58 pages 1-hour read

FantasticLand

Fiction | Novel | Adult | Published in 2016

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Chapter 20-AfterwordChapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of graphic violence, death, and cursing.

Chapter 20 Summary: “Letter From the Florida National Guard.”

In a letter to Adam Jakes, Sergeant Steven A. Scott, responding on behalf of the Florida National Guard (FNG), explains FNG’s role in Hurricane Sadie’s rescue efforts. When FNG entered the park, they discovered numerous bodies. Survivors—over 200 in total—were led out in handcuffs without resistance and taken to a processing facility in Daytona Beach. Every survivor required medical attention, ranging from minor ailments to life-threatening injuries.


The Dreamland Resort, another section of FantasticLand, was examined the next day, revealing three dead bodies, an unremarkable sight compared to the devastation in the park. FantasticLand’s owner and staff cooperated with search efforts. Though survivors did not resist evacuation, some hesitated to leave. Initially, FNG found no management present but later discovered Sam Garliek locked in an office near the entrance—he hadn’t left in two weeks. Sophie Ruskin was charged with multiple shootings, but employee testimonies cast doubt on her guilt, and no physical evidence linked her to the crimes.


In the letter, Scott notes that disaster-stricken communities respond in two ways—by either bonding together or isolating. Those who form connections survive longer. He says that the difference between FantasticLand and these other cases “was the speed of the separation and then the subsequent rush to violence after that separation” (219). The situation was also unique because the employees both bonded and separated, getting the best and worst of both scenarios.

Chapter 21 Summary: “Interview 20: Travis Barnes: Former Lieutenant in the Florida National Guard.”

Travis Barnes, a member of the FNG, activated his body camera when he entered FantasticLand. After responding to 52 devastated towns, his unit was suddenly ordered to prioritize FantasticLand.


Jason Card was the first to approach, ecstatic to be rescued. The FNG also discovered “Paul the Puddle,” the employee killed by Brock. Injured ShopGirls emerged from stores, and a dozen bodies lay nearby, with their heads bashed in.


When Travis confronted the Pirates, they surrendered. At the Deadpool section, Jill Van Meveren rushed toward Travis with a sword before dropping it and being arrested. Travis’s camera captured two Warthog masks on the ground at the World’s Circus. Though a source claimed that body parts were found in the hotel, official reports dismissed any abnormalities. Travis helped escort the Freaks and Mole Men out.


FNG personnel conducted a systematic search, encountering survivors too weak to move. Some had to be carried out. Later, Travis uploaded the footage, admitting that he did so for money. He feels no guilt—he didn’t kill anyone, after all.

Chapter 22 Summary: “Interview 21: Emmet R. Kelley: Assistant Prosecutor for Florida’s 15th Judicial Court.”

Emmet Kelley, the lead prosecutor for cases stemming from Hurricane Sadie, struggled to convict FantasticLand employees. Many survivors didn’t appear monstrous, and strong cases were frequently undermined by witnesses creating reasonable doubt. Emmet was frustrated that Sophie wasn’t prosecuted, despite multiple testimonies claiming that she had shot people. Most FantasticLand employees avoided charges, and Emmet faced backlash for his failures in court.


Determined to convict Brock Hockney, the “Pirate Monster,” and Sam Garliek, Emmet assumed that Brock would be easier to prosecute. However, the public’s hatred focused on Sam, while Brock’s fellow Pirates protected him. Sam’s lawyer negotiated a deal, revealing that he had recorded footage of the “Council of Pieces.” When Emmet met Brock, he found him “creepy and totally convinced of his own righteousness and superiority” (237). This encounter cemented Emmet’s belief that Brock was a true “psychopath” who was instrumental in the violence at FantasticLand.


Choosing between convicting a coward or a monster, Emmet prioritized Brock’s conviction. He struck a deal with Sam, securing the tapes in exchange for Sam’s freedom and a fine. Emmet’s boss demanded his resignation, which he accepted without regret. In the end, Emmet stood by his decision, which ensured that a real criminal faced justice.

Chapter 23 Summary: “Interview 22: Brock Hockney: Character in the Pirate Cover, Leader of the Pirates.”

Adam Jakes presents his interview with Brock Hockney from prison in full, with both Jakes’s questions and Brock’s responses. Brock is immediately hostile, dismissing both Jakes and his lawyer, and questions how the interview would help him get out of prison. Reluctantly, he explains that he joined Operation Rapture because he liked the idea of being responsible for the park.


Brock argues that the other survivors lacked purpose, making them “far more susceptible to suggestion” (243), which allowed him to recruit them easily. When asked if the “Council of Pieces” was revenge for his brother’s death, Brock admits bitterness, believing that his brother would still be alive had protocols been followed. He sees management’s failure to provide for employees as proof that they had lost authority. Brock claims that freeing his Pirates from the fear of “getting in trouble” was an act of mercy.


Jakes challenges Brock about his past, noting his lack of violent history before FantasticLand. Brock insists that they were at war with management. When pressed about the Pirates’ brutality, Brock evades questions, amused by Jakes’s accusations that the Pirates did whatever they wanted. Brock then provocatively asks Jakes if he is curious about the taste of human flesh, prompting his lawyer to intervene.


Later, Jakes asks what Brock’s purpose was in firing the cannon, and Brock tells him that his goal was to kill people. Brock points out that he is not a huge guy, but no one tried to stop him. He tells Jakes that sometimes everyone must fight, and if you don’t, then you “might as well be meat” (251).


Jakes ends the section by stating that Brock has not given another interview.

Chapter 24 Summary: “Interview 23: Ritchie Fresno: Owner of FantasticLand.”

Ritchie Fresno begins his interview by distancing himself from his father, Johnny Fresno, who created FantasticLand. He states that he sold his share of FantasticLand Inc. and is no longer tied to the company. He felt overshadowed by his father but thrived in business school, where he found his own path. When Phil Mueller proposed Operation Rapture, Ritchie trusted him and agreed, believing that a skeleton crew would help keep the park intact after a hurricane.


After the storm, reports began arriving. Sam Garliek informed Phil about dead bodies in the park, and Phil ordered him to handle it, leading to the disastrous “Council of Pieces.” Shortly after, the Exclamation Point was reported destroyed. Alarmed, Ritchie called in the military, only to realize that someone from his company had previously informed the National Guard that FantasticLand was self-sufficient and low priority. When bodies were discovered on the Golden Road, Ritchie accepted that the park would never reopen.


Ritchie became disillusioned and met with the FantasticLand board, only to find that they wanted to cover up the incident. Frustrated, he sold the park and walked away. He disapproves of the plan for its future, where visitors “pretend to join a tribe and fake fight with other visitors,” calling it “fucked up on a very fundamental level” (260). However, he acknowledges that it will likely be highly profitable.

Afterword Summary

In the Afterword, Adam Jakes attempts to explain why FantasticLand descended into violence, but he admits that he still has no clear answers. The carnage was senseless and occurred despite abundant resources. He speculates that the theme park’s setting made the events feel unreal to stranded employees, who were accustomed to constant stimulation but suddenly faced extreme boredom without social media.


Some survivors leveraged their notoriety for new opportunities: Jill Van Meveren became a security consultant, Sophie Ruskin started a podcast, and Glenn Guignol joined a monster makeup reality show. Jakes visited Alice Barlow, a ShopGirl archer, after her mother said she was ready to talk. However, when Alice attempted to share her story, she broke down sobbing. He acknowledges that she might never be ready to talk about what happened at FantasticLand.


Ultimately, Jakes concedes that he does not know how FantasticLand unraveled into bloodshed—and neither does anyone else.

Chapter 20-Afterword Analysis

These final chapters of FantasticLand maintain its fragmented storytelling format by again connecting with the testimonies of outsiders to provide different perspectives. Through a letter from the FNG and interviews with Sergeant Steven A. Scott, Travis Barnes, Emmet Kelley, Brock Hockney, and Ritchie Fresno, the book investigates how outsiders dealt with the disaster and the pursuit of justice after the park’s employees were finally freed. The unreliable narrator continues to be an important feature of these interviews and reinforces The Role of Storytelling and Perspective in Shaping Truth. Every interviewee offers their own interpretation of the events, colored by bias and personal motivations. Sergeant Scott chronicles the FNG’s arrival at the park and the large-scale arrests and grisly discoveries. The aftermath is haunting, and Travis reflects on that. Emmet’s frustration in attempting to convict survivors shows how morally muddied the situation is, while Brock’s smug self-assuredness about the evidence of his crimes illustrates his belief in his own righteousness. Ritchie’s frustration with the corporate response is a sign of how business concerns have put brand image over accountability.


Travis’s footage offers a chilling visual confirmation of FantasticLand’s descent into depravity and furthers the discussion about the subjectivity of truth. His recordings exposed the physical remnants of violence—the bodies, the injuries, and the destruction—to the public, and he was paid handsomely for it. His discovery of the warthog masks adds to their disturbing mystery, supporting Jason’s story but offering no additional information. Officially, the FNG found nothing out of the ordinary at the Dreamland Resort, but Travis suggests a different reality that aligns with Jason’s experience. This leaves the narrative open to speculation about how many other horrors were expunged from the public record.


The theme of The Psychological Effects of Isolation and Disaster comes into prominence when the FNG describes how survivors from FantasticLand were evaluated following their rescue. Reports from the FNG underscore the physical cost of survival: Every survivor needed medical care. The narrative also highlights the mental and emotional effects by explaining that some employees didn’t want to leave the park after the rescue. This unwillingness indicates that the park had become their home.


The interviews with Emmet and Brock, in particular, examine The Descent Into Tribalism and Violence in Lawless Environments. Emmet’s failed prosecutions highlight how challenging it is to assign culpability when victims present as non-threatening. The courts had difficulty establishing personal responsibility, reflecting the chaos of FantasticLand and the moral ambiguity in extreme situations. Sophie Ruskin’s trial exemplified this issue and frustrated Emmet deeply—despite multiple witnesses accusing her of shootings, her friends testified in her defense, creating reasonable doubt. Meanwhile, the interview with Brock reveals how he manipulated others. His conviction that employees were purposeless and easy to manipulate reflects how vulnerable individuals are during a crisis: Brock led the Pirates to throw away their morals for entertainment and “brotherhood.”


Ritchie’s interview shifts attention to corporate failure. He describes how FantasticLand Inc. delayed attempts to evacuate and was unaware of—or chose to ignore—the seriousness of what was happening inside the park after the hurricane. In addition, the board’s attempt to gloss over the events is symbolic of broader institutional neglect, where protecting the brand outweighs an obligation to be accountable. Ritchie’s disgust at the rebranding of the park by its new owners, where visitors can “join” a tribe and have pretend fights, reveals his sense that society learned nothing from the tragedy at FantasticLand.


Adam Jakes’s Afterword sums up the book’s primary riddle, introduced in his Author’s Note at the beginning of the novel. After lengthy trials and survivor testimony, no one has ever been able to explain how FantasticLand became a battleground. Jakes posits that the setting of the theme park could have been a contributing factor—its environment helped detach people from reality. He also believes that extreme boredom was a factor that added to the situation as employees, used to constant stimulus, grew restless. Jakes circles back to the trauma and lasting impact, highlighting his attempted interview with Alice, whom he speculates will never be ready to share her story. Ultimately, these chapters cement FantasticLand as a depiction of human nature in crisis. The book is a critique of institutional failure, the appeal of violence as entertainment, and the complexities of justice in the aftermath of a disaster. The formal choice to use unreliable narrators encourages readers to figure out the answers for themselves while leaving the novel open-ended, highlighting the fact that in cases such as these, there may never be any answers.

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