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Rory begins the story with a list of objectives that reflect common beliefs about what a 12-year-old girl should want to be able to do: wear makeup, go to parties, babysit, and so on. She has compiled this list based on her understanding of the world, adding items to the list for years as she waited to turn 12 and enjoy all of her new privileges. What she has not done is stop to consider how her understanding of herself and the world might have evolved since she was younger. Angelina tries to warn her about this on the day before her birthday, but Rory cannot understand the older woman’s cryptic prophecy that she “won’t get what you want […] until you see what you need” (8).
The truth of Angelina’s words shows in the results of Rory’s experiments with her new privileges. As soon as Rory begins working through her list, she has one setback after another. She immediately loses her new cellphone and then ends up having to answer calls for a pizzeria over and over. The makeup and earrings that she has been imagining will make her look beautiful and sophisticated end up causing allergic reactions that inspire pity and amusement rather than admiration or envy. Her new pet rabbit tries to smother her, and her attempt to get new contact lenses results in Rory having to wear an eye patch for two days.
Rory has been looking forward to all of these new privileges and imagining how they will improve her life for a long time, and so it is hard for her to admit that her list might have a fundamental flaw. She charges ahead from item to item, always imagining that the next milestone will change her life for the better. This distracts her from what she really needs to do: learn to accurately understand her own identity and needs. Behind the scenes, though, Angelina is orchestrating a series of encounters that will eventually allow Rory to see herself.
Rory shows that she is beginning to learn the right lesson when she returns Kyle R. to the pet store. After this, she starts refusing new privileges when they do not really suit her. She decides against participating in the kissing game at Natalie’s party and even leaves the party early. This decision results in her meeting Sasha and finding out about the family she has helped in a variety of ways. At this point, Angelina knows Rory is ready to fully understand her mysterious message from the reservoir. Angelina explains that Rory needs to observe herself as accurately as she observes others: She is good at seeing what others need, but until she sees herself as clearly, she won’t understand what she really needs.
By the end of the story, Rory no longer believes that turning 12 is a magic portal ushering her into a new stage of life. When she realizes that she has no idea what she wants, Angelina promises that Rory will “figure it out as [she] goes along,” and assures Rory that, at last, she is “on [her] way” (292). Rory finally understands the point that Angelina has been trying to make since the day at the reservoir: Growing up is an ongoing and unpredictable process of trial and error; rather than fitting herself to a stereotype, Rory should enjoy discovering who she really is.
Rory learns an important lesson about herself: She has a special talent for really observing other people and understanding what they need. At first, Rory does not value this ability: Instead of seeing the good she does for others, she only sees how she tends to fade into the background, unnoticed. She is not surprised when her classmates and teacher fail to realize that she is missing when she falls into the drainpipe at the reservoir, because she knows that even her close friends often fail to notice when she is not around.
Many of the items on her list of longed-for privileges show Rory’s discomfort with always being in the background. She hopes that makeup, contact lenses, and pierced ears will make her more conventionally attractive and draw others’ attention. Ironically, becoming the center of attention is exactly what happens—just not in the way that Rory expects. The mangled legs, allergic swelling, and eye patch she gets after trying out shaving, makeup, contact lenses, and pierced ears certainly make people notice her, but not in the way Rory wants. After several weeks of this, Rory realizes that she is more comfortable being in the background.
The movie filming subplot explores the difference between being in the foreground and in the background as well. Rory’s experiences as an extra also show her that there are advantages to not deliberately seeking the spotlight. Jake and Madison, the movie’s stars, are under considerable pressure. Everyone watches their every move and gossips about their appearance and their relationship. Security people accompany them almost everywhere they go. The two fight bitterly about whether fame is a more important goal than honing their craft. Rory realizes that, although she is embarrassed about the attention her various mishaps bring her, her situation is nothing like Jake’s, for whom any injury or accident becomes the subject of national attention.
Rory’s ability to fade into the background is also an important part of her special ability to notice others. As Leo points out, “there are no such things as coincidences” (245). Rory is often overlooked because she is observing others’ needs. One of the functions of the more magical characters in the novel—Leo, Amanda, and Angelina—is to notice Rory when other people cannot and to help her understand the connection between being “invisible” and being a good observer. “That’s sort of your thing, ya know? […] how you see things,” Amanda tells Rory (275). “Truly being able to see the needs of others around you, that is a rare gift,” Angelina tells her (292).
Amanda, Angelina, and Leo’s beliefs about Rory are borne out by the plot. Rory demonstrates keen insight into family, friends, and even complete strangers. She understands intuitively that her parents are struggling with her growing up and need compassion. Annabelle feels that Rory “[sees] into me”(295) and makes Annabelle feel good about herself in a way that other people cannot. Rory notices that Emily St. Claire is lonely and goes out of her way to indulge the younger girl. After realizing that Kira is embarrassed about her intense crush on Jake, Rory reassure Kira—and later, orchestrates a kiss between Kira and Jake. Rory helps various members of Angelina’s family get a job, get an audition, buy dog food, capture their runaway dog, and more. She is able to help so many people in so many ways because she has a special gift for noticing others and their needs and has the generous impulse to make their lives better.
The transitional years between childhood and true adolescence can be awkward and uncomfortable. Tweens have much to discover about themselves and the world around them, and they are bound to have insecurities and make mistakes. In Finally, Rory is in this tricky stage of life, and she certainly experiences all of its setbacks. Fortunately, Rory also experiences significant support from her parents and her friends. Their warm appreciation of Rory gives her the confidence to keep moving forward and growing.
Rory’s parents are nervous about letting her have more freedom after she turns 12, but they are also very encouraging. They put their own feelings aside and focus on what is best for their daughter. They also establish reasonable guardrails for her as she explores her new privileges, so that she can practice becoming more responsible without devastating failure. Rory’s parents are not excited about her getting her own cell phone, for instance, but they agree. Her father drives her to three different stores to find the right phone—one that lets her call her friends and send text messages, as she wants to, but one that also has parental controls. Her parents insist that she buy insurance, as well, which comes in handy when she immediately loses the phone. This means that Rory does not have to live with the terrible consequence of permanently losing her brand-new phone, and she learns from the experience to keep better track of the second phone from then on.
Rory’s parents also offer her emotional support as she begins to explore more adult freedoms. Her father says that they “trust her to make the right choices” (48), showing Rory that her parents believe her to be a moral, sensible person. When Rory faces obstacles, her parents simply encourage her to learn from these problems instead of using the setbacks as an excuse to revoke her new privileges. When Rory cuts herself badly and damages her skin trying to shave and wax her legs, Rory’s mother does not reprimand her or shame her. She comforts Rory and bandages her wounds. Rory’s mother shows her pride in Rory’s growing maturity when she retrieves the emerald earrings from the safe-deposit box at the bank; when Rory’s unexpected allergy prevents her from wearing the earrings, Rory’s mother has them made into clip-on earrings, showing her genuine determination to support her daughter’s goals.
Rory’s friends are another important source of support in Rory’s quest for a more independent, more adult identity. Annabelle supports Rory’s exploration of her interests by going to the babysitting class even though she herself is uninterested in babysitting. Both Annabelle and Sari affirm Rory’s attempts to change her appearance: Annabelle orchestrates the trip to the mall for makeup and loans Rory party clothes for the movie shoot, while Sari is quick to tell Rory how nice she looks at Natalie’s party when Rory is feeling insecure. Both girls cheer Rory’s accomplishments and commiserate with her about the setbacks she experiences. Annabelle, especially, always makes sure that Rory knows she has faith in her. Annabelle’s and Sari’s cheerleading for Rory, like her parents’ consistent demonstrations of pride and faith, create an atmosphere where Rory can thrive during her tween years.



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