Endgame: Inside the Royal Family and the Monarchy's Fight for Survival

Omid Scobie

63 pages 2-hour read

Omid Scobie

Endgame: Inside the Royal Family and the Monarchy's Fight for Survival

Nonfiction | Biography | Adult | Published in 2023

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Prologue-Chapter 3Chapter Summaries & Analyses

Prologue Summary

Omid Scobie is summoned to the ABC News London bureau on September 8, 2022, to report on Queen Elizabeth II’s passing. As he receives confirmation of the event, he reflects on how the death of the country’s longest reigning monarch has more impact on him than he expected. A few days later, alongside a group of other journalists, he observes the Queen lying in state in Westminster Abbey. Scobie spots the crown, orb, and scepter atop the Queen’s coffin and reflects on the intermingling of history, tradition, mystery, and myth in the context of the British monarchy.


Several significant events have transpired since Scobie began writing his book in 2022: The Queen’s death; Charles and Camilla becoming the new King and Queen; Prince Andrew, Duke of York, being stripped of his titles; and Prince Harry, Duke of Sussex’s release of a Netflix series and a memoir. All of these impacted the structure of the book and its cast of characters.


Scobie sympathizes with Charles and Camilla: The former is distrusted and disliked by many within the old guard of the “Firm” (the institution of the British monarchy), while many outside of it do not believe Charles is ready for kingship, partly because of the many gaffes in his personal life. He has not quite lived by the royal mantra of “never complain, never explain” (11) the way his mother did. Relatedly, because of her history, Camilla is tolerated, but not fully accepted by the public. Charles’s reign is also seen as a transitional one before William— Prince of Wales and the “future” of the monarchy—eventually ascends the throne. This already causes a power struggle between father and son.


The royal family is not unfamiliar with these kinds of struggles. One has already played out between the brothers, William and Harry. Although Harry and Meghan have completely divorced themselves from royal life, their story is still relevant. The issues they raised about bullying, misogyny, racism, and institutional cruelty continue to go unexamined and unaddressed by the Firm.


Scobie, who works for American press companies, has been following the royals since William and Kate’s engagement in 2010. Over time, he became a trusted confidante for many individuals surrounding the younger royals—William, Kate, Harry, and eventually, Meghan. All of this changed after the publication of his book, Finding Freedom, in 2020, which chronicles Harry and Meghan’s courtship, marriage, and eventual departure from the royal family. Now, he is perceived as a source of trouble for the institution. With the publication of Endgame, Scobie believes he is burning bridges for good, as “to tell the full story, there’s no holding back. […] We’re in the endgame” (14).

Chapter 1 Summary: “The Queen and Her Piper: Elizabeth II’s Final Days”

Pipe Major Paul Burns plays the bagpipes on the morning of September 6, 2022, the Queen’s last day of royal duties. The pipes signal the official start to her day and are a tradition dating back to the reign of Queen Victoria.


The Queen passed away on September 8, 2022, at 3:10 pm. Members of the royal family paid their respects privately at Balmoral, her Scottish castle. Major Burns played for the guests before dinner, the first time he played in the absence of the Queen.


The Queen’s coffin was transported from Balmoral to her final resting place in Windsor. Princess Anne, the Queen’s daughter, escorted it for the first part of the journey. Charles and Camilla received it at RAF Northolt before it was handed over to the public, with the Queen lying in state at Westminster Hall until her funeral. Hundreds of thousands from all over the world came to pay their respects.


On the day of the funeral, the coffin was moved to Westminster Abbey. The Queen chose this place because it was the site of her wedding, and later, her coronation. Around 4.1 billion people tuned in to watch the first state funeral since 1965, and guests included representatives from 168 countries, including monarchs, presidents, and prime ministers. The ceremony concluded with Major Burns’s rendering of “Sleep, Dearie, Sleep” on the pipes.


Major Burns would also pipe at the Queen’s “final act,” the committal service that would officially end her reign. Before his final duty to the Queen, he learned from Charles that the Queen had ensured Major Burns would continue in his role into Charles’s reign as well. The Queen was finally laid to rest in St. George’s Chapel beside her parents, sister, and her “strength and stay” (31), Philip.

Chapter 2 Summary: “Shaky Ground: The Queen Is Dead, The Monarchy Faces Trouble”

After the Queen’s death, images of Charles shaking people’s hands during his first walkabout as king emerged. The images painted him as affable and accessible as opposed to removed and dignified, as his mother was. This is an image Charles’s team has been orchestrating for years, knowing that it is needed for the monarchy to survive.


However, just 12 weeks later, Camilla hosted a high-profile event for the cause of Violence Against Women and Girls. One of the attendees, Ngozi Fulani—a British citizen of African and Caribbean descent and the CEO of Sistah Space—had a less-than-pleasant experience. She tweeted the next day about how one of the royal staff repeatedly touched her hair and asked her where she was really from. The incident made world news and brought up questions of racism within the institution, especially since the Firm was still dealing with the fallout of Harry and Meghan’s revelations in the Oprah Winfrey interview a little more than a year prior. Lady Susan Hussey, the offender in question, was removed from her role.


William immediately distanced himself from Lady Hussey, his godmother. Charles’s team viewed this as a knee-jerk response, but it established that William was not afraid to carve out his own path, something that brought tension into the father-son relationship.


However, increasing scrutiny surrounding William and Kate began before the Queen’s death. Their eight-day Caribbean cruise through the Commonwealth countries in January 2022 was poorly received. Protests broke out in Belize, and their refusal to acknowledge or address the grievances of colonization throughout the trip only added fuel to the fire. The missteps added up and included a poorly thought-out staged photo that showed William and Kate holding the hands of Black boys and girls through a cage-like fence. Additionally, the Jamaican prime minister, Andrew Holness, told William and Kate that Jamaica was ready to move on from the Queen as the head of the state.


Another source of tension is Charles’s ineptitude in handling family drama, especially in the case of his younger son and daughter-in-law. Despite being advised by many, including the Queen, to talk things through with Harry and Meghan and move forward, Charles has maintained a stubborn silence. The issues they have raised about the Firm, which include unconscious bias and institutional cruelty, still loom large.


A number of these situations show that the institution is still “an anachronistic, intolerant organization steeped in bigotry and privilege” (54). By disappearing into her role of service and winning worldwide popularity, the Queen was able to keep these criticisms at bay. She firmly adopted the historical stance of “never complain, never explain” (55), remaining an enigma and removed from any family drama all her life. Without her presence, the rest of her family is not as successful, as displayed by these internal tussles. This also demonstrates that the institution is unwilling to change.


The biggest indication of this is the conclusion to the Fulani and Lady Hussey incident. The Palace invited Fulani 17 days after the event for a face-to-face conversation with Lady Hussey, and a photograph of the two women together was released after. Contrary to the Palace’s report that the meeting went well, Fulani later revealed that she received no direct apology from the institution. After weeks of online harassment and trolling, Fulani was forced to step down from her role as the head of the charity, due to safety concerns. Meanwhile, Lady Hussey returned to the royal fold and reestablished herself within Charles and Camilla’s inner circle.

Chapter 3 Summary: “‘Oh God, I Hate This’: King Charles’s Premiere”

Shortly after the Queen’s death, the newly anointed King made the news for two separate incidents that showcased his grouchiness. While signing the proclamation for his new position as king, Charles got irritated with a tray of pens and almost pushed them off his desk in frustration. A couple of days later, when signing the visitor book of a castle he was visiting to receive condolences for the Queen’s death, he was once again frustrated by a leaky pen. Exclaiming aloud, “Oh God, I hate this pen!” (59), he departed the scene, leaving Camilla to handle the situation. The latter incident went viral, bringing into question Charles’s readiness to handle the Crown.


Charles now realizes he has more freedom as the heir than he does as the monarch. In late October of 2022, the short-lived prime minister, Liz Truss, requested that Charles refrain from attending COP27, the annual international climate conference organized by the UN. Even though Charles has been an advocate for environmentalism for most of his life, he discovered that, as monarch, he can no longer attend an event so politically charged.


During Charles’s coronation, the king discovered additional limitations of his new role. All his life, Charles has talked about a slimmed-down monarchy as his vision for his reign. At the time that he finally ascended the throne, Britain was reeling from the effects of numerous crises, including the post-pandemic situation, Russia’s war on Ukraine, and strikes in the NHS. In keeping with the country’s economic woes and his vision, Charles initially proposed a scaled-down coronation. This would signal that he was in touch with and cared about the public and that he was not afraid to do things his way. However, Prime Minister Rishi Sunak and his government took the opposite stance, believing that full-scale celebrations at the king’s coronation would both distract from the crisis at home as well as carry out some image repair for Britain. Charles had no option but to acquiesce.


Charles’s initial days as king were marked by a series of struggles, starting with Harry and Meghan’s docuseries airing in December, and continuing with the release of Harry’s memoir, Spare, in early 2023. Shortly after the release of Spare, the Sussexes were instructed to vacate Frogmore Cottage, their Crown Estate property in Windsor, as they were no longer working royals. Harry and Meghan later discovered that Charles had offered the space to his brother, Andrew, also no longer a working royal who had been stripped of his titles in disgrace. Charles’s blind spot for his brother is yet another problem, and he has had much more difficulty banishing Andrew from the family than his own son.

Prologue-Chapter 3 Analysis

Endgame features a series of discrete chapters that explore important aspects of the British monarchy, and each aspect is hinted at in the chapter’s title. These chapters are tied together through the common threads of the central themes, leading up to Scobie’s final thesis on the monarchy’s future. In the Prologue, which is the only untitled section, Scobie touches on the different key events that shaped the book’s structure and focus. He also reveals his background as a royal reporter and how he is perceived by the institution. This opening chapter contextualizes the book as well as Scobie’s own lens and perspective, which influences the analysis.


One of the earliest central themes that emerges is The Intricate Dynamics of Power and Image Within the Royal Family. In the Prologue, Scobie reflects on how the Queen’s passing impacts him more than he imagined it would when he sees her crown, orb, and scepter atop her coffin in Westminster Abbey. Both the image of the crown and the occasion of the funeral evoke strong feelings of tradition and nostalgia, which reiterate the power and influence of the royal family. Because reputation holds so much power, the royal family is equally affected by negative portrayals of them to the public. Charles’s initial months as King were marred by many challenges, including the releases of Harry’s Netflix series and memoir. Both events drew national and international attention, and highlighted the role of the media and public narrative in the maintenance of the royal family’s image. Their power and reputation are, thus, intricately linked within the mechanism of the Firm.


Alongside Harry’s revelations, other challenges that Charles faced stemmed from the public perception of him that preceded his ascension. This highlights a second central theme: The Public Versus Personal Lives of the Royals. Mere days after the Queen’s passing, Charles was caught up in a mild controversy surrounding his irritable behavior because of a pen. This incident demonstrates the deep contrast between the enigmatic Queen and her son, who has never been able to completely mask his emotions and opinions. While the Queen lived by the royal family’s adage of “never complain, never explain,” Charles has been unable to manage the same throughout his life. From voicing his opinions on political issues to allowing his feelings to guide his behavior with both his brother and his younger son, the public has always been privy to Charles’s stances. This worked to the Queen’s advantage and Charles’s detriment: By remaining an enigma, the Queen was able to rise untouched above a number of controversies and remain beloved. Charles, on the other hand, is seen as all too human, inviting criticism and distrust. Charles’s situation highlights how the royals need to either separate or sublimate their personal selves and public lives.


The monarchy’s struggles are not seated in Charles alone, however. Despite the Queen’s passing exposing a number of the monarchy’s vulnerabilities, there were signs of its decline even during her time. Harry and Meghan’s exit from the royal family was a major incident that shook up the Firm and the perceptions surrounding it. Scobie explores this in more detail later in the book. Largely, the Sussexes’ exit highlighted issues like misogyny, bullying, racism, and institutional cruelty, which the Firm has continued to ignore. The Lady Hussey incident is a stark example, especially the conclusion of the event in which Fulani was penalized, while Lady Hussey suffered no long-term consequence. Even the younger, relatively more popular royals like William and Kate have been on the receiving end of criticism and scrutiny, as evidenced by their Caribbean cruise in the Queen’s Platinum Jubilee year. These incidents reveal the public’s increasing sensitivity to the institution’s anachronism, intolerance, bigotry, and privilege. Amid these changing tides, The Monarchy’s Struggle for Relevance emerges as a third central theme.


The first few chapters mention several important figures by name and delve into a few of their personalities and personas. Besides Scobie himself, there is Elizabeth II—often simply referred to as “the Queen.” Her death is the most significant event heralding a new era for the monarchy, and Scobie accordingly begins the book by recounting her last days and the impact of her death. Beloved and enigmatic, the Queen is almost a standard to which everything about the monarchy after her time is compared. This is largely true of Charles, her son and the new king, whom Scobie paints as flawed and floundering. William, the next in line, is seen as the true future of the monarchy, which affects the perception of Charles as merely a transitional king.

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