Drums of Autumn

Diana Gabaldon

72 pages 2-hour read

Diana Gabaldon

Drums of Autumn

Fiction | Novel | Adult | Published in 1996

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Themes

Content Warning: This section of the guide includes discussion of death, racism, and rape.

The Power of Family Bonds

Throughout Drums of Autumn, Claire, Jamie, and especially Bree must navigate the complicated ties they have with one another while having been born centuries apart. As Bree joins her parents in the North American colonies, the characters discover the challenges and power of family bonds.


At the beginning of the novel, Brianna struggles with ideas about her parents and is unsure about her feelings toward her two fathers, Frank and Jamie. Though Frank raised her, Bree dreams about Jamie and wants to know more about him, speaking to the strength of their bond even before they meet. Similarly, when Bree meets the Murrays at Lallybroch, she feels an immediate connection to this side of her family. She quickly accepts Jenny’s offer to stay at Lallybroch, where she learns how much she has in common with her father and grandmother. As she is leaving Scotland to find her parents in the colonies, Gabaldon describes Bree’s profound emotions, writing, “she had scarcely felt more bereft by her mother’s leaving or her father’s death than by this parting from people and places she had known for so short a time” (677), suggesting that her family ties to Scotland make it home for her.


When Bree meets Jamie, she is immediately struck by the similarities they share and feels eager to get to know him. Jamie, too, shares this feeling when he meets Bree, asking himself, “What a mystery blood was—how did a tiny gesture, a tone of voice, endure through generations like the harder verities of flesh?” (826). However, Bree must also contend with the fact that blood alone cannot make relationships run smoothly: She clashes repeatedly with Jamie, whose values are so different from her own, and wrestles with the reality that returning to the future would mean parting permanently from her mother.


Bree also wonders if people can be a family when they are not biologically related. There are several characters in the novel who were raised by people who adopted them, or who raised adoptive children themselves. While Bree considers Frank to be her father as much as Jamie, she wonders if Roger can accept her child as his own, even though she believes he isn’t his biological father. Roger, who was raised by an adoptive father, wants to know more about his biological parents, yet he is willing to accept Jeremiah as his own son. Roger’s blood oath to his son combines the ideas of family being formed by love and commitment as well as by blood, suggesting that it is never blood alone that matters.


The importance of family comes full-circle at the end of the novel with the reunification of families and clans at the festival, where even Gavin Hayes’s long-lost son returns, showing his continued bond with his late father. As the novel ends with the Fraser family all together, it is implied that their bonds will continue to shape their trajectory in the rest of the series.

The Nature of Love and Obligation

Throughout the novel, Brianna questions Roger’s feelings for her and whether he is with her because of love or only because he feels a sense of obligation toward her. Through Brianna and some of the other characters’ interpersonal experiences, the novel explores the nature of love and obligation.


Since Claire made Roger promise to take care of Bree when she went back through the standing stones, Bree wonders if this obligation is why he stays with her. This worry causes Brianna to refuse Roger’s marriage proposal, and the lack of trust between the two leads them to hide important things from one another. Bree doesn’t want Roger to know she went back to the past until it is too late to stop her, not wanting him to feel obligated to follow her. Similarly, Bree fears telling Roger about her pregnancy, knowing his sense of duty may make him feel he needs to raise her child and stay in the past, even if he doesn’t want to. Bree is insistent that Roger must prove his love for her before she can truly commit to being his wife.


Bree worries about love and obligation because of what she witnessed in her mother’s marriages. While Bree had thought that Claire and Frank were happy together, learning about Claire’s past with Jamie showed her that Frank only stayed with Claire out of a sense of obligation to her and her daughter. Bree can see that it was nothing like Claire’s marriage to Jamie, which was entirely out of love. However, both Bree and Roger eventually realize that love and obligation often coexist harmoniously. As Roger spends days by the standing stones, wondering if he should return to the future, he thinks, “Obligation? Love? How in hell could you have love without obligation?” (1129). When he tells this to Bree, she also agrees that she cannot decide what made her wait for him instead of returning to the future—she feels both love and obligation toward him.


Another character who worries about the difference between love and obligation is John Grey, who feels obligated to Jamie for sparing his life when they first met. However, John’s complex feelings toward Jamie make him wonder if he does things out of love, such as taking in Jamie’s son as his own. Thus, while love and obligation are juxtaposed throughout the novel, Gabaldon ultimately conveys that the two often overlap and support one another.

The Complexities of Morality and Law

All through the Outlander series, the main characters must make decisions between what is right and what is allowed, either legally or socially. Many of these norms and laws are different from what modern characters like Claire, Brianna, and Roger are used to in their time. Throughout Drums of Autumn, the 20th-century characters must confront the complexities of morality and law in their new 18th-century lives.


One of the biggest debates regarding law and morals in the novel surrounds the topic of enslavement. While Claire is vocal about how wrong it is, she also knows she must live with the reality of enslavement to get Jocasta’s help at her plantation. When Clare learns that Jocasta wishes to make Jamie her heir, she protests to Jamie that becoming an enslaver himself would be wrong. When Claire and Jocasta are incensed when they hear that the law of bloodshed is to be applied to an enslaved man at River Run, Claire is hurt when Jamie tells her he is “already part of” (235) the system that makes and enforces these laws, however unjust they are.


Jamie is typically the one who deals with the most complex issues of conscience, as he must weigh what he believes is right with what is expected of him from society and his family. Unlike Claire and Bree, who know they could not possibly enslave other human beings, Jamie temporarily considers the idea of owning River Run in the broader context of what it would mean for his family and his community. He realizes that taking over the estate would make it nearly impossible to free any enslaved people he inherited, regardless of whether or not he wanted to, due to the colony’s laws.


Jamie’s conscience ultimately prevails in this situation, but other questions of morality and the rules of society plague him later in the novel. Just before Jamie discovers the truth about who raped Brianna, he blames her for having sex with Roger, claiming that she is sacrificing herself and her family to ridicule and shame in the eyes of 18th-century society. While Jamie’s own father was an illegitimate son, Jamie still maintains the common prejudices of the 18th-century surrounding unwed mothers and women who have premarital sex.


Eventually, Jamie learns that the norms and morals of his time should not outweigh the well-being of his family, yet he and others must continually question whether things are right or just because they are widely accepted.

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