61 pages • 2-hour read
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Love and obligation are two key ideas throughout the entirety of Enchantra, particularly in the development of the romantic relationships in the text. Romance plays an important part in the novel, especially the dynamic between Genevieve and Rowin. Genevieve and Rowin’s relationship begins from a place of obligation; they must get married or Knox will kill Genevieve. Rowin feels obligated to marry Genevieve to help her survive and to gain a potential advantage in the Hunt. Their relationship is not real when they exchange their vows at the altar. However, as the narrative progresses, the couple becomes closer. Genevieve struggles, though, to separate her real feelings from the performative aspect of their relationship. When Rowin defends her from Remi’s pity, Genevieve thinks, “The optics of him sticking up for her were very important for their audience. Except Genevieve wasn’t currently interested in crafting more of their false narrative off the very real feelings she was having. Not with the weight of so many eyes on her” (157). Genevieve feels the gazes of the spectators heavily as she must pretend to be the doting wife to a man she’s only known for 24 hours. Genevieve cannot understand her growing attraction toward Rowin because she’s forced to pretend to be in love with him. Even when they become friendly, Genevieve remains confused, thinking, “They weren’t husband and wife, not really, but they weren’t friends. Were they?” (286). Genevieve cannot even tell whether Rowin likes her in a platonic way or simply feels obligated to pretend for the sake of the Hunt.
Despite her confusion, Genevieve becomes increasingly drawn to Rowin, falling in love with him in earnest. She notices that “his words were an instant balm, as was his touch, and it only made her want to cry more. How had she let herself become so reliant on him?” (276). Genevieve chastises herself for letting herself develop feelings for a man who may be pretending to have feelings for her. Genevieve moves past obligation to be near Rowin to actual desire to spend time with him, illustrating how her love for him evolves as her feelings of obligation lessen. As her love for Rowin grows, so too does her hope for being understood. She wonders if Rowin can understand her as no one has before, thinking, “Maybe Rowin would be able to get to know the real her. Maybe they could win the Hunt, free him from that curse, and then decide exactly how entangled they were willing to become” (357). Genevieve looks forward to a future in which her relationship can be freed entirely from the bonds of obligation, and she and Rowin can explore their love freely.
Genevieve Grimm’s core character arc revolves around accepting her identity as a Specter and as a Grimm. Feeling that her mother neglected to teach her about her magical identity, she journeys to Italy in hopes of escaping her mother’s legacy and finding people who can understand her and her paranormal background. However, at the beginning of the narrative, she’s afraid of being disappointed by Barrington Silver and what lies at Enchantra, “thinking that perhaps it was a mistake to pin so many hopes on a stranger who didn’t even know she existed. Or that she should wait for a clear-cut sign before uprooting all her sister’s carefully laid plans” (14). Genevieve is much less focused and wary than her sister Ophelia, who plans Genevieve’s trip for her. However, despite Genevieve’s lack of caution, she still hesitates to travel to Enchantra—her desire for identity is so strong that she fears disappointment.
Genevieve does not find the family of necromancers she hopes to find in Enchantra; instead, she finds a family of immortals who have their own memories of her family, depriving her of the clean slate she seeks. As she realizes that Rowin and his siblings knew her mother in the past, Genevieve feels the weight of the Grimm legacy bearing down on her. Instead of people who understand the loneliness and neglect of her past, she finds people who have memories of the very person whose legacy Genevieve seeks to escape. Genevieve wants to cultivate her own identity, free of the past, but the memories keep chasing her.
However, a key part of Genevieve’s development is her ability to recognize the past and move forward from it as the person she wants to be. Her early romance with Farrow Henry, who rejected her and threatened to kill her because of her magical identity, left her feeling conflicted about her paranormal abilities. By the end of the Hunt, Genevieve has a new appreciation for her own strength and her Specter powers, thinking, “She’d spent a lot of time in the last year wanting to be the girl she had been before Farrow broke her heart. Before he set her hopes and dreams on fire and plunged her into the darkness. But Rowin was right. The light was wherever she was” (401). Genevieve realizes that she cannot take back the past, she cannot undo the damage Farrow did to her, but she can move forward as the person she chooses to be. She can embrace her paranormal powers and her individuality, forging an identity grounded in her unique lived experience and recognizing the light within herself.
Genevieve must overcome numerous roadblocks to reach Enchantra in the first place, and she pursues her goal with determination even after she is repeatedly turned away. After Rowin first refuses to let her in the door, she thinks, “The stranger had made the mistake of rousing her curiosity—and her stubbornness—and she found herself much more interested in finding out what he was so determined to keep her from discovering inside the house” (45). Rowin tries to spare Genevieve from the Hunt, but Genevieve remains determined to solve the mystery of Enchantra, entering the house regardless of the consequences. Once she has set her sights on a goal, she refuses to be deterred. Her core character trait is a determination to chart her own course in life, rather than having her choices dictated by others.
In Knox, Genevieve finds an antagonist who constantly schemes to deprive others of choice, creating elaborate, rule-based systems in which his victims can make choices only within the parameters he has defined. The rules of Knox’s game, the Hunt, not only cause the Silvers physical and emotional anguish but also force them to inflict suffering on each other, making them responsible for the pain they endure. Knox is initially thrilled at the chance to thrust a vulnerable mortal into the trap he has created. Once she enters the Enchantra estate, Genevieve has few meaningful choices. She must marry Rowin and participate in the competition or face certain death. However, she finds an ally in Rowin, who is determined to respect her consent and choice, even in an inherently non-consensual situation. When Knox tries to force them into having sex by dosing them with passion fruit, Rowin lets Genevieve touch herself but refuses to put his own hands on her, saying, “It doesn’t matter what I want. I’m not going to touch you as long as we have this stuff in our system” (173). Rowin toes a difficult line between giving Genevieve space to express her agency and not crossing a line while Genevieve is under the influence of Knox’s drug.
Rowin has a strong understanding of both agency and consent, and he falls in love with Genevieve in part because he admires her strong will. When he and Genevieve discuss their growing feelings for each other and their complicated experiences inside the Hunt, Rowin clearly establishes the role agency has played in the arc of their relationship, saying:
But you and I have made our own choices. No matter what they’re saying, or wagering on, or voting on, we have chosen our path here. I cannot imagine how hard this has been for you. How exhausting it probably is thinking you finally have a handle on your emotions, only for the game to turn everything on its head an hour later. And I know a lot of that is my fault. But you’re not alone (331).
Rowin owns up to his own choices that have hurt Genevieve and acknowledges her pain, but he makes sure to remind her that she made key decisions to end up as a participant in the Hunt. Ironically, by making her own choices and refusing to be deterred, Genevieve placed herself in a situation in which choice was ripped away from her. However, the same determination that got her into this trap also gets her out of it. By the end of the novel, Genevieve and Rowin reclaim their agency by circumventing the Hunt and Knox’s rules to gain their ultimate and eternal freedom. The ring that restores Genevieve’s memories at the end of the novel only works if she freely chooses to put it on—a final symbol of the importance of free will.



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