52 pages 1-hour read

Everyone Is Watching

Fiction | Novel | Adult | Published in 2024

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Symbols & Motifs

Whiteness

Content Warning: This section of the guide discusses sexual assault, abusive relationships, and gun violence.


The color white has numerous resonances in literature and culture, ranging from representing innocence and cleanliness to marking death. In Everyone is Watching, whiteness also caries various symbolic meanings. 


Fern notes, early in the text, that Cat’s false bedroom is festooned with “layers of down comforters, cashmere blankets, and piles of pillows all in a crisp snowy white hue that hurt Fern’s eyes” (23). Fern later looks at the broadly white decor of the estate: “All pristine, Fern thought, but somehow soulless” (180). Here, the overwhelmingly bleached surroundings highlight the twist at the heart of the novel: Cat performs a warm and friendly intimacy with her viewers, pretending to invite them into her bedroom to chat, but in reality is an abusive and coldly manipulative vigilante. Similarly, while the contestants have ostensibly been invited to participate in a game show, they are really there to be punished by Cat. 


Later, white becomes the backdrop for dramatic bloodletting. When Camille notes that the group is all wearing white jackets during the “Spin, Speak, Shoot” challenge, she wonders if this is meant to unify the group. Fern teases her: “Or, Doctor, a white jacket is just a white jacket” (249). The game demands that contestants shoot themselves with an ostensibly unloaded gun; when the gun goes off, the expectation of blood is replaced with another red liquid—wine.


Whiteness, in the reality show world that Cat has created, is thus a signifier of falseness, one that imitates the truth so closely that appearance and reality are impossible to fully parse. Its appearance prompts readers to suspect that whatever is happening on the page will soon be revealed as a feint hiding reality.

Super Clues and Game Changers

For each challenge in One Lucky Winner, contestants discover Super Clues or Game Changers, which ostensibly help uncover the mystery of the estate or increase their possibility of winning. Both of these elements are ultimately subverted in the text, as what the contestants are intended to discover are rather each other’s secret misdeeds. Also, they cannot increase their odds of winning a game that was not designed to be won. 


Instead, these are psychological features of the game that are designed to push the contestants to desperation, to make them feel frightened of being harmed or having their secrets exposed. Both, in short, are ways for Cat to play with her enemies. Moreover, these clues and game changers have little effect on the plot. When Ned cuts Maire’s rope, she hurts her shoulder, but Samuel quickly helps her. When Maire drugs Ned, she saves him from drowning anyway. These objects thus emerge as MacGuffins—a mystery genre trope in which an object is framed as valuable to inspire character to pursue it, but which has no relevance to the plot otherwise.

Online Viewers

Everyone is Watching presents its online viewers as partly responsible for perpetuating the qualities of reality television that are criticized in the book. When the contestants shoot at one another, for example, some commenters debate calling the police, while other want to let the drama play out. Seeing reality TV competitors as characters with stories to be consumed instead of real people facing real danger suggests that the distance created by viewership is toxic. Moreover, the show’s devoted viewers—who propel Only One Winner to huge popularity—make Fern’s second season possible—viewers are hungry for the drama and violence that the first season brought.


However, the novel does not unilaterally present this online discourse as negative. The ability of Ned’s victims to communicate with one another is presented as a possible avenue for healing. However, the negative outweighs the positive—some fans still support Ned, even after his crimes are revealed.

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