest church, Seven Seals Missionary Baptist, owns the radio station WDOZ and Sabre Cuts Old-Fashioned Barbershop, and led the Dominion Rebels football team to state championships in 1990, 1992, and 1996. His wife, Priscilla Stringer Winfrey, comes from the Clarksdale funeral home Stringers and holds a music education degree from Tougaloo College. Though admired for her beauty—with dull red hair, gray eyes, and peachy skin—townswomen mock her as “Hunchback” behind her back, referring to the severe limp caused by a childhood injury.


At age five, Priscilla fell through a rotted box while playing funeral with her siblings, landing hard on her right hip. A brief examination by Dr. Levy pronounced the injury unbroken, but decades later, chronic pain still wakes her at night, especially when Sabre confiscates her pills. The couple has five sons: twins Trey and Moshe, Mack, Ivy, and Emanuel, called Manny, or Wonderboy. The first four resemble their father, but Manny resembles both parents, which pleases Priscilla after years of difficult pregnancies while managing her hip condition.

Chapter 1 Summary

On Sunday, June 4, 2000, Reverend Sabre Winfrey preaches about worthiness and the seven seals from Revelation. His wife, Priscilla, watches from the pews, feeling both pride in his vocal talent and bitterness over their troubled marriage. Years earlier, church musician Melvistine Evan pushed Priscilla out of the sanctuary choir due to her limp. Though Priscilla once felt honored to type Sabre’s sermons, she now sees his ministry as centered on himself, especially after he hired an incompetent secretary named Linda for improper reasons. During the service, Priscilla notices their youngest son, Manny, exchanging glances with someone in the congregation—possibly the widow Kathareen, Diamond Bailey (daughter of Maggie), or Mary Kay’s oldest daughter. When her hip throbs, usher Bertha Benny discreetly passes Priscilla pain pills, which she takes while praying for God to protect Manny from predatory women.


The perspective shifts to 17-year-old Diamond Bailey, who sits in the third row to watch Manny, whom she calls Wonderboy. She reflects on his extraordinary talents: piano, drums, guitar, trumpet, and an otherworldly singing voice that moves audiences to tears. By the summer before sixth grade, his body transformed, voice deepening, muscles developing, and he became a football star who wore red cleats and dominated both sides of the ball. Their romance began 10 months ago, in their junior year, when he complained about her hair blocking his view in chemistry class. For two days running, he took her lunch tray as a courtship gesture; on catfish Friday, she refused, and he took another girl’s fish instead. That afternoon, he asked for her number. They are now together, and though he gives her money and she wants intimacy, they have mutually agreed to remain virgins. Diamond recalls a moment from Vacation Bible School when they were 13: a special education student asked if Jesus had a last name, and Manny replied that it was Winfrey. Mother Butler marched him to his father’s study; he returned smiling, saying his father approved.


On the previous Wednesday, Priscilla dusts her sons’ baby pictures, proud of their accomplishments: Trey and Moshe on full scholarship to Meharry, Mack driving trucks, Ivy studying music at Ole Miss, and Manny preparing for his senior year as salutatorian. She takes her bike out for a ride, feeling powerful and young. At Carpenter’s Junk Store, she chats with the clerk, Wilma, and entertains a passing fantasy about owner Craig Carpenter, who offers her a ride. She declines, knowing Sabre forbids her from being alone with men, especially white ones. Crossing the highway, she experiences a sudden, chilling urge to throw herself into traffic but resists. Arriving home, she discovers Manny’s truck parked in the alley. Upstairs, she hears labored breathing and pushes his bedroom door open to find him hunched over a naked Diamond on the floor. When Manny, masturbating over Diamond, turns and looks directly at her, Priscilla becomes convinced something is fundamentally wrong with him. She closes the door, retreats to her room, and takes pain pills with whiskey. Later, when Manny knocks, she ignores him, orders Italian takeout she cannot eat, and eventually tells him to go eat before withdrawing to bed.


Diamond experiences the same encounter from her perspective. Following Manny through his family’s large house, she feels out of place in its carefully kept rooms. In his bedroom, she undresses and lies on the floor while he kisses her briefly before standing to masturbate over her. Just as she idly wonders what the First Lady would think, Priscilla appears in the doorway. Mortified, Diamond believes she somehow summoned Priscilla with her thoughts. She scrambles to dress and follows Manny downstairs, crying and cursing at him for the first time. He drives her home, gives her money, and kisses her temple. Alone, she bathes and recalls attending a Finer Womanhood event years ago where Priscilla noticed her and her sister Cricket eating quickly. Cricket mocked Priscilla’s limp, and Priscilla walked away looking hurt, an expression Diamond now connects to the shock she just witnessed. She remembers her mother weeping at the Soap Opera Laundromat, lamenting that sometimes nothing goes right despite one’s efforts. Diamond worries her habit of counting letters in words to determine truthfulness means she is “crazy” like her mother.


Priscilla’s mind returns to Valentine’s Day 1976, when Sabre first coerced her into oral sex, using a demeaning biblical metaphor to justify it. Uncomfortable with the degrading act, she confided in her friend Bertha Benny, who advised feigning enthusiasm to speed it along. When Priscilla followed this advice, Sabre became suspicious and struck her, accusing her of learning the technique elsewhere. Now, witnessing Manny’s behavior, she links it to Sabre’s behavior and pities Diamond as a girl more humiliated by being caught than by the act itself. She recalls childhood attempts to heal her hip through prayer, various preachers laying hands while her mother whispered healing scriptures. She concludes that mothers must always ask and wait for relief, and she kneels to pray, believing this will fix everything.

Interlude 1 Summary: “1-961018”

On October 18, 1996, at a homecoming dance, an older teenage boy watches a seventh-grade girl and her friends perform sexualized dance moves. After dancing with her, he arranges to meet at the Red Panther River bank and leads her to the Canoe, a large replica of a Choctaw vessel.

Chapter 2 Summary

Diamond spends the days after the incident in bed, grieving what she believes is the destruction of her relationship with Wonder, who is the one person she feels most connected to. Her mind drifts to childhood and the last home she shared with her mother and siblings: a motel room at the Sunflower Court Inn. She recalls the four of them—Yancey (14), Cricket (13), Diamond (eight), and Popeye (six)—together when Popeye’s father arrived with groceries but without Mama, announcing flatly that she had left. The children protested and demanded answers, but the man gathered his things and drove off without speaking to Popeye. His only parting instruction was to keep the perishables cold.


Emerging from the memory, Diamond feels unsettled. She refuses to call Wonder; beyond embarrassment, she suspects he knew what might happen. She draws a parallel to her absent mother, whom she sometimes blames for leaving them to manage on their own. She sleeps heavily and wakes to find Maggie home from a late shift, face-down on her bed. Diamond removes her shoes, covers her, and finds a note asking to be woken before her soap opera.


Priscilla, meanwhile, has been avoiding Manny but cannot ignore him playing a hymn at the piano with precision and control. She enters the parlor and reminisces about him and Trey performing the same song as small children, their voices electrifying the congregation. She takes over the keys herself and grows so emotional Manny has to help her to a chair. Her mind wanders through her difficult pregnancies and the daughter she always imagined but never had. When Manny attempts to discuss what happened, she deflects with music and weeping, feeling only relief when his truck pulls away.


By Saturday, Diamond sits on the porch watching neighborhood girls jump rope, wondering if she was ever that carefree. Senior year looms and she has no plan. Larger problems always took priority, and years of instability taught her that thinking about the future feels uncertain. Maggie joins her, offers to take her out during her vacation, and jokes about her own past athletic ability, drawing a rare laugh from Diamond. After Maggie leaves for work, Diamond reflects that her persistent sense of being an outsider is exactly why Wonder matters: Together they were creating something she felt part of.


Alone, she smokes marijuana in the backyard (a secret habit Wonder would condemn) and daydreams about a December wedding he has been asked to sing at, imagining herself there in a new dress. Her thoughts darken into a catalog of recent local tragedies the community calls the Reaping Season: fatal accidents, gang shootings that killed teenagers and a child, reckless driving deaths, and her friend Kimmie’s losing fight with leukemia. Frightened, she forces her mind back to the wedding fantasy before remembering she is supposed to be angry. She smokes again, aware the high does not address what she is feeling.


On Sunday evening, Wonder appears at her door. She plans to greet him coldly, but his presence softens her response, and she goes to him. They drive to a remote, flat stretch of road between crop fields for a driving lesson. He is patient and encouraging, and when she flinches at her own mistake with the gas pedal, he assures her he would never hurt her. He shares that his father used to slap his mother on occasion: Rev considered it a form of correction, though he looked down on men who beat women routinely. Wonder rejects even that, arguing that a man’s presence alone should be enough to command respect without violence. His words reinforce her sense of safety with him.


Priscilla, still trying to trace the origins of Manny’s behavior, focuses on a childhood memory. The family dachshund, Sam, repeatedly angered Rev until the day Rev stepped in the dog’s mess and beat the animal before chaining him outside. Later, Priscilla looked out the kitchen window to see Sam caught against the fence, legs cycling above the ground, with young Manny standing before him in shock. She freed the dog, but he died in moments. She held her sobbing son and then looked up to find Rev watching them from the study with cold malice. That night she moved her belongings into the guest bedroom, unable to understand his cruelty.


While cleaning, Priscilla fantasizes about Rev’s death: choosing a bright red burial suit, singing a solo in her fur stole, and eventually remarrying the widowed Dr. Booker, who recently made a suggestive remark to her. When Rev comes home complaining of stomach trouble, she needles him about another woman’s makeup on his shirt. He shuts her down with a biblical pronouncement that women were made for bearing children and men for authority. This idea stays with Priscilla, bringing to mind Manny standing over Diamond, and she connects his behavior to his father’s emphasis on control. Manny then appears in workout clothes, and Rev advises him against adding too much bulk, noting the quarterback position is evolving toward speed and agility. Father and son share a brief, affectionate moment: Rev still taller, but Manny already broader.


Diamond’s memories return to the motel and the aftermath of their mother’s disappearance. The older children strategized while Popeye slept: Yancey predicted Diamond and Popeye would be adopted for their appearance and age, Cricket’s family would reclaim her, but no one takes in a 14-year-old boy—he expected to age out of foster care alone. Yancey checked with their mother’s friend upstairs and returned bearing no news but carrying a bag of cheap candy someone had given him. Cricket divided the sweets into meticulous piles, rationing Popeye’s share on account of his bad teeth and scolding Diamond for always grabbing more than her portion. The four ventured out into the warm August night, searching two nearby bars without success, got caught in the rain, and huddled under the roof of an empty house before returning to the motel for a meal of processed meat, cheese, and packaged snack cakes. Cricket read aloud a magazine story about a plane crash survivor, prompting Popeye to declare he would never fly.

Interlude 2 Summary: “4-980908”

On September 8, 1998, a teenage boy notices a quiet, full-figured girl who plays first-chair saxophone in the school band. He finds her attractive with her prominent front teeth, deep reddish-brown complexion, and thick hair in ponytails and mentally labels her as one of the reserved types who are secretly wild. They meet at the library for an honors English assignment, and after it closes, he waits with her for a ride that never comes. She eventually accepts a lift, and he stops at a discount store before returning to the car, where he reclines her seat, remarks on the fine hair above her lip, and begins working through the layers of clothing she wears. When he presses his mouth against her skin hard enough to leave marks, her resistance collapses entirely.

Prologue-Interlude 2 Analysis

The novel’s opening chapters establish Abusing Spiritual Authority for Personal Gain by setting Reverend Sabre Winfrey’s public piety against his private tyranny. Sabre’s Sunday sermon on worthiness becomes an ironic backdrop for his oppressive household rule, which he justifies with a distorted theology of male supremacy. Priscilla recalls Sabre coercing her into oral sex by claiming that because Eve ate the apple, she must “[eat] the snake” (25), a clear instance of using scripture to legitimize coercion within the domestic sphere. The institutional power of the Seven Seals Church reinforces this personal dominion and grants its leader near-absolute control. This ideology passes to their son, Manny, who as a child declared Jesus’s last name to be “Winfrey,” a claim Sabre answers with a validating “Amen” (16). That exchange reveals that Manny has already absorbed his father’s belief in a conflation of divine authority with familial power, and it prefigures Manny’s later actions. The text presents spiritual authority, once Sabre distorts it, as a mechanism for tyranny within the home, allowing the Winfrey patriarch to frame his abuses as part of a divinely sanctioned order and to pass this logic of authority and immunity to the next generation.


Priscilla Winfrey and Diamond Bailey are introduced as women whose identities are shaped by the patriarchal structures of their community, illustrating The Burdens and Rebellions of Women in a Patriarchal World. Priscilla embodies a stark duality: The public’s image of the graceful “First Lady” conceals a private life of chronic pain, marital abuse, and dependence on painkillers. Townswomen mock her limp by calling her “Hunchback,” a name that reduces her to her physical ailment. Her reliance on pills appears as a coping mechanism for physical agony and for the psychological distress of her marriage, especially Sabre’s control over her medication. The childhood injury that caused her limp went misdiagnosed by Dr. Levy, which reflects how her suffering is overlooked or inadequately addressed within male-dominated structures of authority. In contrast, Diamond is initially an admirer whose life centers on the charismatic Manny. The humiliating encounter in his bedroom fractures this devotion. When she watches him masturbate over her naked body, she experiences a moment that exposes her reduction to an object within his assertion of control, altering her understanding of their relationship. Diamond’s subsequent reflection on her own mother’s quiet despair, recalling her weeping that “shit don’t be right no matter how hard you try” (25), connects Diamond’s experience to an inherited pattern of female endurance shaped by disappointment and limited agency, and foreshadows Diamond’s emerging awareness.


The parallel characterizations of Sabre and Manny develop Violence and Entitlement as Learned Behaviors, presenting masculine dominance as a learned and repeated behavior shaped within familial and social structures. Sabre’s violent treatment of the family dog, Sam—which ultimately leads to the animal’s death—serves as a pivotal flashback. For Priscilla, this event reveals her husband’s capacity for malice and marks the definitive emotional end of their marriage. For a young Manny, it is a formative exposure to his father’s brutality. The narrative links this past violence to Manny’s present actions, as Priscilla understands his behavior toward Diamond not as a simple teenage transgression but as an expression of “dominion,” the same corrupting force that defines his father. This connection is structurally reinforced by the first two Interludes. These more observational and narratively detached accounts depict an unnamed older boy’s encounters with younger girls, creating a timeline of escalating predation that runs parallel to the main narrative. By presenting these acts in a restrained and sequential format, the novel frames this violence as patterned and deliberate, shaped by inherited authority and reinforced through repetition over time.


The physical and social landscape of Dominion, Mississippi, establishes the contrast between public respectability and concealed violence through key institutional and domestic settings. The Seven Seals Church, with its grand architecture and wide community influence, projects the imposing public image of the Winfrey family. It is an institution of significant community power that simultaneously functions as a shield for the secrets and abuses occurring within its leading family. This dynamic is contrasted with the settings of vulnerability, such as the Sunflower Court Inn of Diamond’s memory, a place of abandonment and poverty that represents the precarious world from which the Winfreys are insulated. Furthermore, the novel imbues landmarks with a more unsettling role within the narrative; the Canoe, a replica of a Choctaw vessel, is established in the first interlude as a clandestine location for an encounter between an older boy and a much younger girl. This transformation of a mundane object into a space associated with hidden violation anchors the novel’s violence within familiar, everyday settings, situating harm as embedded in the community’s ordinary spaces.

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