44 pages 1-hour read

Finders Keepers

Fiction | Novel | Adult | Published in 2015

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Part 3, Chapters 1-18Chapter Summaries & Analyses

Part 3: “Peter and the Wolf”

Part 3, Chapters 1-3 Summary

Hodges and Holly go see a movie, but their thoughts keep returning to Pete and the money. Barbara’s mother notes how troubled Tina seems, but she begins to relax and have fun with Barbara. Barbara’s older brother, Jerome, comes home, and Tina immediately develops a crush on him. That night, she tells him about Pete. Meanwhile, Pete is away on a school trip, but all he can think about is how “terrified” he is to meet with Drew/Andy. He is determined, however, to do whatever he has to do to be rid of the notebooks. He thinks often of Jimmy Gold for courage.

Part 3, Chapters 4-6 Summary

Morris passes a restless night, haunted by bad dreams due to not knowing what happened to the notebooks. He returns to the motorcycle shop to retrieve his hatchet from the truck, prepared to use it on Andy if necessary. He goes to Andy’s shop, and Andy does not recognize him. At first, Morris pretends to be interested in buying books, but as Andy uses his computer, Morris threatens him with the hatchet. In the backroom, Morris slashes Andy’s backside with the hatchet. As Andy bleeds on the floor, Morris questions him about the notebooks, telling him he will survive if he tells the truth. Andy tells him about Pete and his plan to return to the shop Monday afternoon. Morris realizes that Pete has read the books, which fills him with jealous rage. He believes they were “meant for Morris and Morris alone,” and this “is a grave injustice [that] must be addressed” (278). In his rage, Morris hits Andy with the hatchet four times, killing him.


Morris cleans his hands and body, changes his clothes, and wipes the shop down for fingerprints. He wipes down the hatchet and leaves it in the back room of the bookstore. Morris finds that the store’s security system only saves the footage to Andy’s computer. He finds a DVD recording of each time Pete came to the store, along with an envelope of cash and a gun. He leaves the bookstore, taking the envelope, gun, DVD, and computer with him.

Part 3, Chapters 7-8 Summary

Restless on Sunday afternoon, Hodges visits “an old acquaintance” (284), Brady Hartsfield—the Mercedes killer—in a brain injury clinic. Although the hospital workers pity Hartsfield’s lack of mobility and brain activity, Hodges thinks it has allowed him to avoid standing trial, remaining in a comfortable hospital instead of prison. In 2009, Hartsfield killed eight people and injured 12, including Pete’s father, when he drove a Mercedes belonging to Holly’s aunt into a crowd of people. Afterward, he killed Holly’s cousin, who Hodges was in love with. As Holly stopped Hartsfield from blowing up a concert by bashing his head in, putting him into his current semi-catatonic state. Hodges taunts Hartsfield, asking if he is faking it and accusing him of killing his own mother. Hartsfield does not respond or even move; however, as Hodges leaves, a photograph of Hartsfield and his mother falls face down. Hodges resets it and asks if Hartsfield did it, but gets no response. Hodges leaves, and the picture falls again, as Hartsfield smiles.

Part 3, Chapters 9-11 Summary

Pete leaves his school trip to wander around the wood paths for the day. He feels “unadulterated fright” over his confrontation with Halliday and vomits several times. His teacher scolds him when he returns to the group but notes how pale and sick he looks. Meanwhile, after hearing Tina’s story, Jerome visits Hodges and asks to help figure out what’s going on with Pete. Hodges agrees to let him come to the school, where they will each watch a door for Pete to exit. Holly paces and obsesses over the notebook that Tina saw Pete reading. She calls Tina and asks if she can think of any friends or teachers that Pete might have talked to. Tina gives her Mr. Ricker’s name, but Holly decides not to call him yet.

Part 3, Chapters 12-14 Summary

Morris researches Andy’s house, planning to retrieve his car. He becomes increasingly paranoid about McFarland, but now refers to himself as “Morris the Wolf” (307). He decides he will kill McFarland if necessary. On Monday, he does not go to work or report to McFarland. He thinks of how “his life has taken a long, long detour, but he’s almost back on the mainline” (313). Once he has the notebooks, he will leave the city, possibly going to New Hampshire, to read the notebooks where Rothstein wrote them.

Part 3, Chapters 15-18 Summary

Morris breaks into the rec center basement, still planning to hide the notebooks there or use the building for an escape if necessary. Around mid-morning on Monday, Hodges is in court for a different case. Linda Saubers picks up Tina, who is sickened by her guilt over talking to Hodges. Linda takes her home, planning to ask her children about the money. In physics class, Pete is distracted by what he is going to say to Andy. Morris returns to Bugshit Manor and clears out his apartment, determined not to return, though he still worries about seeing McFarland around every corner. Jerome visits Holly and they discuss movies, distracted from their meeting with Pete. Meanwhile, Andy still lies dead in his office.

Part 3, Chapters 1-18 Analysis

In Part 3, King cements Morris’s his role as the antagonist and the “Wolf.” He continues to track the notebooks, acting with indiscriminate violence in their pursuit. For example, convinced that Andy stole the notebooks, he cuts Andy with the hatchet before he even has a chance to defend himself. Even after Andy explains about Pete, Morris murders him, suggesting a bloodthirstiness that is popularly associated with wolves, though these stereotypes do not reflect the behavior of the actual animal. Further, King’s attention to Andy’s decomposing corpse in later chapters both builds suspense for its discovery and suggests a particular cruelty on Morris’s part, leaving his old friend to rot: “He’s sleeping the big sleep in a patch of congealed blood, drawing flies” (321). Morris’s increasing obsession with the notebooks continues to put his priorities out of proportion, as he becomes less afraid of McFarland revoking his parole, repeating that “that shit don’t mean shit” because he is a “crafty wolf” (257). Referring to himself as “Morris the Wolf” (307), he decides that he would not hesitate to kill McFarland. Ironically, as Morris’s grasp on reality becomes more shaky and it becomes clearer that he is experiencing mental illness, he claims he has “never felt saner in his life” (312). As Morris’s desire to read the notebooks increasingly consumes his attention, it leaves little room for logical thought or empathy. His increasingly feeble grasp of what is reasonable conveys the theme of The Dangers of Obsession. The author further illustrates this through Morris’s loss of interest in the monetary value that the notebooks hold and the money buried with them: “Morris rarely thinks about the money envelopes Curtis Rogers found […] in Rothstein’s safe that night” (275). Morris has become so obsessed with the notebooks and reading the next book in the Gold series that even money no longer holds any influence over him. This growing obsession also emphasizes the dark side of How Literature Shapes Lives, with Morris’s insatiable desire to find out what happens next consuming his life.


In Part 3, their similarities continue to be apparent, both wrestling with anxiety over their situations. Pete, for instance, is unable to focus on school, vanishing for an entire school day to worry about his upcoming conversation with Andy. Like Morris, he references Jimmy Gold’s line that “this shit don’t mean shit” (268), revealing how obsessed with the notebooks he has become. Similarly, Morris has nightmares about the empty trunk, becoming consumed with plans to exact revenge. It is important to note that King’s depictions of people experiencing mental illness and faking brain injury do not align with current scientific research on the subjects and may be considered offensive. The use of common misconceptions and vilifications of mental health conditions to explain evil characters is a frequent trope in both horror and mystery fiction.


Through conversation with Andy, Morris discovers that Pete has the notebooks, but also that he has read them. His reaction to the discovery that Pete read the notebooks illustrates The Relationship Between Author and Readers theme. The knowledge “ignites a spark of poison jealousy […] and lights a fire that quickly spreads to his heart. The Saubers boy has read what was meant for Morris and Morris alone. This is a grave injustice, and must be addressed” (278). Morris feels that he is the only person entitled to read his favorite author’s notebooks because Jimmy Gold means so much to him that he went to such lengths to obtain them. This obsession, however, clearly contradicts the author’s intentions and allows the literature to consume his life to the point of illogical thought and anger.

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