19 pages 38-minute read

Early in the Morning

Fiction | Poem | Adult | Published in 1986

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Literary Devices

Form and Meter

“Early in the Morning” is a short lyric poem composed of four stanzas. A lyric is a type of poem that is not focused on describing a narrative (or telling a story) but expresses the personal feelings or thoughts of the speaker. For example, “Early in the Morning” does not outline the events of the speaker’s day or tell the story of how his parent’s met. Rather, the poem is told through the perspective of the speaker and highlights his thoughts and interior dialogue. A stanza is a break in the lineation of a poem’s organizational structure. Stanza breaks often occur when the subject, idea or thought of the previous stanza concludes. They are similar to paragraph breaks in prose. In “Early in the Morning,” the first stanza’s subject is what occurs before his mother makes breakfast. Lee utilizes a stanza break to signify a shift in subject before continuing on to the next stanza.


The poem is written in the free-verse style and has no regular meter or rhyme scheme. Line breaks occur by natural cadence, or the rhythmic rise and fall of the language as it is spoken.

Imagery

One of Lee’s most distinctive stylistic elements is his mastery of the image. Imagery is the use of visually descriptive language to evoke a mental visualization in the reader. Many of Lee’s images are built upon figurative language which invites a sensory experience (of sight, sound, scent, touch or taste). For example, the speaker describes his mother’s hair as being “heavy / and black as calligrapher’s ink” (Lines 7-8). The image is complex because it requires multiple layers of visual imagining. The first image is of a woman combing her dark, thick hair. Lee then expands the image by using a simile and compares the hair to ink. We then make the visual leap from hair to perhaps Chinese characters or calligraphy scrolls. The deeper connection lies in the knowledge of calligraphy—a calligrapher’s brush is made of fine hair—therefore hair and ink come together as one in each brushstroke.


The image operates on a literal, metaphoric, and cultural level: literally the mother’s hair is as black as ink, the hair is metaphorically elevated to the art of calligraphy, and culturally the image reveals the mother’s heritage. With only six words, Lee constructs a deceptively simple image that is rich in meaning.

Caesura

Li-Young Lee is also a master of the caesura. A caesura is a pause or break within a line of poetry. It is often indicated through punctuation and can occur anywhere after the first word and before the last. There can also be more than one caesura in any given line. Caesurae are used to provide variation in the rhythm of a poem or to emphasize certain words or phrases. For example, in “Early in the Morning,” the first stanza is one long sentence. Lee provides breaks in each line to vary the sentence’s rhythm so that it flows gracefully when read. Caesura are marked by the “double pipe” symbol—||—when analyzing poetry.


The first stanza of “Early in the Morning” is marked below:


While the long || grain is softening
in the water, || gurgling
over a low stove flame, || before
the salted || Winter || Vegetable is sliced
for breakfast, || before the birds,
my mother glides || an ivory comb
through her hair, || heavy
and black || as calligrapher’s ink.


Lee’s caesurae occur naturally and mimic the cadence of regular speech. The breaks are often identified by comas but occasionally they occur sonically. The caesura in Line 1 occurs between “long” and “grain” due to the repetition of the “g” consonant sound. A pause is needed after “long” before repeating a similar sound in the word “grain.”

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