53 pages 1-hour read

Addie E. Citchens

Dominion

Fiction | Novel | Adult | Published in 2025

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Symbols & Motifs

Content Warning: This section of the guide contains depictions of sexual violence, addiction, graphic violence, and death.

The Joker’s Notebook

The Joker's notebook functions as a symbol that records a life the community dismisses and keeps that life visible in the narrative. Labeled "Tales of a Joker, by Midas T. Benny" (122), the notebook is a handwritten record of stories and life advice composed by a man the community regards as little more than a punchline. Emanuel strips it from the Joker's body after murdering him, treating it as incidental evidence to be managed instead of recognizing it as the written work of the man he has just killed. As the notebook changes hands across the narrative, it continues to carry the presence of its author despite this attempt to reduce him to nothing. It moves from Emanuel's nightstand to Priscilla's hands to Diamond's possession, and at each point, it brings into view details about the Winfrey family that would otherwise remain concealed.


Diamond becomes its most significant reader. She discovers that the writing is "so good even though it was a little sad" (181), filled with practical wisdom and the voices of men she recognizes from her own world. The notebook returns attention to a man who had been treated as disposable, including the moment when Sergeant Nabors made him dance for $5 and when Emanuel beat him to death for asserting himself. In the Epilogue, Diamond adopts the Joker's self-description as "a grief taker, a salt-eater" (228) and applies it to her own survival, showing how his words continue to circulate beyond his death and shape how others understand their lives. The notebook persists beyond the violence that attempted to erase its author, carrying forward a voice that others try to silence but cannot fully remove from the world of the novel.

The Locked Box of Panties

Manny’s locked box of stolen panties reveals a pattern of concealed actions that center on controlling the women he targets. Hidden from public view, the box contains the trophies he has taken, which serve as material traces of encounters that remain concealed beneath his “Wonderboy” persona. Each pair of panties points to a girl who has been treated as an object and reduced to something he can keep, turning private acts into a collection he controls. This collection centers on control and possession, with the box functioning as a record of how he relates to others through secrecy and dominance. The symbol becomes narratively crucial when Priscilla discovers the box, which confirms her deepest fears about her son. She recognizes a pattern in his behavior that she can no longer dismiss. Ultimately, it is the contents of this box, combined with other evidence, that Diamond sends to Jimmy Wooten, triggering the novel’s climax. The box shifts from a hidden store of control to material evidence that exposes him, making visible what had been kept out of sight, and allowing others to act on that knowledge. It provides proof that supports the women’s efforts to confront him and bring his actions into the open.

The Emerald Earrings

The emerald earrings show how value attached to women can be taken and used by men for control. Priscilla's earrings, set with diamonds and worn to civic events, reflect the status she holds in public life as First Lady. When Emanuel steals them from her vanity tray and denies it to her face, the theft connects to a pattern within the Winfrey family in which women’s possessions are taken and their objections dismissed. His lie echoes his father’s way of avoiding responsibility, treating Priscilla’s account as something that can be ignored instead of addressed.


When Emanuel presents the earrings to Diamond at the Canoe, their meaning shifts through her eyes. Dazzled by the gems, she begins to "walk like [a princess], like I had on a dress that trailed behind" (64), taking on a sense of status that the earrings seem to give her. This sense of elevation comes from something taken from another woman, linking Diamond’s experience directly to Priscilla’s loss. Emanuel uses the stolen objects to deepen Diamond's devotion, using them to shape how she sees him and her place with him. The earrings bring into view a pattern in which control is exercised through taking and redistributing what belongs to women. Their movement from Priscilla to Diamond and then their loss on the coast shows how unstable that value remains, even when it appears secure. That Priscilla eventually recovers them only after demanding their return reinforces how women must actively reclaim what is taken from them within this family structure.

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