48 pages 1-hour read

Famous Last Words

Fiction | Novel | YA | Published in 2007

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Chapters 22-30Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of illness, death, and death by suicide.

Chapter 22 Summary

On Sunday morning, Willa texts Wyatt and arranges to meet. She leaves a note for her mother claiming that she’s meeting Marnie and then goes to Wyatt’s house. There, she recounts the recent ghostly events and the emotional distress she has experienced, and she shows him a photo of the screenplay page. Their research reveals that the page comes from an unproduced film called The Final Honeymoon, written by Diana Del Mar, the 1930s actress who once lived in Willa’s house and died in the upstairs bathtub.


They discover this information on a blog written by Paige Pollan, a young film enthusiast who has documented obscure Hollywood history. Willa emails Paige requesting more information about Diana and the screenplay. During their investigation, Wyatt reveals that he has been researching Willa’s father’s death and suggests that it was not her fault, as she has long believed. From his research, he tells Willa what she already knows about how her father died. They were at the YMCA for their morning swim, and they had an argument. Moments later, Willa’s father had a massive heart attack and died. Willa has always believed that the stress of their argument caused the heart attack, but Wyatt tells her that this is not medically possible.


Enraged by this invasion of her privacy, Willa ends their friendship and storms out of his house, angrily telling Wyatt that Marnie was right when she called him a stalker. She returns home devastated, having lost what seemed like her only ally in understanding the supernatural events plaguing her.

Chapter 23 Summary

For several days, Willa and Wyatt ignore each other at school. Resolved to investigate the mystery alone, Willa attempts to contact the ghost but receives no response. She checks her email repeatedly but finds no reply from Paige Pollan. On Thursday night, she decides to research Paige online and makes a shocking discovery: Paige died by suicide the previous August.

Chapter 24 Summary

On Friday, Marnie excitedly shows Willa their photograph on the gossip website Starstalkerz. They have been misidentified with fake names from a press release that Marnie fabricated. Willa worries about the possible consequences of lying about their identities in public, but Marnie dismisses her worries, claiming that Hollywood is built on lies and suggesting that they try to parlay their sudden fame into a reality TV show. Faking a headache to avoid Wyatt, Willa uses the school nurse’s office to research online and discovers a photoblog confirming that Marnie and Wyatt once dated. The photos suggest that their relationship was more serious and their attraction more mutual than Marnie let on. Between this and the earlier conversation about becoming celebrities, Willa starts to wonder whether she can trust Marnie.


After school, Jonathan and Joanna confront Willa about the gossip site. The website has revealed Willa’s identity as Jonathan’s stepdaughter, omitting any mention of Marnie and making it seem as though the deception was entirely Willa’s doing. The incident has infuriated Jonathan’s publicist, who works to maintain his carefully crafted public image. Willa receives a lecture about the importance of reputation in Hollywood and is sent to her room, having discovered Marnie’s deceit about their fake identities and disappointed her parents with the unwanted publicity.

Chapter 25 Summary

Seeking closure about her father’s death, Willa locates her late father’s contacts and calls his physician, Dr. Tilliman. The doctor confirms that her father died from an undiagnosed genetic heart condition, finally absolving Willa of the guilt she has carried for two years. The following Monday at lunch, Willa reconciles with Wyatt, apologizing for her reaction and admitting that he was right about her father’s death not being her fault. She believes Wyatt when he tells her that Marnie invented the story about him being a stalker. In Wyatt’s estimation, Marnie is a pathological liar and manipulator, and Willa agrees. As she tells Wyatt that Paige Pollan is dead, Willa is suddenly struck by a new vision. She experiences the perspective of a captive girl named Lor, whose male captor gives her a cheap imitation necklace.

Chapter 26 Summary

After Wyatt helps bring Willa out of her vision at school, she tells him that the killer in her vision called the victim “Lor.” She connects this to the name Lorelei Juliano, one of the killer’s known victims. When she gets home from school, a supernatural wall of water rushes down the stairs of her house and knocks her over, leaving her soaked. Reed finds her in the otherwise dry foyer and misinterprets her distress as the aftermath of a breakup. Willa chooses not to correct him.


Later, after swimming in the pool, Willa discovers wet footprints leading from the pool area to the guesthouse. When Jonathan intercepts her before she can investigate, he forbids her from entering the guesthouse, claiming that it has faulty wiring that makes it dangerous. As he speaks, the mysterious footprints vanish completely, deepening Willa’s sense that the guesthouse holds a significant secret connected to the supernatural events haunting her.

Chapter 27 Summary

The next day, Marnie confronts Willa about her renewed friendship with Wyatt. Willa calls out Marnie’s lies about their past relationship, leading Marnie to end their friendship and uninvite Willa from a planned weekend stay. At lunch, Wyatt tells Willa what he has learned by illegally accessing police files: Paige Pollan’s suicide note quoted lines from Diana’s screenplay, and she died in the same manner as the actress.


That night, Willa pretends to her mother that she is still planning to go to Marnie’s house for the weekend. When Willa is alone in her room, the ghost’s activity escalates violently, with the entity scrawling, “WRONG” repeatedly on the walls. When Willa asks directly, “Who are you?” (215), the ghost responds by writing Paige’s blog biography repeatedly on the wall, finally revealing its true identity as the dead blogger rather than Diana.

Chapter 28 Summary

On Wednesday, Willa tells Wyatt that Paige is the ghost haunting her. They agree to postpone their investigation until after the weekend. On Friday afternoon, Wyatt drops Willa off at home with junk food for her solo weekend while her parents are away. That evening, she explores the extensive, alphabetized DVD collection in Jonathan’s home office.


Willa makes a disturbing discovery: Four films are missing from the collection. She consults Jonathan’s inventory binder and confirms that the missing titles are The Birds, Heathers, Kiss of Death, and Vertigo—the exact films that inspired the Hollywood Killer’s murder scenes. Deeply unsettled by this connection, Willa tries to rationalize the discovery but finds herself unable to accept the implications of what she has found.

Chapter 29 Summary

On Saturday morning, frightened by her recent experiences, Willa goes outside to bury the box containing the Walter Sawamura book and the moldavite ring, belatedly following Leyta’s instructions. She is surprised in her backyard by Reed, who has come to visit. They share a kiss, and Reed tells Willa that his parents died in a plane crash when he was 15 and that Jonathan became a father figure to him. He tells Willa that he feels a connection between them and wants to make their relationship official. Willa feels conflicted, realizing that her true romantic feelings are for Wyatt rather than Reed. Willa’s phone vibrates with numerous calls and text messages. Reed excuses himself to take Jonathan’s car to the car wash. Alone, Willa checks her phone and sees panicked texts and a frantic phone call from Kelly Delaine, Marnie’s mother, reporting that Marnie is missing.


Willa immediately calls Wyatt, who informs her that police suspect that the Hollywood Killer is responsible for Marnie’s disappearance. Willa recalls Marnie recently quoting a line from the film Detour and suspects that it was for an audition with a fake talent agency. During their phone conversation, Wyatt is suddenly interrupted and tells Willa that he is being arrested, leaving her completely alone as the danger escalates.

Chapter 30 Summary

Willa finds an envelope from the pool maintenance company containing a silver rose necklace that was discovered in the pool filter—the same necklace from her visions of Paige. The ghost then covers the walls with frantic writing, including the number “818.” On Jonathan’s laptop, the ghost highlights a blog comment from a user named “G.A. Green” and leads Willa to a file titled “Development Notes.”


The file contains a detailed chart linking the Hollywood Killer’s victims to bogus talent agencies, their disappearance dates, and inventory codes corresponding to Jonathan’s DVD collection. Willa realizes that “Green” was Paige Pollan, who vanished on August 18 (8/18). The final entry in the chart is for “M.D.”—Marnie Delaine—with a code corresponding to Detour, which Willa confirms is now missing from Jonathan’s shelf. She experiences a final vision of another victim, Tori Rosen, being murdered.

Chapters 22-30 Analysis

The revelation that Paige Pollan, rather than Diana Del Mar, is the ghostly presence haunting Willa transforms the novel’s exploration of The Value of Intuition. This disclosure occurs through direct confrontation between Willa and the ghost, who responds to Willa’s question by writing Paige’s biographical statement across every surface of her room. The repetitive nature of this message emphasizes the desperation behind Paige’s attempt to communicate her true identity. The author uses misdirection to suggest that Diana is the spiritual entity before revealing the truth. This technique demonstrates how preconceived notions about death, celebrity, and historical significance can obscure present dangers, pointing to the limits of Willa’s intuition. As much as Willa has learned to trust her intuition throughout the narrative, she must also be willing to revise her hunches when confronted with new evidence.


The rose necklace emerges as a symbol of the killer’s psychological control over his victims, symbolizing his attitude toward the women he pretends to value but ultimately views as disposable. This attitude, in turn, serves as an allegory for the Hollywood studio system of the 1930s and 1940s, with its infamously callous treatment of its young, female stars. When Willa experiences Lorelei’s vision, the killer’s dismissive comment about the necklace reveals his dehumanizing perspective: “[I]t’s nothing. A cheap imitation. It’s totally disposable” (192). This moment crystallizes the necklace’s symbolic function as a token of possessive affection that simultaneously marks the victim for death. The killer’s gift-giving ritual creates a perverse intimacy that masks his violent intentions, transforming what should represent care into an instrument of control. In this way, the necklace also symbolizes The Tension Between the Self and the Persona, representing both the killer’s false persona as an artist and his genuine, violent intentions. The discovery of the actual necklace in the pool filter connects the motif of dreams and visions to material reality, bridging the gap between Willa’s paranormal experiences and the concrete world of criminal investigation. The necklace’s silver rose design emphasizes the corruption of traditional romantic symbolism, where roses typically represent love and beauty but here signify death and ownership. The killer’s systematic use of identical necklaces across multiple victims demonstrates his need to impose uniformity and control, reducing individual human beings to interchangeable objects in his twisted cinematic vision.


Truth emerges through texts, from Wyatt’s notebook to Paige’s written messages, positioning the act of interpretation as central to survival. Paige’s supernatural communications consistently manifest as written messages, from the mysterious screenplay pages to the wall inscriptions that reveal her identity. The ghost’s frustrated scrawling of repetitive denials across Willa’s room demonstrates how the process of asking the right questions becomes as crucial as finding answers. The connection between Paige’s blog about Diana and her subsequent murder reveals how the killer exploits intellectual curiosity and scholarly research as tools for victim selection. The irony proves particularly sharp: Paige’s genuine interest in Hollywood history, documented through her writing, became the very mechanism that drew the killer’s attention to her.


Marnie’s character embodies the theme of the tension between the self and the persona, illustrating how the Hollywood environment encourages the adoption of false personas that ultimately prove dangerous. The photoblog documenting her relationship with Wyatt contradicts her earlier denial of their romantic connection, revealing her willingness to rewrite history to suit her current needs. This pattern of strategic deception extends to her secret pursuit of acting auditions, kept hidden from both friends and family. The narrative suggests that Marnie’s compulsive lying stems from a fundamental inability to distinguish between authentic self-expression and calculated performance, a confusion that renders her particularly vulnerable to predatory manipulation. Her disappearance occurs precisely because she has constructed an elaborate fictional identity around her aspirations, making her the ideal target for a killer who exploits the boundary between performance and reality. The tragic irony lies in how Marnie’s attempts to perform her way into Hollywood success lead directly to her encounter with someone who has turned murder into his own form of cinematic performance.

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