52 pages • 1-hour read
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Content Warning: This section of the guide includes discussions of mental illness, suicidal ideation, and substance use disorder, and contains cursing.
Delonge and Hoppus started talking more and even got together to write new music. Rumors spread that the band was back together, and they had an awkward reunion announcement at the Grammys. It somehow felt like it wasn’t time for the reunion to go public yet, and Hoppus wondered if four years away was just too long to come back from.
The band got back together, but everything was different, and without Jerry, producing a new album was disastrous. The group argued all the way through production, and the tour happened before the album was ready. Delonge stayed to himself through the tour, and Hoppus started drinking. Conflict was constant, tensions were high, and crew members quit from the stress.
The record contract was over, and blink-182 needed a new label. They went to one meeting in which Delonge talked about his ideas for band merchandise and essentially scared the label off. At the same time, Delonge started a company called Modlife, which he hoped would turn into a fan subscription service for musicians. All of this was done in response to the changing industry and digitalization of music, as Delonge sought new ways to make money. Barker and Hoppus were reluctant to let blink-182 get involved but eventually agreed; unfortunately, Delonge’s manufacturing fell through, along with his new business venture.
Hoppus and his family moved to London, where he enjoyed regular family vacations, misty weather, and being far away from the drama surrounding the band. He includes photos of some of his escapades in England, as well as a photo of him with his son in the snow.
The next tour didn’t happen until two years later, and the band played in front of their biggest audience yet. Delonge drank too much before the show, and while the show still went well, Hoppus and Barker decided to prank Delonge on stage to teach him a lesson about reputation and decorum. Over the next several months, Delonge constantly flipped and flopped about the band. Eventually, Hoppus heard that Delonge was leaving the band and had asked Hoppus and Barker not to contact him.
Hoppus and Barker wanted to continue with the band and sought a new guitarist. They invited Mat Skiba of the Alkaline Trio, and since the two bands were already similar, it was a good fit. They played several shows and were celebrated. Hoppus realized that blink-182 was much bigger than any one member.
The music industry was changing, and going back to making albums was like a whole new experience for Hoppus. The way music was written, recorded, and produced was all different, but he was optimistic and even collaborated with John Feldmann of Goldfinger. Blink-182 made the album California, which was highly successful and led to their first Grammy nomination. Everything seemed to be going well.
Barker still talked about Delonge coming back to the band, but Hoppus no longer wanted this. They made another album called Nine, which was less successful. They still planned to continue making music and maintained their optimism, but then 2020 arrived.
Hoppus remembers going to the grocery store and finding the last package of toilet paper. He recalls the lockdowns and the way people started dying in masses. All of this amplified his fear of germs and illness, and he spent hours scrolling the internet. He was grateful to spend time with his family but laments everything his son missed because of the lockdowns. The tour was eventually canceled. When the vaccine arrived in 2021, Hoppus volunteered at a pop-up vaccinate site. He started to hope the world would return to normal again.
Hoppus was becoming more and more anxious and decided to work with a new therapist. At the same time, he discovered a lump on his shoulder. He went to the doctor, and they ran a number of tests that revealed he had stage 4 lymphoma, which had spread to various parts of his body and into his bloodstream.
Hoppus was told he would need intensive chemotherapy treatment, R-CHOP. He had several tumors throughout his body and would have to sit for hours while the chemical treatment killed off his cells. He had to call all of his loved ones and tell them, many of whom thought he was joking at first. Thankfully, his doctor was optimistic and never dramatic, but chemotherapy had harrowing effects on Hoppus’s body.
Hoppus was terrified when he started chemotherapy and started to wonder what his family would do without him. He thought of his own death often. His therapist told him to write streams of thought in a journal to help with his anxiety, and he includes some of these entries in his memoir. The first encapsulates Hoppus’s confusion and initial anxiety; he felt out of place and scared and wondered what would become of him and everyone else in chemotherapy. Skye was there through it all, and Hoppus tried to distract himself but spent most of the time just sitting in the chair. Afterward, he bought a cactus that was malformed and reminded him of his cancer. He got home and felt that the lump on his shoulder was already beginning to shrink.
The second round of chemo was known as the “Red Devil” because of its color and its extreme toxicity. Nurses had to take precautions to ensure it didn’t touch their skin. Hoppus sat in terror as the substance entered his bloodstream, and it instantly made him feel sick, tired, and weak. Chemo never got easier because it was always different, and he started to wonder if he could make it through. Skye asked him if he was planning to end his life instead, and it became the wake-up call that he needed to become more optimistic. The next two journal entries see Hoppus describing the loss of his hair, both on his head and pubic region. The experience was jarring and humanizing. Hoppus wrote about sitting in front of the firepit outside, pulling out tufts of hair and tossing them into the flames. He also wrote about his feelings of anger and hatred toward himself, and his thoughts that he isn’t brave or special even if he beats cancer.
Hoppus originally did not announce his disease to the public, but he accidentally posted a picture of himself in chemo one day. He tried to delete it, but it was too late, and swarms of messages and calls came in. He was overwhelmed and grateful, and suddenly regretted not having reached out to the world sooner. He feels that the support he received during this time was instrumental in his recovery. Hoppus also gradually began to accept the idea of dying and realized that he had already lived a full and privileged life.
Before his fourth round of chemo, Hoppus was told his body was cleared of cancer. He had to do three more preventative rounds, and the treatment had done serious damage to his body, but he was alive and going to survive. A journal entry shows Hoppus reflecting on the randomness of cancer, and his belief that nothing he did or didn’t do caused it; it just happened.
Hoppus was still in chemo, bored, and often thought of the other people in treatment who may or may not have recovered like he did. He recalls one nurse who was a fan of blink-182 and the constant strain to make something abnormal feel normal.
Following his final round of treatment, Hoppus left the hospital feeling like there should be more fanfare. He experienced brain fog for months afterwards and still does on occasion, but he feels that the experience of having cancer was ultimately good for him. It changed his perspective and added a new depth of gratitude to his life, allowing him to regain his sense of joy. While he still deals with anxiety, he lives life with a renewed sense of purpose and with the knowledge that every day is a gift.
Right before starting chemotherapy, Hoppus received a message from Delonge, who he was on distant but cordial terms with at the time. Hoppus took the opportunity to tell Delonge he had cancer, and Delonge then called to offer his full support. The two quickly regained their friendship and agreed to reform the band, “no more bullshit” (372). Delonge, Barker, and Hoppus met for breakfast and made a plan, and while all of their lives had changed, there was something enduring that had never really gone away.
When Frank Ocean canceled for Coachella, blink-182 was asked to take his place. It was the biggest show they had ever played, and more than 150,000 people were in attendance. When they perform, Hoppus feels like he is right back where he belongs: with his two best friends, playing music for the world. He even wonders for a moment if perhaps he did die, and this is what heaven is like.
Hoppus faces his biggest challenge yet when he is diagnosed with stage 4 lymphoma, requiring him to harness his strength. The chemotherapy treatments push him to new emotional and physical limits, leaving him to confront his fears of dying. This section builds toward the memoir’s emotional climax, revealing how vulnerability becomes a kind of power in the face of mortality. He candidly writes about the painful, isolating hours spent in treatment, expressing his vulnerability through unedited journal entries: “If you beat this cancer, it’s because you sat at home on your stupid arrogant self-important ass and let the chemicals do their work” (353). These moments reveal the depths of his self-doubt and fear. By resisting melodrama and instead offering clarity and calm, Hoppus models how reflection can transform pain into meaning. This internal battle is the darkest chapter of Mark’s life, eventually giving way to the happiest moments as he triumphs over cancer and gains a newfound appreciation for life, demonstrating Resilience and Defying the Odds.
Mark’s writing takes on an even more intimate and raw tone, especially through the inclusion of journal entries. A diary entry from his chemo treatment gives an unfiltered look at his state of mind during a particularly difficult time, offering a glimpse into his pain and internal turmoil. These entries ground the memoir in real-time vulnerability and emotional honesty, giving readers access to the immediacy of his suffering and his fight for hope. His use of self-deprecation, especially in his thoughts on cancer and treatment, conveys both his anxiety and his battle with self-worth. These entries ground the narrative in the darkest moments of his life, followed by his emergence into a new sense of gratitude and clarity, which he frames as a result of the humbling experience of his cancer diagnosis and treatment. The tone blends vulnerability, humor, and resilience, offering readers a real-time perspective on Hoppus’s journey. This tonal modulation—shifting between levity and gravity—is a defining stylistic hallmark of the memoir. It underscores how humor can act as both a coping mechanism and an act of defiance. The reunion of blink-182 brings comfort and renewed purpose; the bond solidifies, and they return to their core motivation: making music as friends. This moment marks a narrative full-circle return to the memoir’s foundational discussion of creative collaboration and chosen family. This transformation reflects the band’s evolution and the importance of clearing out the old grudges to rediscover what brought them together in the first place.
The changing landscape of the music industry becomes a driving force for change within Hoppus and the band, especially as Delonge’s attempt to launch the fan subscription service Modlife creates tension. This shift, combined with the rise of digital music and piracy, further isolates the band from what they used to understand as marketing and music. The onset of the COVID-19 pandemic introduces a new layer of isolation and anxiety, further complicating Hoppus’s anxiety and the band’s success. This is topped off with Hoppus’s cancer diagnosis, and his health crisis provides a stark contrast to the chaos of the music world, forcing him to confront mortality while navigating personal and societal upheaval. The memoir juxtaposes public disruption with private reckoning, creating layered tension between career instability and bodily fragility. The malformed cactus becomes a symbol of Hoppus’s own struggle: “The cactus understood me. We were the same, he and I. Just two creatures making the best of the cells multiplying in our bodies. We were in this together” (348). This image of the cactus, persevering despite its flaws, mirrors Hoppus’s own battle with cancer, as he seeks comfort in the idea that both he and the cactus are enduring. It serves as a metaphor for survival and resilience. The cactus becomes a quiet emblem of companionship, allowing Mark to find kinship in imperfection and transformation.
Hoppus’s journey through cancer treatment changes his outlook on life. The support he receives after accidentally revealing his diagnosis to the world becomes a turning point, and he expresses regret for not sharing it sooner. The outpouring of love and support helps him confront his fear of death and embrace the idea that he didn’t deserve this fate, he just had to face it. After overcoming cancer, he gains a new appreciation for life, though his struggles with anxiety and sadness remain. Hoppus prioritizes family, friends, and art, finding solace in the things that matter most. Delonge steps up as a supportive figure during his treatment, and by the end of the book, blink-182 reunites, performing before a massive crowd at Coachella. Hoppus reflects on this moment with a sense of wonder, contemplating whether this could be heaven. If it’s not, he decides to make the most of every day. This final sentiment encapsulates his new perspective on life, as someone that values the present moment and cherishes every experience, no matter how uncertain the future may seem. The memoir closes on this moment of awe, grounding Mark’s transformation in a sensory, shared experience of joy.
Across these final chapters, Hoppus recovers and reorients. His reflections on mortality, music, and meaning bring the memoir’s key themes to the surface: Resilience and Defying the Odds, Life as a Pursuit of Passions, and The Search for Belonging. His journey offers not just an arc of resilience but also a meditation on presence, love, and how to keep creating when the future is never promised.



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