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Nasuada is introduced to Elva, the baby whom Eragon accidentally cursed. Due to Elva’s magic, she now looks like a four-year-old child. Elva can feel everyone’s pain, and this form of magic forces her to help others: a curse that causes her intense distress. The Varden leader is unsettled by Elva, who speaks like an adult. However, Nasuada agrees to let Elva help the Varden because she knows that if the girl is allowed to work toward ending the war, this sense of purpose will assuage Elva’s burden.
Eragon is awakened in the middle of the night by a raging storm and rushes to close the hut’s windows. As he does so, he is struck by a seizure because of his back injury and collapses.
The next day, Eragon practices sword-fighting with Oromis, but he has another seizure that temporarily immobilizes him. Oromis sends him to listen to the forest instead, but Eragon is frazzled and feels helpless. When he asks why he should learn how to meditate, Oromis explains that Eragon’s intelligence and critical thinking skills are just as important as his skills with a blade. In addition, if Eragon develops greater awareness of his surroundings, he will be better able to detect magic users who may wish him harm. Oromis then asks Eragon why he is fighting against Galbatorix. When Eragon cannot give a satisfactory answer, Oromis encourages him to reflect on this point.
Eragon has a magic lesson with Oromis, who teaches him about creating and wielding spells. The old Elf traps Eragon’s legs to show him how to counter a spell. However, Oromis’s magic fails due to the lingering effects of an injury that he sustained years ago, and Eragon apologizes for pushing the master too hard. When Glaedr and Saphira return, the younger dragon playfully attacks Glaedr, who grows exasperated with her antics. Later, Arya shows Eragon around the Queen’s palace, and Eragon impulsively compliments her beauty. Saphira warns Eragon against trying to pursue a relationship with Arya, and Eragon cautions her to behave more respectfully around Glaedr.
Eragon begins practicing his sword fighting with Vanir, an Elf who has nothing but contempt for the young human Rider. Eragon has another seizure in the middle of the session. He then continues studying with Oromis, and the two discuss Eragon’s answer to the old Master’s earlier question about Eragon’s motivations for fighting Galbatorix.
Oromis teaches Eragon how to create a fairth (an enchanted, almost photographic picture of a scene). When Arya and Orik join them, the Dwarf asks to observe Eragon’s lessons so that he can report Eragon’s progress to Hrothgar. Eragon demonstrates how to make a fairth by creating a picture of Arya, who is angered by his gesture. Oromis later explains that Eragon’s feelings for Arya are likely to complicate his responsibility to the people of Alagaësia. Eragon agrees and resolves to apologize to Arya.
Due to his intense physical training, Eragon has been experiencing more frequent seizures. As a result, he begins to doubt his ability to fulfill his role as a Rider. His conflictual relationship with Vanir culminates in a confrontation, during which Eragon loses his temper and Vanir defeats him with a spell. Eragon later discusses the incident with Oromis, who teaches him more about the nature of magic and how to use it wisely.
The narrative shifts to Roran’s endeavors. After a grueling walk across the Spine, the villagers of Carvahall finally reach Narda. They set up camp, and Roran approaches the city with only a few other people. There, they find wanted posters of Roran and Eragon, each promising rewards from the king for their capture. They also go in search of supplies and try to charter a ship that can take them to Teirm, the next step on their journey. They are able to hire barges from a man named Clovis, but Roran leads him to believe that he will be transporting livestock. The villagers are initially opposed to traveling on barges, but a close call when a Ra’zac flies over their camp that night leads them to change their mind.
Two days later, the barges are ready to leave Narda and pick up the villagers in a nearby hidden cove. Before Roran meets Clovis at the harbor, a guard recognizes him and the young man is forced to kill him. However, they are able to set sail before the alarm is sounded in the city. When the barges reach the cove where the villagers are waiting, Clovis demands an explanation. Roran describes the situation and threatens to seize control of the barges himself if Clovis fails to honor his part of the deal. Clovis reluctantly agrees, and the villagers of Carvahall set sail for Teirm.
Eragon visits Arya and apologizes for his behavior towards her. She accepts his apology, and they end their conversation on good terms. Later, Glaedr teaches Eragon and Saphira about the bond between Riders and dragons, explaining that the bond is wrought by an ancient spell woven to ensure peace and cooperation between three races (dragons, humans, and Elves). He explains that Galbatorix’s rule and his artificial bond with his own enslaved dragon have weakened all three races, and that bringing peace to the realm is necessary to restore balance. Afterwards, Eragon tries to go hunting for meat because he feels dissatisfied with the Elves’ entirely vegetarian diet. However, he realizes that his meditations have shown him how intertwined all living creatures are. This knowledge renders him unable to eat the rabbits that he has hunted, and he vows never to eat meat again.
One day, one of Glaedr and Saphira’s lessons together ends in a fight. Injured, Glaedr returns to Oromis’s hut on his own, but he refuses to talk about the two dragons’ disagreement. Eragon finds Saphira and tends to her injuries. She explains that Glaedr refused her amorous advances, shattering her hopes that he might become her mate. Saphira is ashamed of her behavior and apologizes to Eragon for neglecting him. The two mend their relationship.
The Elves are preparing for the Agaetí Blödhren, a celebration of the oath that first bound the dragons, Elves, and humans together centuries ago. Because all guests are expected to bring something that they have made themselves, Eragon composes a poem about his own journey. When the celebration begins, the Elves sing enchanting songs that muddle Eragon’s senses, and he joyfully participates in the festivities. Toward the end of the celebration, the Elves hold a ceremony to honor the dragons’ gift of magic to the other races. Suddenly, Eragon is struck by a seizure that leaves him unconscious.
This section of the novel marks a significant shift in Eragon’s development as he undergoes a radical physical and emotional transformation. At first, the young Rider is still struggling with The Emotional Impact of Injury and Disability, grappling with growing doubts about his own strength as he experiences an increasing number of intense seizures. Notably, he hits one of his lowest points during his confrontation with Vanir, the contemptuous Elf sword master. When Vanir points out Eragon’s inadequacy, the protagonist dejectedly responds, “I’m ill-suited for this task. Any of these elves, even Vanir, would make a better Rider than me. […] I won’t give up, but I despair that we may not prevail” (396). Eragon’s doubts reveal the emotional toll that his responsibilities are taking on him, and the array of fantastical challenges that he now faces collectively symbolize the complexities of growing up and defining personal identity through adversity.
Eragon also suffers an emotional blow when he accidentally reveals his feelings to Arya via the image in his fairth, and her angry rejection of the object foreshadows her later rejection of Eragon himself when he grows brash enough to explicitly reveal his amorous thoughts toward her. Once again, Saphira’s advances on Glaedr, which are also rejected, create a parallel conflict to Eragon’s own struggles, emphasizing the two characters’ current failure to break free of the impulsive actions of youth and gain a greater sense of maturity and balance. However, these conflicts mark their lowest point and thereby pave the way for the magical ceremony of the Agaetí Blödhren to resolve Eragon’s physical disability. Thus, the ritual becomes highly symbolic of a more abstract rite of passage, invoking key aspects of cultural legacy to transform Eragon’s personal identity and physical appearance. Notably, Eragon’s ambivalent attitude about these changes can be viewed as a rather heavy-handed allegory for the awkwardness that arises from the physical and emotional transformations of adolescence and young adulthood. This awkwardness is further emphasized when he confesses his feelings to Arya after the ceremony and suffers rejection yet again. As a result, the characters’ struggles remain human and realistic even within the trappings of Paolini’s highly derivative fantasy world.
In addition, Oromis’s question to Eragon—“Why do you fight the Empire?” (351)—delves deeper into The Complexities of Power and Morality, especially when Eragon unequivocally states, “Galbatorix has already caused more suffering over the past hundred years than we ever could in a single generation. […] He could rule for centuries or millennia—persecuting and tormenting people the entire time—unless we stop him” (374). Paolini includes this scene in order to justify Eragon’s morally ambivalent actions by providing a solid ethical rationale. By extension, similar reasoning can also be applied to Roran’s actions, for like Eragon, he also sometimes compromises his moral principles to pursue ideals that he defines as the “greater good.” Although Roran does not enjoy violence, he does lie, steal, and even kill in order to protect his loved ones. In this way, his outlook matches Eragon’s earlier observation that humans “do the best they can with what they are given” (161). The narrative therefore suggests that the moral ramifications of any decisive action are complex at best, and it is not always possible to make decisions that are universally fair and ethical.



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