48 pages 1 hour read

Every Note Played

Fiction | Novel | Adult | Published in 2018

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Chapters 9-15Chapter Summaries & Analyses

Chapter 9 Summary

A few days later, feeling the need to reconcile with Richard, Karina visits him again, bringing pierogies and wine with her. Bill, one of Richard’s home health aides, welcomes her inside, and she is stunned to see a wheelchair, currently vacant, in the living room. Bill leaves since his shift is over.


Richard thanks Karina for the pierogies but sips a milkshake instead of eating them. Karina is surprised to note the progression of his symptoms, including his motionless arms, soft voice, and occasional drool. Richard explains that the wheelchair isn’t needed yet, but it’s best to buy them well in advance. Karina urges Richard to inform Grace of his diagnosis, but he asks her to tell Grace for him; she refuses.


Before she leaves, Karina scratches the top of Richard’s head at his request. Richard’s eyes tear up as Karina leaves.

Chapter 10 Summary

Forced to lie flat on his back each night, propped up by several pillows to help him breathe, Richard rarely sleeps well. Smelling his freshly laundered sheets one morning, he remembers his childhood, including tasty breakfasts and satisfying piano lessons.


Getting up, Richard goes to the bathroom, spilling some urine on the floor. As a side effect of a drug that reduces his saliva, Richard is constipated and hasn’t had a bowel movement for five days. Richard walks through his apartment, unable to prepare food or read the books on his shelf. Seeing pictures of Grace on his desk, he regrets spending so little time with her. He also wishes that, had things turned out differently, he could have had more children, especially a son.


Richard thinks of his father, Walt Evans, who was a football player and coach who showed no interest in Richard’s affinity for classical music. Instead, he lavished attention on Richard’s two brothers, who were more athletic. In much the same way, Richard struggled to connect with Grace, who loves sports but has no interest in playing piano.


With nothing else to do, Richard sits on the couch and imagines his life without ALS until he falls asleep.

Chapter 11 Summary

At 9:00 am, Bill arrives and greets Richard cheerfully. After giving Richard a laxative, Bill helps Richard complete his daily hygiene routine, belting out showtunes as he does so. Genova explains that Bill became a home health aide after caring for his partner, who was diagnosed with acquired immunodeficiency syndrome (AIDS) before dying of pneumonia in 1991. Richard thinks of Bill as “equal parts brother, doctor, therapist, and friend” (96). Although Richard is not fond of the Broadway tunes Bill sings and whistles, he’d rather endure Bill’s singing than listen to classical music, which only reminds him of his losses.


After helping Richard dress, Bill prepares a smoothie for Richard. Richard asks Bill to let him out for a walk as he leaves. Bill is hesitant but agrees after making sure that Richard’s next-door neighbor is available to let him back in. Bill helps Richard put on his winter clothes and watches him walk downstairs before leaving for his next appointment.

Chapter 12 Summary

By the time he enters the Boston Public Garden three blocks from his home, Richard is exhausted. He painstakingly makes his way to a nearby bench, falling forward onto it. Observing the people and living things around him, he feels stagnant by comparison. Sitting on the bench, Richard reflects on his relationship with Karina. In addition to their mutual attraction, Richard bonded with Karina since she left her life in Poland behind to study music, just as Richard made a clean break from his rural New Hampshire upbringing, including his unsupportive father.


Richard gathers his strength and begins the difficult walk home. As he walks, he feels an increasingly powerful bowel movement coming on. Arriving outside the apartment, he attempts to contact his neighbors, but no one is available to let him in. Desperate, Richard uses the voice command on his phone to try to call Caring Health in the hopes they can send an aide, but his phone misinterprets his voice command and instead calls Karina, who says she can be there shortly.

Chapter 13 Summary

In the time it takes Karina to arrive, Richard succumbs to his bowel movement. She helps him upstairs to the bathroom, undresses him, and cleans the stool from his legs and groin. Richard apologizes and tells her to leave him for Melanie, his next aide, to deal with. Karina ignores his request and continues to clean him despite her disgust.


Afterward, while dressing Richard in a fresh set of clothes, Karina says, “Holy shit,” and the two of them laugh at her accidental pun. Waiting for Melanie to arrive, Karina learns that Richard’s aides are present for only four hours a day. Despite misgivings, she feels compelled to say, “You need to come back home” (125).

Chapter 14 Summary

Richard moves back into Karina’s house, which he left when they separated three years earlier. The den on the ground floor becomes his bedroom, and he has a hospital bed installed. Emotionally, Richard feels “demoralized, pathetic, emasculated” (127).


Just over a week after the move, Richard sits at the computer, using a pointer that attaches to his nose to type. He composes a letter to his father but—like the six other drafts he has saved—chooses not to send it, unsure of how his father would respond. Richard becomes somewhat uncomfortable but decides to wait for his next aide to arrive rather than ask Karina for help. He sips a milkshake while listening to one of Karina’s students struggle through a nocturne by Chopin.


As his mind wanders, Richard wonders why he got ALS. Some cases are genetic, but his case is sporadic, caused by unknown environmental factors in addition to genes. Hearing Karina play as a demonstration to her student, Richard acknowledges his role in ending her career as a performing artist prematurely. Though he didn’t admit it at the time, Richard knew that moving to Boston would limit her opportunities for development as a jazz pianist. Filled with bitterness toward Karina, Richard wonders if his experience with ALS can somehow lead to reconciliation with her.

Chapter 15 Summary

On Christmas Eve, Karina sings as she prepares a traditional Polish meal. Grace arrived home two days prior but has been unusually reclusive. Though Karina warned Grace that Richard has moved back in, neither has told her about his diagnosis.


As the meal begins, Richard sips a milkshake while Grace and Karina sample various Polish dishes. Grace eats quickly without speaking. She tries to leave, but Karina insists that she stay at the table. As Karina questions her about school, Grace reveals that she found out that Richard has ALS from a friend, and she is upset that no one told her sooner. Richard explains that he didn’t want to distract her from her studies.


Richard asks Karina to feed him a few bites of cake. The two share a tender moment as she fulfills his request. However, when a piece of cake becomes lodged in his windpipe, he struggles to breathe, and Karina administers abdominal thrusts.

Chapters 9-15 Analysis

In this section, the plot continues to develop as Richard’s symptoms become more severe. This leads to an early crisis point, with Karina deciding to open her home to Richard despite their complicated past. They find that their newfound proximity only revives some of their concerns from the past, setting the stage for further conflict and eventual reconciliation between them in subsequent sections.


Continued interactions between Richard and Karina serve to highlight each of their characters. Though he is often prideful and self-centered, Richard shows a tender side in his need to rely on Karina, both for simple services such as scratching his head and in a more urgent moment when he has a bowel movement while he is locked outside of his apartment. His repeated request that Karina leave the rest of the work for his health aide indicates his shame and discomfort at asking such a large service from her. Karina, meanwhile, demonstrates remarkable compassion as she undertakes the unpleasant task of cleaning Richard. Though resentments and concerns linger, developments in this section reveal that each does care about the other’s well-being.


Genova develops the theme of Blame, Guilt, and Reconciliation in this section as she highlights the generational factors influencing both Richard and Karina. Richard’s ruminations about his father and his daughter show that he is deeply concerned about his roles as son and father, though he struggles to express himself clearly in each case. He blames his father for not supporting him, even as he worries that he is guilty of treating Grace the same way. His unmet desire for additional children, meanwhile, conflicts with Karina’s preference not to have any more children after Grace. For her, this was a way of ensuring the kind of life she wanted, without the burdens and responsibilities associated with a large family, which she witnessed her mother struggling to fulfill. For both Richard and Karina, the examples of their parents serve, more often than not, as outcomes to be avoided rather than emulated. However, since each is trying to solve different problems exemplified by their parents, they end up with incompatible goals, leaving each to blame the other for their falling out and divorce. At this point, hope of reconciliation appears difficult, even impossible. Just before inviting Richard back home, Karina realizes that she “can’t undo all that has happened by saying what she feels compelled to say” (124). The fact that language alone cannot change what happened leads to a stalemate of sorts between Richard and Karina, with each blaming the other while resisting acknowledging individual guilt. This lack of communication, meanwhile, blocks them from achieving anything more than a superficial reconciliation up to this point. In addition, their lack of communication bleeds over into their relationship with Grace, who blames them both for not informing her of her father’s condition directly and sets up a need for reconciliation in subsequent chapters.


Meanwhile, Richard continues his journey of Confronting Mortality in this section. His flashbacks to his childhood are indicative of continued denial, as childhood is associated with carefree innocence and the illusion that life will never end. Richard also spends some time wondering why he happened to get ALS, which turns out to be a circular, depressing, and unproductive line of thinking. As Richard continues to feel sorry for himself, the appearance of a new supporting character in the form of Richard’s aide, Bill, pushes back against Richard’s pessimistic tendencies. Although Bill has experienced significant losses himself, he remains cheerful, and he tells Richard, “You’re not getting any pity parties from me, Handsome” (99). This quote exemplifies Bill’s down-to-earth and upbeat personality. He isn’t afraid to call Richard out for being excessively morose, yet he immediately follows his comment with an affectionate compliment. Combining these characteristics with his high quality of care, Bill invites Richard to savor each moment of his life, despite the challenges he faces. As someone who has experienced significant losses himself, Bill’s optimism is not naive but developed and maintained deliberately. His character demonstrates that it is possible to choose one’s response to challenging situations.


Richard’s wheelchair first appears in this section. As one of the first and most noticeable medical apparatuses Richard obtains as part of his treatment, it becomes a constant reminder of what lies ahead, and Richard comes to dread looking at or thinking about it. This in turn highlights denial as an ongoing coping mechanism for Richard.

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