59 pages • 1-hour read
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Content Warning: This section of the guide contains references to death.
The next day, David bikes to the address on the card that Primrose gave him and finds the home and business of Madam Dufee, a fortune-teller. The street is sparsely populated with dilapidated buildings that David mistakes for garages. He also sees a junker van in the yard.
Madam Dufee invites David inside, reassuring him that he doesn’t need an appointment. David asks if a girl lives here, and the woman confirms this while ushering him inside.
The interior is covered in carpets and curtains, but there is no furniture. Madam Dufee has David sit on the floor of the dark room. David is afraid of the dark. As he listens to Madam Dufee’s humming, he recalls how his mother used to hum while setting the dinner table. Madam Dufee lights a candle. David notices all the gold jewelry she’s wearing, including her many toe rings.
She instructs David to show her his bare foot. She runs her fingers over his foot and prods it in many places, then says that she sees bread pudding. She declares that David will like bread pudding if he puts cinnamon on it. She also predicts a picturesque future for David, with a white picket fence and grandchildren. Suddenly, the girl from the library bursts in, flooding the house with daylight, and tells her mother that David is not a customer.
The girl shows David her room: the junker van with dried eggs on the windows. Many culprits regularly throw eggs at the van, but she doesn’t care. David is surprised to see the bedroom-like touches that she has added. The girl describes her plans for posters, a white fence, and flower boxes. She shows David a photo in an issue of House Beautiful. David asks about the photo on the dresser. The girl says that the man in the photo is her father; she explains that he isn’t dead, but she doesn’t know where he is. David tells her about his own overwhelmed father, who works far away. David and the teen girl bond over their favorite drink, Mango Madness.
When David tries to ask the girl about Madam Dufee, she resists his questions and teases him. As their conversation continues, she repeatedly lures him into feeling comfortable, then suddenly snaps at him, after which she laughs in delight at having scared him. David eventually learns that Madam Dufee is the girl’s mother and that Madam Dufee believes herself to be psychic. Critical of her mother, the girl believes that fortune-telling is all fake.
David asks about the egg hunt. The girl explains that she was too old to participate, so she snuck in the back way, intending to take some eggs for breakfast. When she heard people coming, she hid and pretended to be dead. David is angry that she tricked him because he showed her his secret memento of his mother. She reassures him that her eyes were closed at the time, but now she asks to see it for real. David refuses.
The girl says her name is Primrose and then criticizes her own name. David worries that this is yet another trick, and that she will snap at him and then laugh. Primrose pulls money from her pocket and offers to buy them both some Mango Madness. She invites him to see where she got the money later that night. David agrees to go with her, as he knows that he can do anything if his father isn’t home. He bikes while she skates. He hopes that she isn’t tricking him about her name because he thinks her name is beautiful.
David climbs out of his first-story window to meet Primrose at 9:30 that night. Primrose has a large wagon, which was built by someone she calls “Refrigerator John.” David asks to pull the wagon; he is nervous in the dark.
Primrose takes David through the neighborhood streets, stopping at each house to raid the garbage for things to salvage and sell at the flea market. Primrose is saving up money to buy paint. They salvage a broken children’s rocking chair that Primrose says Refrigerator John will fix.
David is afraid of the dark, but talking makes him feel better. He asks Primrose questions, wondering what happens if people think they’re robbers. He also asks about Primrose’s braided hair and Madam Dufee’s toe rings. Meanwhile, Primrose collects items in the wagon. When David asks why Primrose was sleeping in the library, she says that he is too young to understand.
David tells Primrose about his mother and her death. He explains that they were supposed to watch the sunrise together. He also tells her that he never breaks rules, but when Primrose tries to get him to explain why, he refuses. She says that he’ll tell her one day. When David declares that he doesn’t like Primrose, she retorts that he probably doesn’t like anyone. David says he likes his dad, but he hasn’t liked anyone since he left Minnesota, and he doesn’t like his grandmother because she acts like his mother. When David asserts that nobody is his mother, Primrose says, “Same here.”
Suddenly, a resident shouts at the kids, and David worries that they’ll call the cops, but Primrose isn’t afraid. Growing tired, David surrenders the wagon to Primrose, climbs inside, and falls asleep despite her protests and mockery. David drifts in and out of sleep for the rest of the night. Eventually, Primrose tucks David back into his bed.
As time goes on, David and Primrose continue to sneak out at night. David begins to sleep in later so that Primrose won’t make fun of him for getting tired. Every night, as she helps him back through his window, he asks what time it is and delights in how late the hour is.
One night, they go to Dunkin’ Donuts, and David tries coffee for the first time. He doesn’t really like coffee, but he likes the idea that his grandmother would be upset if she knew. After returning to his bed, David struggles to fall asleep, and he worries that he’ll accidentally see the sunrise. He promised that he wouldn’t watch the sunrise without his mother, and he believes that if he keeps this promise, she will one day come back. He covers his head with his pillow and forces himself to fall asleep.
David’s grandmother notices that he’s sleeping later, and she begins to worry about him. He knows that she’ll excuse his behavior as “The Sadness.” One night, David lets Primrose into his room, and they stay up late watching television and making jokes. David performs yo-yo tricks for Primrose and shows her his collection of Beetle Bailey comics. She reads every single comic and laughs at the ones she likes.
When they have a pillow fight, David’s grandmother almost catches them, but Primrose manages to hide behind the door just in time. She makes faces at David while he tries to keep a straight face in front of his grandmother. Afterward, Primrose and David continue to watch television. David unwraps one of Primrose’s braids, and she shows him how to redo it. At some point, he falls asleep. He doesn’t know when Primrose leaves, and he doesn’t hear her crying as she goes.
In addition to their other adventures, David and Primrose also visit Refrigerator John every night. Refrigerator John is a short man with a withered leg that shakes when he walks. He has a good friendship with Primrose, and they often joke around with each other. When people mistreat John, Primrose is indignant on his behalf. John likes that Primrose is grumpy and rough around the edges, yet respectful of him and appreciative of his company.
John notes that lately, Primrose has been coming around with a new kid, David, who is only nine. John doesn’t really understand the children’s friendship, since David is much younger and smaller than Primrose. Even so, John enjoys their company. He prefers the company of kids to adults, but most kids don’t like him. They either fear him or mock him.
John has built his own house on the scrapyard. He never had a television, and he never felt like he needed one until the kids started coming around every night. John doesn’t like the idea of them spending all night out on the streets, so he buys a television and stocks his fridge with kid-friendly snacks and drinks. He also provides them with several games. He hopes that they’ll spend more time at his place and stay safe, and his plan works.
David and Primrose prove to be a challenge for John to handle. They argue constantly, picking at each other and fighting over what to watch on television. They also tell each other that they don’t like each other. Primrose delivers sour remarks about whatever is on television, often growing angrier until she eventually shuts the television off, upsetting David.
Sometimes the kids settle down, with David braiding and unbraiding Primrose’s hair for hours. John learns more about them when they talk calmly. David tells Primrose about his best friend back in Minnesota, but she antagonizes him about the fact that they never call each other anymore. John suggests that David find a new best friend, but David shrugs him off.
Primrose also gives David a hard time for hating his own grandmother, and when David defends himself, John stays out of the conflict entirely. He already knows about David’s late mother and his living situation. One day, David fires back, asking Primrose why she hates her own mother, but Primrose pretends not to have a mother at all.
Primrose rarely talks about her mother, but she enjoys talking about her father often. She has recently started carrying around a smaller copy of his photo, and she often speculates about the wonderful things that her father might be doing. She says she recalls him saying goodbye to her as a baby, but David accuses her of lying. Primrose maintains that she was a smart enough baby to remember such a thing.
John cannot figure out the bond between this nine-year-old boy and 13-year-old girl. Most of the time, they squabble and antagonize each other, but they also seek one another out and take care of each other. John doesn’t take their fights seriously. He characterizes the children as throwing gentle stones that skim off the surface, but sometimes, the stones are too heavy and break through, creating deeper wounds.
John notices that David is more fixated on Primrose’s father lately. As the two watch television each night, David makes comments, suggesting that Primrose’s father might be an astronaut, a cowboy, or a game show host. Primrose doesn’t take his comments seriously, but even when she rejects his ideas, she’s always happy to talk about her father.
One night, David suggests that Primrose’s father is a clown, and she grows genuinely angry with him. The next night, they view a news story about the “Waving Man”—a scraggly man who waves at people at an intersection in the nearest city, Philadelphia. John has seen the Waving Man a few times during his trips to the city. Primrose speculates that the man is “nutso,” just like her mother. David says that maybe the Waving Man is Primrose’s father, and this comment puts her into a rage. She attacks David until John separates them. Then she screams that her father is “not a bum on the street” (85). David says he hates Primrose and her “crazy” mother. When Primrose replies that at least her mother is alive, David throws the remote at her, and John stops the fight. Casting around desperately for a change of topic, he tells them about giant worms called nightcrawlers.
This section of the novel focuses on the tumultuous friendship between David and Primrose, whose unique life circumstances have brought them into a close yet antagonistic friendship that borders on sibling rivalry. As David increasingly relies upon Primrose’s companionship and John’s quiet support, these new connections create a more detailed vision of Friendship as a Substitute for Parental Comfort. Yet in many ways, Primrose’s version of friendship challenges the expectations of what a traditional bond between children should look like. Rather than spending time together under the aegis of their parents’ or guardians’ approval, they pursue activities that illustrate The Tension between Rule-Following and Risk-Taking. Their late-night escapades through town grant them a level of freedom that they could never experience if they had been more closely supervised, and it is clear that their primary source of bonding is the lack of steady parental figures in their lives.
As is characteristic of Spinelli’s writing, Eggs represents a low-key, accessible approach to deeply serious topics, and the author introduces a delicate yet suggestive array of details to hint at the deeper problems in each of the two families without fully explaining the broader issues involved. This tactic allows for an age-appropriate narrative that nonetheless acknowledges common conflicts and challenges that many children must face in real life, like the death or emotional absence of a parent. Even the novel’s less central scenes follow this pattern, as in Chapter 10, when David gets a firsthand glimpse at Primrose’s mother, Madam Dufee, whose eccentric fortune-telling business has taken over the small home. Primrose complains that her mother is “goofy” and adds that she would “never want to be [her] mother” because Madam Dufee “lives in the clouds. In the future” (55). Her bitter tone makes it clear that she wishes her mother would spend more time in the present with her.
These chapters also give insight into Primrose’s absent father, whose photo she keeps on her dresser. Primrose says her father isn’t dead, but “I just don’t know exactly where he is, that’s all” (52). David relates to Primrose’s absent father, explaining about his own father, who “only comes home on weekends” because he is “overwhelmed” (52). Additionally, in Chapter 12, when David tells Primrose that “Nobody’s my mother” to explain his disdain for his grandmother’s attempts to fill that maternal role, Primrose commiserates, saying “Same here” (64). In this scene, the children’s lack of respect for the adults in their lives creates another parallel between them. However, Primrose’s blatant rejection of her own mother, who is still alive, contrasts sharply with David’s ongoing grief over his own mother’s untimely death. Thus, even the origins of their emotional bonds are contradictory, and their truest connection to one another lies in their mutual understanding that they both lack proper parental guidance. As a result, they continue to rely upon Friendship as a Substitute for Parental Comfort.
However, despite this connection, David and Primrose don’t always find comfort in one another, and in many ways, Primrose functions as a foil for David by criticizing his young age and compulsive rule-following. Notably, even her more antagonistic habits have a purpose, for she pushes David to confront his fears by dragging him into the dark night for the first time. Because she encourages him to delight in activities that might get him in trouble, like staying out later each night, the two children’s differing approaches to the world illustrate The Tension between Rule-Following and Risk-Taking.
The introduction of Refrigerator John provides the two children with a kind friend and a surrogate father figure, and although he cannot fully understand or solve their problems, he nonetheless functions as a reliable adult in their lives without quite taking on the role of a parental figure. Notably, Spinelli changes the narrative structure for several chapters in order to tell the story from John’s third-person limited perspective. This tactic allows the author to present new aspects of David and Primrose’s friendship, as seen through John’s eyes. By applying an adult’s more analytical thoughts to the situation, this perspective shift offers a clearer picture of the children’s odd and often tenuous friendship. John sees David and Primrose’s conflicts as “throwing stones” that only “stung for only a moment, then sailed off” (81). This stone-throwing metaphor illustrates the children’s habit of exchanging verbal barbs, but this trend foreshadows future trouble when their squabbles escalate into truly hurtful behavior. This escalation in metaphorical stone-throwing provides the impetus for the next stage of the novel.



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